Past Residents

Residents Map

Raimundo Edwards

Raimundo Edwards’ most recent work has to do with the displacement and twisting of pictorial language, through the material and conceptual relationships that develop in the combination of different states of representation: from painting to photography, video and object. In general terms, the main focus of his work lies in the relationship between nature and culture, the coming together of organic elements with elements belonging to the industrial world, placed in combination in a specific architectural space. Thus, color and form become parts of a fragmented assemblage, in which different visual, material and symbolic relationships take place.

Raimundo Edwards (born 1979 in Santiago) holds a BFA from Finis Terrae University and an MA in Visual Arts from the University of Chile. He received the International Association of Art Critics award in 2009 and second prize in the Museo de Artes Visuales, Santiago, Cabeza de Raton competition in 2011. His solo exhibitions include: Retorno, Museo de Artes Visuales, Santiago, 2013; Colisin, Oficina Barroca, Santiago, 2012; Sintaxis, AIEP Sala de Arte, Santiago, 2012 and Cromo (CR), Galeri­a Centro, Talca, 2010. He has participated in a number of group shows both in Chile and abroad including: Arquelogias a Destiempo, Galeria Gabriela Mistral (curated by Rodrigo Alonso), Santiago, 2012; Naturata, Galeria Florencia Loewenthal, Santiago, 2010; USVtv videoicomiso, Museum of the City of Queretaro. Mexico, 2010; Artilugio Chilensis, Sala La Perrera, Valencia, 2009; and art actions at three museums in France: Louvre, D’ Orsay and Centre Pompidou, 2009.

Past Resident
2014: The Adam Mickiewicz Institute

Olaf Brzeski

Olaf Brzeski’s practice is rooted in surrealist visions, which he puts into life via film, three-dimensional sculptures and installations. His comments about his own works do not so much mirror his personal interpretation, but narrate fictional stories, illustrated in the artworks or, in fact, made believable through the existence of the latter. This is the way in which Brzeski generates new worlds and their inhabitants.

John Barrett-Lennard

John Barrett-Lennard is interested in relationships between a sense of centeredness and of transience, states of in-betweenness and contemporary hyper-mobility. His current projects consider the spaces between locatedness (often tied to place, origins, accent or cultural history) and cosmopolitanism. He is keen to explore the distance between particular and focused contexts, and larger forces, changes, dispersed networks and widely shared experiences. His curatorial work may take the form of projects with individual artists, group or thematic exhibitions and of critical writing in a range of settings. They often involve consideration of influences and conjunctions, and how these are mediated, reinterpreted and represented by artists and institutions, both in the arts and in wider social settings.

John Barrett-Lennard is a freelance art curator and writer. He has wide experience gained over nearly three decades, curating a broad range of innovative projects in contemporary art and art museum settings as well as in non-traditional and public spaces. He has been responsible for curating major national exhibitions, including the Australian pavilion at the Biennale of Venice and the Adelaide Biennial of Australian Art. As a gallery director he has led a major contemporary art space and two large university art museums. He initiated ARX, Australia’s first major exchange project involving Australian and SE Asian artists. He is also an Adjunct Associate Professor in the art history program at the University of Western Australia. He lives and was born in Perth though completed much of his education in Canada.