Past Residents
Gabriella Mangano and Silvana Mangano
Gabriella Mangano and Silvana Mangano work in a collaborative video practice. Their performance works consist of unchoreographed movements that are activated and influenced by handmade sculptural objects while also considering the architecture / space that the body sits within. The relationship between movement and object are usually minimal with the emphasis placed on form, structure and sound components. The performance videos are edited into abstract, rhythmic compositions which relay their interests in movement and how movement can be pushed and revealed through different processes.
Their work was recently shown at More Light, The Fifth Moscow Biennale of Contemporary Art, 2013, and Shifting Lines, Christchurch Art Gallery, 2013. Other selected shows include: All Our Relations,18th Biennale of Sydney, 2012; Basil Sellers Art Prize, Ian Potter Museum of Art, Melbourne, 2012; Contemporary Art: Women, Gallery of Modern Art , Brisbane, 2012; Identity V111, Nichido Contemporary Art, Tokyo, 2012; 21st Century: Art in the First Decade, Gallery of Modern Art, Brisbane, 2011; Before and After Science: The 2010 Adelaide Biennial of Australian Art, Art Gallery of South Australia, 2010; The Trickster, The Gyeonggi Museum of Modern Art, 2010 and Love, Loss and Intimacy, National Gallery of Victoria, 2010. Selected solo exhibitions include: Shapes for Open Spaces, Anna Schwartz Gallery, Melbourne, 2012; Neon, Studio 12, Gertrude Contemporary, Melbourne, 2010 and Gabriella Mangano, Silvana Mangano, Monash University Museum of Art, Melbourne, 2009.
Gabriella Mangano and Silvana Mangano, Neon, 2010, Video still. Courtesy of the artists.
Gabriella Mangano and Silvana Mangano, Echo, 2013, Video still. Courtesy of the artists.
Gabriella Mangano and Silvana Mangano, Light, 2013, Video still. Courtesy of the artists.
Gabriella Mangano and Silvana Mangano, Sculpture Sequence, 2012, Video still. Courtesy of the artists.
Gabriella Mangano and Silvana Mangano, Rewind, 2012, Video still. Courtesy of the artists.
Past Resident2014: Hasselblad Foundation
Savas Boyraz
Savas Boyraz focuses on portrait photography, documentary and fiction narratives. His work straddles the gap between nation state and cultural linguistic entities; he tries to shed light on the overlooked and omitted corners of societies and their history. Intertwining performance, photography and moving image in his works, Boyraz blurs the line between art and political activism.
Savas Boyraz (born 1980) lives and works in Sweden. He worked with Mezopotamya Cinema Collective, Istanbul between 1998 and 2006 and graduated from the Photography Department of Mimar Sinan Fine Arts University in 2009. He completed his Master’s Degree at University College of Arts, Crafts and Design, Stockholm.
Events & Exhibitions
Salon: Paulien Oltheten and Savas Boyraz
December 3, 2013
Savas Boyraz. Courtesy of the artist.
Savas Boyraz. Courtesy of the artist.
Savas Boyraz. Courtesy of the artist.
Savas Boyraz. Courtesy of the artist.
Savas Boyraz. Courtesy of the artist.
Residents from Turkey
Civan Özkanoğlu
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha
2020
Past Resident2013: Foundation for a Civil Society
Henrjeta Mece
Henrjeta Mece’s practice explores issues related to the body, time, place and sense of belonging. Challenged by the world’s state in flux, her artwork references the contemporary experience of travel, mobility, borders, and diasporas. Mece’s artistic process employs reterritorialization as a method to: create images that allude to maps, remap a location outside of geographical systems of organization, and produce a temporary place of belonging. Without using direct biographical material, her multimedia installations focus on materializing trajectories rather than destinations. The artwork itself exists in the process as much as in the object and remains a course in the struggle to be positioned.
Henrjeta Mece is a multidisciplinary artist, curator, writer and educator. She completed her BFA and MFA at Ontario College of Art & Design, Toronto . Mece is the recipient of numerous awards including, Vtape Fellowship, Canada Millennium Excellence Award, and various Ontario Arts Council grants. Mece’s artwork and curatorial projects have been exhibited in venues including, Museum of Canadian Contemporary Art, 2011; Banff Centre of the Arts 2009-2010; Tirana Institute for Contemporary Art, 2012 and Zweigstelle Gallery, Berlin, 2012.
Events & Exhibitions
Salon: Henrjeta Mece and Saša Tkačenko
October 1, 2013
Henrjeta Mece, Looking Into the Future, 2013, Coffee stains on tissue paper. Courtesy of the artist.
Henrjeta Mece, Piled up City Nr. 8, 2010, C-print, 36 × 48 in. (91.44 × 121.92 cm). Courtesy of the artist.
Henrjeta Mece, Reterritorializing Belonging, 2009, Video installation, 30 min. Courtesy of the artist.
Henrjeta Mece, The Traveler's Blanket, 2012, Acrylic on canvas, 36 × 48 in. (91.44 × 121.92 cm). Courtesy of the artist.
Henrjeta Mece, Untitled, 2012, Mixed media, 20 × 20 in. (50.8 × 50.8 cm). Courtesy of the artist.
