Past Residents
Past Resident2021: Ministry of Culture, Taiwan
Yu-Ling Chou
Chou Yu-Ling’s research focuses on visual culture, moving images’ curation and curatorial methodology. She was a curator of the National Taiwan Museum of Fine Arts where she organized the 2018 Taiwan Biennial titled Wild Rhizome that looked at the cultural legacy of a theatre group who self-published Theatre Quarterly, an avant-garde magazine that circulated during 1960s in Taiwan.
Chou Yu-Ling has curated shows at Peltz Gallery, London; Soulangh Cultural Park, Tainan; and National Taiwan Museum of Fine Arts, Taichung, among others.
Kao Chung-li, The Man with the Moving Projector, 2015, mixed media, installation view at Peltz Gallery, London
The Other Cinema Collective, Every Film is an Enigma: Moving Images in the Black Box and White Cube, 2017, mixed media, installation view at Soulangh Cultural Park, Tainan
Kao Chung-li, Kao Chung-li and Experimental Film in Taiwan, 2015, mixed media, installation view at LUX Salon, London
Wild Rhizome, The Glamorous Boys of Tang, 2018, mixed media, installation view at Taiwan Beinnale, 2018
The Other Cinema Collective, Every Film is an Enigma: Moving Images in the Black Box and White Cube, 2017, mixed media, installation view at Soulangh Cultural Park, Tainan
Past Resident2021: Consulate General of Spain in New York
Miki Leal
Miki Leal’s practice is characterized by the use of irony, distancing from conventional painting, and the questioning of “isms”. His work reflects his personal iconography and explores a range of topics including architecture, cinema, travel, jazz music, and the camp aesthetic. Over the years, he developed sculptural ceramic pieces to move his painting into three-dimensional space.
Miki Leal has exhibited work at Track 16 Gallery, Los Angeles; County Hall Gallery, London; and CAC Málaga, Spain, among others.
Events & Exhibitions
2021 Spring Open Studios
April 27–April 28, 2021
Miki Leal, DANDY'S EN ROMA (EL PRIMER DÍA EN VILLA MÉDICI), 2017, acrylic and watercolor on paper, 865/8 × 1181/8 in. (219.96 × 300 cm)
Miki Leal, Cocodrilos en la pista. Estudio para una pieza Camp, 2019, installation view at Centro de Arte Caja de Burgos CAB, Spain, variable dimensions
Miki Leal, Gente conocida / Derecho a entrar, Installation view at CAC Málaga, Spain, 2020, variable dimensions
Miki Leal, PALOMARES (cerca de La Laguna), 2019, acrylic and watercolor on paper, 865/8 × 5913/16 in. (219.96 × 151.99 cm)
Miki Leal, PARA LA CASA DE SOMMERFELD, 2019, acrylic and watercolor on paper, 865/8 × 1791/2 in. (219.96 × 455.98 cm)
Past Resident2021: AES+F
Aslan Goisum
Aslan Goisum tends to mine memory–collective and personal, political and cultural–for clues about colonial realities, how they have been endured and how they might be undone. Identities come into play in his work, as embodied effects of violence perpetrated or unfreedom suffered but also as possible openings, new beginnings. So far, his prime artistic tools have been the moving image, sculptural installation and various paper-based techniques.
Aslan Goisum has exhibited work at Museum of Contemporary Art, Antwerp; Stedeljik Museum, Amsterdam; and Kohta, Helsinki, among others.
Aslan Goisum, Volga, 2015, single-channel, HD video projection, 4:11 min
Aslan Goisum, People of No Consequence, 2016, single-channel, HD video projection, 8:34 min
Aslan Goisum, Numbers, 2015, 50 metal plaques, 77/8 × 11 in. (20.07 × 27.94 cm) each
Aslan Goisum, Untitled, 2015, one metal jug, six glass copies
Aslan Goisum, No Need for Theories, 2011, book, soil, 411/16 × 3 × 10 in. (11.94 × 7.62 × 25.4 cm)
