Current Resident: Jun 1, 2024–Jun 1, 2025
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation, Brooklyn Borough President Antonio Reynoso
Sasha Wortzel
Sasha Wortzel uses video, photography, installation, sculpture, sound, and printmaking to explore how this country’s past and present are inextricably linked through resonant spaces and their hauntings. Raised in South Florida/Miccosukee and Seminole lands and based in New York City/Lenape lands, Wortzel specifically attends to sites and stories systematically erased or ignored from these regions’ histories. Tangled dynamics of desire and loss layered in the landscape and reverberating across time form a through-line in her work.
Sasha Wortzel has exhibited work at Douglas F. Cooley Memorial Art Gallery, Reed College, Portland; Brooklyn Museum, New York; and New Museum, New York, among others.
Ground Floor Residents
Sarah Zapata
![Large-scale installation compromised of textiles.](https://iscp-nyc.org/wp-content/uploads/2021/06/01_SZ-500x350.jpg)
Simon Liu
![](https://iscp-nyc.org/wp-content/uploads/2024/06/ETicket_SimonLiu-500x350.jpg)
Hong Seon Jang
![My America: Tucked behind the metal stud gate is a collection of hundreds of souvenir fridge magnets filling the wall. While many have encountered fridge doors adorned with magnets, the magnitude of this collection borders on the absurd, reflecting the American fixation on souvenirs. These items serve as symbols of both commemoration and commercialization, often tied to sites that have historical significance for indigenous peoples.The question of authenticity has always afflicted souvenirs, especially now that most of the tacky memorabilia from all over the world is mass-produced in China. I attempt to raise questions about my relationship to the authenticity of my experience, or lack thereof, with the locations represented in](https://iscp-nyc.org/wp-content/uploads/2024/06/1-500x350.png)
Current Resident: Jun 1, 2024–Jun 1, 2025
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Simon Liu
Simon Liu is an artist filmmaker whose practice centers on the rapidly evolving psychogeography of his homeland of Hong Kong through material abstraction, speculative history, and subversion of documentary cinema practices.
Simon Liu has exhibited work at Whitney Biennial 2024, New York; Museum of Modern Art, Modern Mondays Solo Program, New York; and M+ Museum, Hong Kong, among others.
liufilmsliu.comGround Floor Residents
Sarah Zapata
![Large-scale installation compromised of textiles.](https://iscp-nyc.org/wp-content/uploads/2021/06/01_SZ-500x350.jpg)
Sasha Wortzel
![water meanders through a sawgrass marsh beneath a blue sky and clouds](https://iscp-nyc.org/wp-content/uploads/2024/06/RiverofGrass_MainStill-500x350.jpg)
Hong Seon Jang
![My America: Tucked behind the metal stud gate is a collection of hundreds of souvenir fridge magnets filling the wall. While many have encountered fridge doors adorned with magnets, the magnitude of this collection borders on the absurd, reflecting the American fixation on souvenirs. These items serve as symbols of both commemoration and commercialization, often tied to sites that have historical significance for indigenous peoples.The question of authenticity has always afflicted souvenirs, especially now that most of the tacky memorabilia from all over the world is mass-produced in China. I attempt to raise questions about my relationship to the authenticity of my experience, or lack thereof, with the locations represented in](https://iscp-nyc.org/wp-content/uploads/2024/06/1-500x350.png)
Current Resident: Jun 1, 2024–Jun 1, 2025
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Department of Cultural Affairs, in partnership with the City Council, Brooklyn Borough President Antonio Reynoso, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation, Hartfield Foundation
Sarah Zapata
Sarah Zapata is a Brooklyn-based artist and writer. Through large-scale handmade textiles, her practice explores themes of tradition, architecture, and queerness, using cloth to adorn the space to direct the body. Invoking an imagined sense of time, her site-specific works reflect her intersecting identities as a queer woman of Peruvian heritage raised in Evangelical South Texas and now based in New York.
Sarah Zapata has exhibited work at ASU Art Museum, Arizona; Kemper Museum of Contemporary Art, Missouri; and Barbican Centre, London, among others.
sarah-zapata.comPast Residencies
Ground Floor Residents
Sasha Wortzel
![water meanders through a sawgrass marsh beneath a blue sky and clouds](https://iscp-nyc.org/wp-content/uploads/2024/06/RiverofGrass_MainStill-500x350.jpg)
Simon Liu
![](https://iscp-nyc.org/wp-content/uploads/2024/06/ETicket_SimonLiu-500x350.jpg)
Hong Seon Jang
![My America: Tucked behind the metal stud gate is a collection of hundreds of souvenir fridge magnets filling the wall. While many have encountered fridge doors adorned with magnets, the magnitude of this collection borders on the absurd, reflecting the American fixation on souvenirs. These items serve as symbols of both commemoration and commercialization, often tied to sites that have historical significance for indigenous peoples.The question of authenticity has always afflicted souvenirs, especially now that most of the tacky memorabilia from all over the world is mass-produced in China. I attempt to raise questions about my relationship to the authenticity of my experience, or lack thereof, with the locations represented in](https://iscp-nyc.org/wp-content/uploads/2024/06/1-500x350.png)