Past Residents

Residents Map

Past Resident
2016: Inlaks Shivdasani Foundation

Anushka Rajendran

Anushka Rajendran’s curatorial practice realizes ideas that emerge from her research about exhibitions, with a focus on arts from South Asia. As an art writer and editor, she facilitates discursive engagement within the arts in India. Her ongoing interests include socially engaged art practices in India and the ways in which aesthetic practices are seeking out publics that fall outside of traditional contemporary art audiences. This is an extension of her previous research and curatorial interest in trauma narratives in contemporary art.

Anushka Rajendran is a New Delhi based curator, writer and researcher. Her ongoing PhD Where lies the Public? Aesthetics of Social Engagement studies how the arts are surpassing traditional publics in India. She has an Ph.M from the Jawaharlal Nehru University during which she wrote Installation Art in India: Preoccupations with Trauma, and an MA in Arts and Aesthetics. Her recent exhibition, The Lay of the Land, charted an alternative cartography for the South Asian region based on experiences of artists rather than political borders. In her upcoming exhibition Corporeal, Rajendran will look at the absent body as a universal/intimate subject position. Rajendran is the Editorial Coordinator of the Indian art magazine TAKE on art, and recipient of the Art Scribes Award 2015.

Past Resident
2016: LIG Art Space

Kim Dokyun (KDK)

Dokyun Kim’s photography work draws inspiration from abstract painting. He pushes the boundaries of photography to create virtual spaces, much in the tradition of science fiction films.

Dokyun Kim (born 1973, Gwangju, Korea) holds degrees from the Seoul Institute of the Arts and the Dusseldorf Art School, Germany. Kim has had solo exhibitions at the Perigee Gallery, Seoul; Gallery 2, Seoul; and Galerie Michael Schultz, Berlin. He also participated in numerous group shows at Leeum, Samsung Museum of Art, PLATEAU, and the Nam June Paik Art Center. His work is in the collections of the IKB Deutsche Industriebank, Germany; Leeum, Samsung Museum of Art, Korea; UBS, Switzerland; the Seoul Museum of Art; and the National Museum of Modern and Contemporary Art, Korea.

Past Resident
2016: Ministry of Culture, Taiwan

Hsiang-Ning Huang

Hsiang-Ning Huang’s work focuses on the intersection of aesthetics and politics in contemporary art; in other words, the engagement of art in the political realm, providing a critical perspective on social realities and proposing an imagination towards a better future. Huang’s work suggests an alternative view of history, memory, and the human condition in the context of post-colonization and globalization.

Hsiang-Ning Huang (born 1982, Taipei) is a curator and a member of tamtamART Taipei, and previously worked at MoCA Taipei. Her recent curatorial projects include The Moment that Comes is about to Go – 6 Perspectives about Time, MoCA Taipei, 2016; Invading Heterotopia, a two-night projection in a historical area facing the crisis of urban renovation and transformation of local industry; and It’s not a REAL film, 2014.