Past Residents

Residents Map

Zorka Wollny

The works of Zorka Wollny inhabit a space between art, theatre and contemporary music and are closely connected to the historic and functional context of specific architectural sites. Wollny understands architecture not simply as a material figuration, but rather as a cognitive space dependent on movement, an expression of cultural conditions and a scene of performative interventions. Following a critical interest in cultural codes, gestures and structural modes of behavior, which she observes e.g. in art production and reception and in environments of post-industrial work, she develops choreographic live-performances and concerts. The production of Wollny’s projects is based on a collaborative procedure and is often accompanied by public rehearsals and workshops.

Zorka Wollny (born 1980, Kraków, Poland) lives and works in Berlin. Her works have been shown in several contemporary art institutions in Poland, and she has participated in international exhibitions at Institute of Contemporary Arts, London, 2014; Academy of Arts, Berlin, 2013; Galerie für Zeitgenössische Kunst, Leipzig, 2012; Abteiberg Museum, Mönchengladbach, Germany, 2012; Turner Contemporary, Margate, 2011; Museum of Contemporary Art, Belgrade, 2011; Carrara International Sculpture Biennale, 2010; Z33, Hasselt, 2010; Sainsbury Centre for Visual Arts, Norwich, 2009; and Royal College of Art, London, 2009. Wollny is a lecturer at Szczecin Art Academy.

Past Resident
2017: Alfred Kordelin Foundation

Anna Nykyri

Anna Nykyri works with moving images in the fields of film industry, contemporary dance and visual arts. She uses film, video and archive footage to create documentary films and cinematic video installations. Her artistic works explore political and corporeal themes, including questions related to gender, power and control. Her cinematic installations strive to become choreographic environments. Nykyri often collaborates with contemporary dancers.

Anna Nykyri (born 1981) is a visual artist and a documentary film director. She received her MFA from the Academy of Fine Arts, Helsinki. Nykyri’s cinematic works have been internationally screened in various museums, galleries and film festivals, including Moscow International Biennale for Young Art; Kiasma – Museum of Contemporary Art, Helsinki; Parkingallery, Tehran; and Hot Docs Canadian International Documentary Festival, Toronto, where Nykyri’s short film Five Fragments of the Extinct Empathy won the Best Short Film Award in 2012. Nykyri has collaborated with several NGO’s, such as Amnesty International, UN Women and Pink Ribbon, Inc.

Past Resident
2017: Pollock-Krasner Foundation

Entang Wiharso

Entang Wiharso (born 1967, Java, Indonesia) has been dividing his time between Indonesia and the United States for many years. Wiharso has a multidisciplinary practice and is known for his dramatic visual language and unique images of contemporary life. From universal issues of power, loss and love to broader categories of ideology, philosophy and identity, Wiharso’s work is layered with social, political and sexual critique, revealing a complex picture of the human condition. Wiharso’s recent work focuses on the duality of cultures and experiences in his two homelands, throwing into sharp focus issues of national identity, migration, race, political states and power conflicts.

Entang Wiharso graduated from the Indonesian Institute of Arts, Yogyakarta in 1994. He has had solo exhibitions at Marc Straus, New York; Singapore Tyler Print Institute; Bernier/Eliades Gallery, Athens; ARNDT Gallery, Berlin and Singapore; and National Gallery of Indonesia, Jakarta. Wiharso has also been part of group shows including the 55th Venice Biennale; Odyssey: Navigating Nameless Seas, Singapore Art Museum; Love: The First of the 7 Virtues, Hudson Valley Center for Contemporary Art, Peekskill, New York; Open Sea, Musée d’art contemporain, Lyon, France; Prospect.3: Notes for Now, New Orleans; All You Need Is Love, Mori Art Museum, Tokyo; and Prague Biennale 6, among others.