Allard van Hoorn
Allard van Hoorn investigates relationships to our environment incorporating the disciplines of architecture, design, music and dance. He visually, acoustically and spatially transcodes our usage and perception of cities and nature in order to question preconceptions and experiences of the spaces we live and work in. Through mapping and the subsequent re-ordering of embedded rituals, rules and routines in buildings and public spaces, he allows for reinterpretation of form and function taking into account the inherent impossibility of complete description of our world by manmade systems.
Allard van Hoorn (Leiden, The Netherlands, 1968) has been shown at biennials in cities including Istanbul, Shenzen and Gwangju. His work has also been shown at the de Appel Arts Centre and Stedelijk Museum Amsterdam, Storefront for Art and Architecture, New York City; Pinakothek der Moderne, Zurich; the Moore Space, Miami; MoCA and Zendai MoMA, Shanghai; Art Rotterdam; Van Abbemuseum, Eindhoven; Gasworks, London; CCCB, Barcelona; Museu de Arte Moderna, Salvador; Museo de la Ciudad de México, the German Architectural Centre, Berlin and Contemporary Arts Center, Cincinnati. He currently collaborates as Outpost with OfficeUS, the official participation of the United States at the Venice Architectural Biennial. He tutors at the Architectural Association in London.allardvanhoorn.com
Residents from The Netherlands
In her large format paintings, Maja Vukoje addresses discursive issues such as post colonialism, gender, and popular culture. Due to her own migration experience, she is particularly interested in syncretic cultural phenomena. Her work exploits all the possibilities of painting. She creates various pictorial forms of expression through the use of combs, putty knives, stencils, flowing paint, sprayed elements, and applications of real objects. The result is a somewhat undecipherable contextual meaning of the images.
Events & Exhibitions
Residents from Austria
Esther Tielemans examines the foundations of painting by extrapolating opposites: flat and three dimensional; abstraction and figuration; and reality and illusion. Tielemans’ works are reminiscent of dreams or memories in which the barrier between reality and imagination seems to be fading.