Past Residents
Past Resident2016: LIG Art Space
Seung Un Chung
Sueng Un Chung’s sculptural work is deeply rooted in the concept of space. Chung understands space itself as an essential medium and a basis to build new stories through artworks. In his project GIB KKUM SUP, the artist refers to the essential characteristics of sculpture as a physical object through the use of linguistic signifiers. In his project Skyline, he focuses on the ‘line’ that divides space to suggest different interpretations. Chung approaches his sculptural works as ‘drawings within space.’
Seung Un Chung (born in 1963) lives and works in Seoul, Korea. He acquired B.F.A. in painting at Seoul National University, Korea and a Meisterschüler degree by Prof. J. Kounellis at Kunstakademie Düsseldorf, Germany. He has had seven solo shows including Trough Project No. 4: Horizonte Blaue Berge, Goethe Institute, Seoul, 2014; Skyline, Gallery SoSo, Heyri, Korea, 2012; Skyline, Gallery Space, Seoul, 2009; Horizon, Project Space SARUBIA, Seoul, Korea, 2000. He participated in numerous group shows including Space_Craft – Interface and Potential Space, SOMA Museum of Art, Seoul, 2014; REVERSCAPE, AMOREPACIFIC Beauty Campus Osan, Korea, 2013; and Era of Grand Navigation Korean Art, Busan Metropolitan Museum of Art, 2013.
Seung Un Chung, Skyline Blue Mountain, 2014, Graph paper, Dimensions variable.
Seung Un Chung, Skyline Red Island, 2014, Mixed material, Dimensions variable.
Seung Un Chung, Skyline, 2013, Mixed material, Dimensions variable.
Seung Un Chung, Skyline, 2009, Mixed material, Dimensions variable.
Residents from South Korea
Past Resident2016: Canada Council for the Arts
Richard Ibghy and Marilou Lemmens
Richard Ibghy & Marilou Lemmens have developed a collaborative practice that combines a concise approach to the form and construction of the art object with a desire to make ideas visible. Spanning across multiple media, including video, performance and installation, their work explores the material, affective and sensory dimensions of experience that cannot be fully translated into signs or systems. For several years, they have examined the rationale upon which economic actions are described and represented, and how the logic of economy has come to infiltrate the most intimate aspects of life.
Richard Ibghy & Marilou Lemmens’ work has been shown at the 14th Istanbul Biennial SALTWATER: A Theory of Thought Forms, 2015; La Biennale de Montréal, L’avenir (looking forward), 2014; 27th Images Festival, Toronto, 2014; Manif d’art 7: Quebec City Biennial, 2014; La Filature, Scène Nationale, Mulhouse, France, 2013-14; Henie Onstad Kunstsenter, Norway, 2013; Centre for Contemporary Arts, Glasgow, 2012; and the 10th Sharjah Biennial, 2011. Their recent solo exhibitions were held at Leonard & Bina Ellen Gallery, Montreal, 2016; VOX, Montreal, 2014; Trinity Square Video, Toronto, 2014; La Bande Video, Quebec City, 2014; Forrest City Gallery, London, Ontario, 2013; Monte Vista Projects, Los Angeles, 2012; and G Gallery, Toronto, 2012.
Events & Exhibitions
Exhibition Walkthrough and Closing Reception: Measures of Inequity
September 27, 2016, 6:30–8pm
Richard Ibghy & Marilou Lemmens: Measures of Inequity
June 29–September 27, 2016
Richard Ibghy & Marilou Lemmens: Measures of Inequity
June 29–September 27, 2016
Spring Open Studios 2016
April 29–April 30, 2016
Richard Ibghy and Marilou Lemmens, The Prophets, 2013-ongoing, Mixed media, 670 × 32 in. (1701.8 × 81.28 cm).
Richard Ibghy and Marilou Lemmens, Supply and Demand for Immortality, 2011, Vinyl, 3740.
Richard Ibghy and Marilou Lemmens, The Golden USB, 2014, Video installation, Dimensions variable.
Richard Ibghy and Marilou Lemmens, Circulation Route, Projected Teams and Total Workplace at Google Berlin, 2016, Mixed media, 15 × 18 × 12 in. (38.1 × 45.72 × 30.48 cm).
Richard Ibghy and Marilou Lemmens, Is There Anything Left to be Done at All?, 2014, Video installation, Dimensions variable.
Past Resident2025: Canada Council for the Arts2019: Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, Jacques and Natasha Gelman Foundation, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature2016: Alberta Foundation for the Arts
Jude Griebel
Jude Griebel creates detailed figurative sculptures and drawings that visualize our entanglement with the surrounding world. In his works, landscapes, the species we affect, and the waste we create, coalesce in vivid forms that illustrate the reach of our impact and consumption habits. Both harbingers of ruin and agents of transformation, his works build on art historical traditions of the anthropomorphic body to reflect a planet in a state of crisis.
Jude Griebel has exhibited work at Massey Klein Gallery, New York; CHART, New York; and Esker Foundation, Calgary, among others.
Jude Griebel, A Body of Others, 2024, wood, air-drying clays, bio-resin, acrylic and plexi-glass, 116 × 621/2 × 21 in. (294.64 × 158.75 × 53.34 cm).
Jude Griebel, Revenant: Scallop, 2024, wood, air-drying clays, bio-resin, adhesives and acrylic, 42 × 67 × 251/2 in. (106.68 × 170.18 × 64.77 cm).
Jude Griebel, Revenant: Chicken, 2023, wood, air-drying clays, bio-resin, adhesives and acrylic, 43 × 751/2 × 43 in. (109.22 × 191.77 × 109.22 cm).
Jude Griebel, Dismantled World (1), 2023, wood, air-drying clays, bio-resin, adhesives and acrylic, 32 × 56 × 30 in. (81.28 × 142.24 × 76.2 cm).
Jude Griebel, Next World Emissaries, 2022, wood, air-drying clays, bio-resin, adhesives and acrylic, 90 × 112 × 660 in. (228.6 × 284.48 × 1676.4 cm).
