Past Residents
Malte Bartsch
In his work Malte Bartsch combines childish naivety with technical refinement. He tries to solve the questionable position of the given truth. His installations work with physical laws but also dissolve them.
Malte Bartsch has exhibited work at Neue Nationalgalerie, Berlin; Hamburger Bahnhof – Museum für Gegenwart – Berlin, Städtische Galerie Wolfsburg, among others.
Malte Bartsch, Time Machine, 2013 - ongoing, sculpture, 16 × 12 × 5 in. (40.64 × 30.48 × 12.7 cm).
Malte Bartsch, KR1620, 2019, sculpture, 240 × 240 × 120 in. (609.6 × 609.6 × 304.8 cm).
Malte Bartsch, Brumm Brumm Brumm, 2017, sculpture, 800 × 600 × 150 in. (2032 × 1524 × 381 cm).
Malte Bartsch, EC, 2018, sculpture, 31 × 35 × 51 in. (78.74 × 88.9 × 129.54 cm).
Malte Bartsch, Rakete, 2019, video, 12 min.
Past Resident2020: Galerie Templon
Omar Ba
Omar Ba’s paintings represent political and social motifs that are open to multiple interpretations. His artistic vocabulary raises historical and timeless questions while formulating a wholly contemporary artistic message. Ba’s iconography features personal metaphors, ancestral references and hybrid figures. In his work, he seeks to express his subconscious and symbolic interpretation of the real.
Omar Ba has exhibited work at The Power Plant Contemporary Art Gallery, Toronto; Fondation Louis Vuitton, Paris; and Louvre Abu Dhabi, among others.
Omar Ba, Afrique ou La Grande Traversée vers un Etat Nation, 2019, oil on canvas, 833/4 × 1201/8 in. (212.72 × 305.12 cm).
Omar Ba, Eclosion de nos croyances, 2019, oil on canvas, 59 × 783/4 in. (149.86 × 200.02 cm).
Omar Ba, Same Dream, 2018, acrylic, gouache, oil, and pencil on canvas, 783/4 × 543/4 in. (200.02 × 139.06 cm).
Omar Ba, Ceremonial Costume, 2019, acrylic, gouache, oil, and pencil on canvas, 797/8 × 52 in. (202.88 × 132.08 cm).
Omar Ba, War Junkie 1, 2018, oil, pencil, acrylic, and gouache on craft-polyester paper, 995/8 × 631/4 in. (253.05 × 160.65 cm).
Jianru Wu
Jianru Wu is a curator and writer based in Guangzhou. Her practice look at the consequences of rapidly diversifying structures of relationship and power in East Asia within a digital era. Her curatorial works include “Re/sentiment” (2016) at A+ Contemporary, Shanghai and “Southern Climate” (2017) at N3 Gallery, Beijing. “Forget Sorrow Grass: An Archaeology of Feminine Time” (co-curated with Sirui Zhang, 2019) at Guangdong Times Museum. She is the Director of Media Lab at Guangdong Times Museum since 2019.
Jianru Wu has presented exhibitions at OCAT, Xi’an; N3 Gallery, Beijing; Guangdong Times Museum, Guangzhou, among others.
Events & Exhibitions
One (Illegitimate) Child
March 17–October 9, 2020
Yunyu “Ayo” Shih & Zijie, Hygiene And Cleaning from The Manual for Domestic Robot Keana-35® (Hong Kong), 2019, exhibition: "Forget Sorrow Grass: An Archaeology of Feminine Time".
Huang Jinyuan, THE OFFICE project, 2015, site-specific project.
Huang Weikai and Wang Buke, Re/sentiment, 2016, group exhibition at A+ contemporary.
Fong Fo, Call Me A Shi, 2015, solo exhibition.
Jianru Wu, southern climate, 2017, group exhibition at N3 Gallery Beijing.
Residents from China
Alchemyverse
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
2023
