Past Residents
Past Resident2021: Sobey Art Awards, National Gallery of Canada
Sara Cwynar
Sara Cwynar works with photography, video, and book-making. Her work involves a constant archiving and re-presentation of collected visual materials. She is interested in the way that images morph, accumulate, endure and change in meaning and value over time, and the effect this has on a collective worldview.
Sara Cwynar has exhibited work at The Approach, London; Milwaukee Art Museum; MoMA PS1, New York, among others.
Events & Exhibitions
2020 Fall Open Studios
November 17–November 18, 2020
Sara Cwynar, Red Film, 2018, video, 13:01 min.
Sara Cwynar, Rose Gold, 2017, video, 8 min.
Sara Cwynar, Sahara from SSENSE.com (as young as you feel), 2020, archival pigment print, 38 × 30 in. (96.52 × 76.2 cm).
Sara Cwynar, Louis Vuitton Jeff Koons Rubens Bag, 2020, archival pigment print, 38 × 30 in. (96.52 × 76.2 cm).
Sara Cwynar, Ali from SSENSE.com (How to Marry a Millionaire), 2020, archival pigment print, 30 × 24 in. (76.2 × 60.96 cm).
Malte Bartsch
In his work Malte Bartsch combines childish naivety with technical refinement. He tries to solve the questionable position of the given truth. His installations work with physical laws but also dissolve them.
Malte Bartsch has exhibited work at Neue Nationalgalerie, Berlin; Hamburger Bahnhof – Museum für Gegenwart – Berlin, Städtische Galerie Wolfsburg, among others.
Malte Bartsch, Time Machine, 2013 - ongoing, sculpture, 16 × 12 × 5 in. (40.64 × 30.48 × 12.7 cm).
Malte Bartsch, KR1620, 2019, sculpture, 240 × 240 × 120 in. (609.6 × 609.6 × 304.8 cm).
Malte Bartsch, Brumm Brumm Brumm, 2017, sculpture, 800 × 600 × 150 in. (2032 × 1524 × 381 cm).
Malte Bartsch, EC, 2018, sculpture, 31 × 35 × 51 in. (78.74 × 88.9 × 129.54 cm).
Malte Bartsch, Rakete, 2019, video, 12 min.
Past Resident2020
Antoinette Zwirchmayr
Antoinette Zwirchmayr’s work consists of concise juxtapositions that reveal sensitive relationships between human beings, objects and nature. Her lyrical visual compositions show vulnerable surfaces separating the inner from the outer, where she examines stereotypical ideas of physique and identity. The reduced formal aesthetic that she employs is marked by a critical ambivalence and directs the viewer’s attention to details that are correlated in the transient and physical quality of analog film.
Antoinette Zwirchmayr has exhibited work at Berlinale, Germany; Toronto International Film Festival, Canada; and Austrian Film Museum, among others.
Events & Exhibitions
2020 Fall Open Studios
November 17–November 18, 2020
Antoinette Zwirchmayr, Oceano Mare, 2020, 16 mm film, 6 min.
Antoinette Zwirchmayr, Oceano Mare, 2020, 16 mm film, 6 min.
Antoinette Zwirchmayr, The Seismic Form, 2020, 16 mm film, 15 min.
Antoinette Zwirchmayr, House and Universe, 2014, 16 mm film, 4 min.
Antoinette Zwirchmayr, Jean Luc Nancy, 2018, 16 mm film, 4 min.
