Past Residents
Past Resident2021: Sobey Art Awards, National Gallery of Canada
Sara Cwynar
Sara Cwynar works with photography, video, and book-making. Her work involves a constant archiving and re-presentation of collected visual materials. She is interested in the way that images morph, accumulate, endure and change in meaning and value over time, and the effect this has on a collective worldview.
Sara Cwynar has exhibited work at The Approach, London; Milwaukee Art Museum; MoMA PS1, New York, among others.
Events & Exhibitions
2020 Fall Open Studios
November 17–November 18, 2020
Sara Cwynar, Red Film, 2018, video, 13:01 min
Sara Cwynar, Rose Gold, 2017, video, 8 min
Sara Cwynar, Sahara from SSENSE.com (as young as you feel), 2020, archival pigment print, 30 × 38 in. (76.2 × 96.52 cm)
Sara Cwynar, Louis Vuitton Jeff Koons Rubens Bag, 2020, archival pigment print, 30 × 38 in. (76.2 × 96.52 cm)
Sara Cwynar, Ali from SSENSE.com (How to Marry a Millionaire), 2020, archival pigment print, 24 × 30 in. (60.96 × 76.2 cm)
Malte Bartsch
In his work Malte Bartsch combines childish naivety with technical refinement. He tries to solve the questionable position of the given truth. His installations work with physical laws but also dissolve them.
Malte Bartsch has exhibited work at Neue Nationalgalerie, Berlin; Hamburger Bahnhof – Museum für Gegenwart – Berlin, Städtische Galerie Wolfsburg, among others.
Malte Bartsch, Time Machine, 2013 - ongoing, sculpture, 12 × 16 × 5 in. (30.48 × 40.64 × 12.7 cm)
Malte Bartsch, KR1620, 2019, sculpture, 240 × 240 × 120 in. (609.6 × 609.6 × 304.8 cm)
Malte Bartsch, Brumm Brumm Brumm, 2017, sculpture, 600 × 800 × 150 in. (1524 × 2032 × 381 cm)
Malte Bartsch, EC, 2018, sculpture, 35 × 31 × 51 in. (88.9 × 78.74 × 129.54 cm)
Malte Bartsch, Rakete, 2019, video, 12 min
Residents from Germany
Caroline Garcia
Caroline Garcia is an interdisciplinary artist working across live performance and video through a hybridized aesthetic of cross-cultural dance, ritual practice, and new media. Her work performances and video installations traverse a highly personalized aggregation of distinct systems that encompass live-green screening, botany, robotics, poetry, and virtual reality. Her most recent body of work serves to function as a reparative measure to contend with personal loss and the diasporic and post-colonial grief that accompanies it.
Caroline Garcia has exhibited work at the Museum of Contemporary Art Australia, Sydney; Manila Bienniale; and Art Central Hong Kong, among others.
Caroline Garcia, Queen of the Carabao, 2018, 2-channel HD video, color, and sound, 30 min
Caroline Garcia, Imperial Reminiscence, 2018, HD video, color, and sound, 10:15 min
Caroline Garcia, Choose Your Fighter, 2020, VR video, color, and sound, 3:24 min
Caroline Garcia, Force of a .22 Calibre Bullet, 2019, performance
Caroline Garcia, Flygirl, 2017, dance installation and performance
