Past Residents
Past Resident2021: Ministry of Culture, Taiwan
Yu-Ling Chou
Chou Yu-Ling’s research focuses on visual culture, moving images’ curation and curatorial methodology. She was a curator of the National Taiwan Museum of Fine Arts where she organized the 2018 Taiwan Biennial titled Wild Rhizome that looked at the cultural legacy of a theatre group who self-published Theatre Quarterly, an avant-garde magazine that circulated during 1960s in Taiwan.
Chou Yu-Ling has curated shows at Peltz Gallery, London; Soulangh Cultural Park, Tainan; and National Taiwan Museum of Fine Arts, Taichung, among others.
Kao Chung-li, The Man with the Moving Projector, 2015, mixed media, installation view at Peltz Gallery, London
The Other Cinema Collective, Every Film is an Enigma: Moving Images in the Black Box and White Cube, 2017, mixed media, installation view at Soulangh Cultural Park, Tainan
Kao Chung-li, Kao Chung-li and Experimental Film in Taiwan, 2015, mixed media, installation view at LUX Salon, London
Wild Rhizome, The Glamorous Boys of Tang, 2018, mixed media, installation view at Taiwan Beinnale, 2018
The Other Cinema Collective, Every Film is an Enigma: Moving Images in the Black Box and White Cube, 2017, mixed media, installation view at Soulangh Cultural Park, Tainan
Residents from Taiwan
Past Resident2021: Uniarts Helsinki's Academy of Fine Arts and Saastamoinen Foundation
Uwa Iduozee
Uwa Iduozee is a photographer and documentary filmmaker based in Helsinki and New York. Iduozee works with narratives that opens new visual representations and understandings towards identities: his work focuses on expanding the ways in which contemporary society understands blackness by challenging this traditional framework. History of Afro-Finnishness and Black identities are recurrent topics in his recent work.
Uwa Iduozee has exhibited work at Finnish Museum of Photography, Helsinki, and will be exhibiting at the Helsinki Biennale 2021.
Events & Exhibitions
2021 Spring Open Studios
April 27–April 28, 2021
Uwa Iduozee, Sunny from They Walked on Water, 2019, archival pigment print, 24 × 32 in. (60.96 × 81.28 cm)
Uwa Iduozee, Chauncey from They Walked on Water, 2019, archival pigment print, 24 × 32 in. (60.96 × 81.28 cm)
Uwa Iduozee, Edod, 2017, archival pigment print, 22 × 30 in. (55.88 × 76.2 cm)
Uwa Iduozee, Khadra from They Walked on Water, 2019, archival pigment print, 24 × 32 in. (60.96 × 81.28 cm)
Residents from Finland
Past Resident2021: AES+F
Aslan Goisum
Aslan Goisum tends to mine memory–collective and personal, political and cultural–for clues about colonial realities, how they have been endured and how they might be undone. Identities come into play in his work, as embodied effects of violence perpetrated or unfreedom suffered but also as possible openings, new beginnings. So far, his prime artistic tools have been the moving image, sculptural installation and various paper-based techniques.
Aslan Goisum has exhibited work at Museum of Contemporary Art, Antwerp; Stedeljik Museum, Amsterdam; and Kohta, Helsinki, among others.
Aslan Goisum, Volga, 2015, single-channel, HD video projection, 4:11 min
Aslan Goisum, People of No Consequence, 2016, single-channel, HD video projection, 8:34 min
Aslan Goisum, Numbers, 2015, 50 metal plaques, 77/8 × 11 in. (20.07 × 27.94 cm) each
Aslan Goisum, Untitled, 2015, one metal jug, six glass copies
Aslan Goisum, No Need for Theories, 2011, book, soil, 411/16 × 3 × 10 in. (11.94 × 7.62 × 25.4 cm)
