Past Residents
Yuki Higashino
Yuki Higashino explores a variety of topics through his work, including the influence of digital technology on our visual culture, immigrant identity, and the conflict between language and picture. Higashino combines several aesthetic standards, such as those of photography, calligraphy, and film, to create his own distinctive pictorial lexicon.
Yuki Higashino has exhibited work at Mumok, Vienna; Last Tango, Zurich; Contemporary Art Factory, Kyoto; Galerie Kunstbuero, Vienna; and The Brno House of Arts, among others.
Yuki Higashino, Notebook 5, 2020, acrylic paint on plexiglass, 111/4 × 151/8 in. (28.57 × 38.42 cm)
Yuki Higashino, After Josef Sudek 1, 2020, acrylic on acetate, 101/4 × 57/8 in. (26.03 × 14.92 cm)
Yuki Higashino, Notebook 6, 2021, acrylic on plexiglass, 111/4 × 151/8 in. (28.57 × 38.42 cm)
Yuki Higashino, Sundborn, Summer 1, 2021, acrylic on plexiglass, 235/16 × 131/4 in. (59.26 × 33.65 cm)
Yuki Higashino, The Poundbury Horror, 2020, HD video with sound, 18 min.
Past Resident2022: DOOSAN Art Center
Junghyun Kim
Junghyun Kim is a curator specialized in Asian contemporary art. She has interests in the relationship between the museum and the audience’s body. Through exhibitions, on/offline performances, community-engaged art and symposiums, Kim explores themes on ways to restore human senses in the digital environment.
Junghyun Kim has exhibited at Seoul Museum of Art, Buk-Seoul Museum of Art, and Songeun Art Cube, all South Korea, among others.
Events & Exhibitions
Artists at Work: Ying Chiun Lee with Junghyun Kim
July 28, 2022, 6–7pm
Junghyun Kim, Every Haetae, 2021, mixed media, installation view at Seoul Museum of Art, dimensions variable
Junghyun Kim, Serpentine Twerk, 2021, mixed media on canvas, installation view at Seoul Museum of Art, 102 × 76 in. (259.08 × 193.04 cm)
Junghyun Kim and Taste House, Delivery Service 2020, 2020, performance
Junghyun Kim, Your Garden, 2020, archive installation, dimensions variable
Junghyun Kim, Creating Stories, 2019, book
Residents from South Korea
Past Resident2022: Ministry of Culture, Taiwan
Alice Nien-Pu Ko
Alice, Nien-Pu Ko is a curator and writer. Her curated and co-curated works include Tony Oursler: Black Box (2021), SUNSHOWER: Contemporary Art from Southeast Asia 1980s to Now (2019), Tomb of the Soul, Temple, Machine and Self (2018), Flags, Transnational–Migrants and Outlaw Territories (2016), Reverse Niche–Dialogue and Rebuilding at the City’s Edge (2013).
Alice, Nien-Pu Ko has presented exhibitions at Kaohsiung Museum of Fine Arts, Kaohsiung; Tokyo Wonder Site, Tokyo; and Bi-City Biennale of Urbanism/Architecture, Hong Kong, among others.
Events & Exhibitions
2022 Spring Open Studios
April 22–April 23, 2022
Tony Oursler, Lock 2, 4, 6, 2021, retrospective at Kaohsiung Museum of Fine Arts., Lock 2, 4, 6, 2021, video installation, dimensions variable
Tony Oursler, Obscura, 2021, video installation, dimensions variable
Apichatpong Weerasethakul and Chai Siris, Sunshower, 2019, Installation view at Kaohsiung Museum of Fine Arts, dimensions variable
Jing-Shan Lang, Chun-Ming Ho, Su-Chen Hsu, Chao-Tang Chang, Chun-Te Hsieh, Yu-Fu Yang Jun-Yin Chiu, Cheng-Po Chen, Hsia-Yu Chen, Chieh-Jen Chen, Yin-Ju Chen, Fu-Sheng Ku, Tomb of the Soul, Temple, Machine and Self, 2018
Hikaru Fujii, Kum So-Ni, Kao Jun-Honn, Au Sow-Yee, Flags, Transnational – Migrants and Outlaw Territories, 2016, installation view at Tokyo Wonder Site., dimensions variable
