Past Residents

Residents Map

Past Resident
2012: Artadia

Michael Arcega

Michael Arcega is an interdisciplinary artist working primarily in sculpture and installation. Though visual, his art revolves largely around language. Directly informed by historic events, material significance, and the format of jokes, his subject matter deals with sociopolitical circumstances where power relations are unbalanced. As a naturalized American, there is a geographic dimension to Arcega’s investigation of cultural markers. These markers are embedded in objects, food, architecture, visual lexicons, and vernacular languages. This malleability results in wordplay and jokes that transform words. His practice draws from the sensibility of both an insider and an outsider.

Michael Arcega was born in Manila, Philippines, and migrated to the Los Angeles area at ten years of age. He relocated to San Francisco to attend the San Francisco Art Institute where he received a BFA and later received an MFA from Stanford University. He lives and works in San Francisco, California. His work has been exhibited at the deYoung Museum; Yerba Buena Center for the Arts; the Berkeley Art Museum; the Museum of Craft and Folk Art; the San Jose Institute of Contemporary Art; the Museum of Contemporary Art, San Diego; the Orange County Museum of Art; The Contemporary Museum, Honolulu; Honolulu Academy of Arts; The Blaffer Gallery, Houston; the Museum of Fine Arts, Houston; Cue Arts Foundation, and the Asia Society, New York.

TV Moore

TV Moore has developed a singular artistic practice that critically engages with the expressive potentials of the moving image including video and animation. Bizarre facts, distorted fictions outsiders, mavericks, magic and loners all occupy Moore’s gaze. Using psychological space, performance, narrative and non-narrative structures, Moore operates in a myriad of worlds and is interested in the space between the real and the unreal.

TV Moore’s work has been nationally and internationally recognized with exhibitions including With Love & Squalor, Australian Centre for Contemporary Art (ACCA), 2015; TV Moore’s Rum Jungle, Campbelltown Arts Centre, 2014; the 16th and 19th Biennale of Sydney, 2008 and 2014; Tell me tell me: Australian and Korean Contemporary Art 1976-2011, National Museum of Modern and Contemporary Art, Seoul and Museum of Contemporary Art Australia (MCA), Sydney, 2011-12; Busan Biennale, 2008; and T1: The Pantagruel Syndrome, Turin Triennale, 2005. He is a recipient of an Australia Council Fellowship, 2013-14 and the Anna Landa Award for Video and New Media Arts, Art Gallery of New South Wales, 2009.

Past Resident
2016: Inlaks Shivdasani Foundation

Aarti Sunder

Aarti Sunder uses writing, drawing, video and performative elements in her practice. She is interested in the ideas that create the subject and how we relate to them including thought, territory, time, space, relationality and potential. The nature of being and the will to knowledge underscores her work, as well as the forces that shape the individual.  

Aarti Sunder graduated from the Dutch Art Institute in 2015. She has worked with If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution and Open!, and has exhibited her work at the the Museum of Yugoslav History, Belgrade over the past two years. She has written fiction and non-fiction for publications, most recently an essay titled Drawing on a 1:1 Scale. She received a Sarai Fellowship in 2012.