Past Residents
Past Resident
2020: Artis
Patricia Margarita Hernandez
Patricia Margarita Hernández is a curator and researcher based in Brooklyn. Her work, which is often grounded in collaboration, focuses on the intersections of digital technology, climate change, and feminist theory. Most recently, she was an assistant curator at Dia Art Foundation, New York, NY. Hernández also held the position of Associate Director at A.I.R. Gallery, Brooklyn, the first artist-run collective dedicated to feminist practices within the United States. At A.I.R., she co-curated exhibitions such as Dialectics of Entanglement: Do We Exist Together? and The Scalability Project.
Since 2015, Patricia Margarita Hernández has been a founding member of Alliance of the Southern Triangle (A.S.T.), an art and design initiative that employs the art field as a platform from which to broaden interdisciplinary collaboration with a focus on urbanism and sea level rise. Its members include Diann Bauer, Felice Grodin, and Elite Kedan. Recent exhibitions with A.S.T. include Intertidal, ArtCenter South Florida, Miami, FL (2018) and Sharjah Biennale 13, Sharjah, UAE (2017). Hernández holds a master’s degree from the Center for Curatorial Studies at Bard College in Annandale-on-Hudson, New York.
Events & Exhibitions
2020 Summer Open Studios
August 25–August 26, 2020

Installation view at Oolite Arts, Miami, curated by Natalia Zuluaga, Intertidal, 2018, four-channel video installation and exhibition design, interior architecture, graphics, furniture build-outs and integrated audiovisuals.

Installation view at Oolite Arts, Miami, curated by Natalia Zuluaga, Intertidal, 2018, four-channel video installation and exhibition design, interior architecture, graphics, furniture build-outs and integrated audiovisuals.

Installation view at Oolite Arts, Miami, curated by Natalia Zuluaga, Intertidal, 2018, four-channel video installation and exhibition design, interior architecture, graphics, furniture build-outs and integrated audiovisuals.

A.S.T., Future Cities: Miami | Research Intensive: Transcripts, 2017, The Miami Rail, Issue 23, Spring 2018 (10 page) edited transcript, commentary and layout design, from the day-long event 'Future Cities: Miami | Research Intensive,' developed and hosted by A.S.T., in partnership with Bas Fisher Invitational, at FIU’s Miami Beach Urban Studios, Miami Beach.

Installation view at History Miami Museum curated by Kevin Arrow and Barron Sherer, Landscape (Test Patterns for Future Positions), 2017, three-channel video projection and monitor installation, with mdf set and bench object.
Residents from United States
Past Resident
2020: National Endowment for the Arts
New Red Order
New Red Order (NRO) is a public secret society facilitated by core contributors Adam Khalil, Zack Khalil, and Jackson Polys. Now based in New York and working with an interdisciplinary network of Informants, the NRO co-produces video, performance, and installation works that confront desires for indigeneity and obstacles to Indigenous growth and agency.
New Red Order has exhibited work at the Whitney Biennial 2019; Toronto Biennial 2019; and Tate Modern, London, among other institutions.

New Red Order, Culture Capture: Terminal Adddition, 2019, video, 7 min.

New Red Order, Never Settle, 2020, video, 45 min.

New Red Order, The Violence of a Civilization without Secrets, 2017, video, 9 min.

New Red Order, INAATE/SE/, 2016, video, 71 min.
Past Resident
2021: Ministry of Culture, Taiwan
2020: Ministry of Culture, Taiwan
Erica Yu-Wen Huang
Erica Yu-Wen Huang is an independent curator. She is interested in exploring the dynamics between people and the environment, as well as environmental sustainability. Huang’s practice engages in cross disciplinary and community collaboration to reveal hidden stories and narratives.
Erica Yu-Wen Huang has curated work at Museum of Contemporary Art Taipei; Zit-Dim Art Space, Tainan; and Centre for Heritage, Arts and Textile (CHAT), Hong Kong, among others.
Events & Exhibitions
2021 Fall Open Studios
November 13, 2021

Yin-Chieh LIN, with no name..., 2021, stainless steel drinking fountain, submersible water pump, Farcent in-cistern block (blue), cement fiber board podium, wood sculpture, stainless semicircle fountain, paper made poppy flowers, ultra-light clay sculpture, transparent spray (arrow), artist publications, partial installation view of the exhibition 'The World is yet to Come'. Photo courtesy of Museum of Contemporary Art Taipei.

Yao-Chung LIU, Safe Zone, 2021, paint on wall, ceramics, embroidery on fabric, oil painting, video installation, artist book, partial installation view of the exhibition 'The World is yet to Come'. Photo courtesy of Museum of Contemporary Art Taipei.

Kai-Chung LEE, The Narrow Road to the Deep Sea, 2019, single-channel video, two-channel video, ceramic sculptures, stainless trolley, partial installation view of the exhibition 'The World is yet to Come'. Photo courtesy of Museum of Contemporary Art Taipei.

Working Hard, Mouth of the River, 2021, cement fiberboard structure, window film, natural lighting, sound installation, partial installation view of the exhibition 'The World is yet to Come'. Photo courtesy of Museum of Contemporary Art Taipei.

South HO Siu Nam, Work naming has not yet succeeded, 2020, inkjet printing, partial installation view of the exhibition 'The World is yet to Come'. Photo courtesy of Museum of Contemporary Art Taipei.