In her recent work, Samina Mansuri uses as a starting point media depictions of war-torn places such as Pakistan, Afghanistan and Iraq as well as the twin towers or places like New Orleans that have been ravaged by natural disasters. Frequently the architecture of these locations, captured from an aerial view, is reduced to ash or rubble. These views tend to provide a detached sense of actual place. Through a transformed language of aerial cartography Mansuri creates subjective mappings of an ambiguous location of trauma. Through this she aims to bring attention to viewers about mediated representations of misery and its impact on individual and public memory.
Samina Mansuri (born Karachi) is a multidisciplinary artist based in Toronto, Canada. She received her BFA from Pratt Institute, New York and MFA from Carnegie Mellon University, Pittsburgh. Mansuri has exhibited her work internationally for over two decades. Recent exhibitions include Qualia or the pulse of Steel, Hamilton, Canada 2012; Out of Rubble, Space Gallery, Pittsburgh, 2011; Leaning Towards Collapse, A Space Gallery, Toronto, Canada, 2011; Empire of Dreams Phenomenology of the Built Environment, Museum of Contemporary Canadian Art, Toronto, Canada; Double Consciousness, Mattress Factory Museum, USA, 2007 and Post-Object, Doris McCarthy Gallery, Scarborough, Canada, 2007. Her works are represented in public and private collections and have been extensively featured and reviewed in catalogs, books, newspapers and journals.
Residents from Canada
Rebecca Baumann works primarily in sculpture and installation. Through a formal and conceptual exploration of materials, Baumann’s recent works have critically interrogated ideas of happiness and celebration in contemporary life. Often kinetic and ephemeral in nature, her sculptures and installations seek to affect the audience through their experiential, momentary and emotive qualities. Baumann’s current area of interest, the relationship between color and emotion, has been influenced by further research into psychology, sociology, color theory and art history.
Rebecca Baumann (born 1983, Perth, Western Australia) received a Bachelor of Fine Arts from Curtin University of Technology, Perth in 2003. Baumann has exhibited nationally in Australia in various group exhibitions, including: Contemporary Australia: Women, Gallery of Modern Art, Brisbane; Primavera, Museum of Contemporary Art Australia, Sydney; and NEW11, Australian Centre for Contemporary Art, Melbourne. Her solo exhibitions include: Untitled State of Mind, Gallery ON, Poznań, Poland; This Glorious Mess, Free Range Gallery, and from the beginning; one more time, Fremantle Arts Centre. Baumann has been the recipient of the Art & Australia/Credit Suisse Private Banking Contemporary Art Award and the Qantas Spirit of Youth Award.
Residents from Australia
Akiko Diegel’s works deal with existence: things that are consumed, worn, worked, worried, carried, things used as comforts and things used as crutches. Diegel’s practice utilizes and examines the act of collecting, recording, constructing and stitching. She works to balance the works between the corporeal and the behavioral sides of being a person. Diegel’s final artworks often relate to the body and human behaviors. Her practice moves fluidly between the seductively kaleidoscopic and the poised, quiet and contained.
Akiko Diegel (born Japan) lives and works in Auckland, New Zealand. She graduated with an MFA in 2008 from the Elam School of Fine Arts at the University of Auckland. In 2011, Akiko Diegel was awarded the Paramount Award for her work, Cure, at the 20th Annual Wallace Art Awards. Her work has been included in the Wallace Art Award finalist exhibition every year between 2006 and 2010. Diegel was a finalist in the Waiheke Art Awards (2011), the Waikato Museum National Contemporary Art Award (2007-2010) and the Norsewear Art Award (2007).