Current Residents
Past Resident2019: National Arts Council, Singapore
Stephanie Jane Burt
Stephanie Jane Burt’s practice lies between drawing, sculpture, and installation. Her work explores fictional narratives, often referencing film and feminist literature.
Stephanie Jane Burt has exhibited work at the Institute of Contemporary Arts Singapore, Yeo Workshop and Mizuma Gallery, all Singapore, among others spaces.
Stephanie Jane Burt, Suspect A, X, 2017, printed canvas, wood, rope, fluorescent lamp, plastic, lace, wire, thread, and needle.
Stephanie Jane Burt, Tip Me Over And Pour Me Out, 2017, metal and industrial paint.
Stephanie Jane Burt, O Dear What Can The Matter Be, 2016, wallpaper, paint, metal poles, thread, wire, wood, paper, nails, needle, lace, leather, fluorescent light, cloth, fence, ribbon, and book.
Stephanie Jane Burt, Madeline and Richard Go To The Park, 2014, wooden door, glass cabinet, hula hoop, picnic mat, plastic pipe, paper, wool, metal, ribbon, lace, cloth, needle, and thread.
Stephanie Jane Burt, Celine and Julie Go Boating, 2014, wood, windows, glass, railing, wire mesh, rusted iron, wool, cable, wire, metal, ribbon, paper, cloth, needle, and thread.
Residents from Singapore
Current Resident: Sep 1, 2025–Nov 30, 2025
Federal Ministry for Arts, Culture, Civil Service and Sport of Austria
Studio #218
Artist
Katharina Gruzei
Katharina Gruzei is an independent artist working across photography, video, film, sound, and installation. Her practice explores societal tendencies and socio-cultural issues, ranging from gender-related themes to questions shaped by urban environments. A central focus of her work lies in feminist concerns and projects in public space, often realized in site-specific contexts. She studied Cultural Studies and Fine Arts at the University of Arts Linz, UCSB Santa Barbara, and the University of Arts Berlin.
Katharina Gruzei has exhibited work internationally at the Lentos Museum for Contemporary Art, Austria; Tokyo Metropolitan Art Museum, Japan; and Kunstforum, Austria, among others.
katharinagruzei.comPast Residencies
Katharina Gruzei, TRANSFORMATION, 2023, video, 6:50 min.
Katharina Gruzei, MIR METRO, 2021, photo series, dimensions variable.
Katharina Gruzei, Every Shade an Image, 2021, photo series, 33,9 × 27,6 in. (33,9 × 27,6 cm).
Katharina Gruzei, Bodies of Work, installation view, 2022-23. Museum Arbeitswelt Steyr, Austria.
Katharina Gruzei, Bodies of Work, 2020, video, 14 min.
Residents from Austria
Past Resident2019: Jane Farver Memorial Fund, Lambent Foundation Fund of Tides Foundation
Bárbara Perea Legorreta
Bárbara Perea Legorreta is an independent Mexico City-based curator and writer. Her practice focuses primarily on media and sound art and is grounded in the concept of exhibition making as a platform for critical thinking. Core aspects of her practice include transdisciplinarity and fostering dialogues between media art, contemporary practices and audiences. She is interested in listening practices and perceptual phenomena in relation to art.
Bárbara Perea Legorreta has curated exhibitions and festivals in Mexico, Europe, Canada and the United States, including at Plataforma Puebla 2006; Laboratorio Arte Alameda, Mexico City; and the Venice Biennale, among others.
Iván Abreu, m(r.p.m.), 2013, installation view at CECUT - Centro Cultural Tijuana, dimensions variable.
Martijn Tellinga, During..lasting, 2017, 3-day concert performance at Ex Teresa Arte Actual.
Rafael-Lozano Hemmer, Surface Tension, 2007, plasma or rear-projection screen, computerized surveillance system, and custom‐made electronics, dimensions variable. Installation view of the Mexican Pavilion at the 52nd Venice Biennale.
Gustavo Romano, PWRT Psyhcoeconomy War Room Table, 2013, interactive installation with tangible table and fiducials. Installation view at Transitio Festival.
Jim Campbell, Home Movies, 2011, interactive installation with tangible table and fiducials, dimensions variable. Installation view at Transitio Festival.
