Past Residents
Veronika Eberhart
Veronika Eberhart is a visual artist and musician based in Vienna. In her research-based practice, she seeks formal translation to her work through her transdisciplinary approach to video, sound, performance, and sculptural installations. She uses media to negotiate conceptual issues with the sensitivity of feminist and art historical artistic practices.
Veronika Eberhart has exhibited work at The MAK Center, Los Angeles; Kunsthalle Wien, Vienna; and Belvedere 21, Vienna among others.
Veronika Eberhart, Dissident Blind (sinking), 2022, wood and screws, 82 × 86 × 51 in. (208.28 × 218.44 × 129.54 cm).
Veronika Eberhart, Untitled, 2022, exposed aggregate concrete, 8 × 28 × 11 in. (20.32 × 71.12 × 27.94 cm).
Veronika Eberhart, Dissident Blind (leaning), 2022, wood, screws and polyester, 87 × 66 × 110 in. (220.98 × 167.64 × 279.4 cm).
Veronika Eberhart, Garten sprengen, 2022, film, 12 min..
Veronika Eberhart, 9 is one and 10 is none, 2017, film, 22 min..
Residents from Austria
Past Resident2023: Vision Fund
Nathaniel Donnett
Nathaniel Donnett’s interdisciplinary practice explores imagination, notions of being, the in/exterior, and race through metaphysical and phenomenological spaces. Through abstraction and vernacular forms as language, his work challenges traditional modes of timeline narratives. Donnett recontextualizes materials and meaning by delving into subjects rooted in sociopolitical-cultural concerns and liminal spaces.
Nathaniel Donnett has exhibited work at Contemporary Arts Museum of Houston, Texas; Virginia Museum of Fine Art; and Project Row Houses, all in the United States, among others.
Nathaniel Donnett, Veil, 2022, backpacks, duct tape, tambourine jingles, fabric, plastic trash bags and sound, 48 × 96 × 90 in. (121.92 × 243.84 × 228.6 cm).
Nathaniel Donnett, To Know a Veil Yearbook , 2022, book, 81/2 × 11 in. (21.59 × 27.94 cm).
Nathaniel Donnett, in the break lies an invisible in-between that allows us to experience a spatial uncertainty, 2023, drums, mixed media, fabric, wood, LED lights and audio, dimensions variable.
Nathaniel Donnett, Birth of the Universe, 2021, drum, asphalt, tv/radio antenna and LED lights, 5 × 51/2 × 2 in. (12.7 × 13.97 × 5.08 cm).
Nathaniel Donnett, When You Start to Build a Wall, You First Start With Yourself, 2022, drywall, house paint, earring studs, books, incense, tamabourine jingles and LED light source, 90 × 101 in. (228.6 × 256.54 cm).
Residents from United States
Maya Jeffereis
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Hanae Utamura
Studio #201
Past Resident2023: Vision Fund
Shanekia McIntosh
Shanekia McIntosh is a multidisciplinary artist with a focus on poetry. Her work explores the intersection of passivity and action, apathy and empathy, as well as capitalism’s dehumanizing capacities, with the goal of cultivating space for afro-futurism, empathetic political actions, and accessibility.
Shanekia has exhibited work at the New Museum, New York; Collar Works, New York; and Pacific Northwest College of Art, Portland, among others.
Shanekia McIntosh, a poem, 2021, installation.
Shanekia McIntosh, Hindsight Is Hindsight, 2020, sculpture.
Shanekia McIntosh, Call Me Ishmael - A Story of Exploitation, 2019, performance.
Shanekia McIntosh, another line, 2021, installation.
Residents from United States
Maya Jeffereis
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Hanae Utamura
Studio #201