Past Residents
Past Resident2019: Ukrainian Institute
Oleksiy Radynski
Oleksiy Radynski is a filmmaker and writer based in Kyiv, Ukraine. He uses documentary film practice to explore the relationship between observation and participation, fact and fiction, ideology and affect.
Oleksiy Radynski films have been screened at the Institute for Contemporary Arts, London; International Short Film Festival Oberhausen, and e-flux, New York, among other venues. He is a participant of Visual Culture Research Center (VCRC), an initiative for art, knowledge and politics founded in Kyiv in 2008. Radynski has exhibited work at Academy of the Arts of the World, Cologne; Royal Institute of British Architects, London; and the 7th Berlin Biennale, among others.
Events & Exhibitions
Artists at Work: Oleksiy Radynski and Younes Baba-Ali
July 30, 2019, 6:30–8pm
Oleksiy Radynski, Facade Colour: Blue, 2019, HD video, 22 min.
Oleksiy Radynski, The Film of Kyiv: Episode One, 2017, HD video, 8 min.
Oleksiy Radynski, Landslide, 2016, HD video, 26 min.
Oleksiy Radynski, People Who Came To Power, 2015, HD video, 17 min.
Oleksiy Radynski, Deliberate Lies, film trailer, 2018, HD video, 3 min.
Residents from Ukraine
Past Resident2021: Toby Devan Lewis2020: Toby Devan Lewis
Duy Hoàng
Duy Hoàng’s practice focuses on the links between the connections/disconnections one experiences with their surrounding environment, between the mundanes to the phenomena, and from the potential of growth to the inevitability of decay. His work focuses on our relationship to the minute details around us in conjunction with the vast environment we are in. Hoàng entered the United States as a Vietnamese immigrant during his adolescent years and the transitional moment triggered his necessity for intensive observation and awareness.
Duy Hoàng has exhibited work at Festival Images Vevey, Switzerland; Wave Hill, New York; and Kleine Humboldt Galerie, Berlin, among others.
Duy Hoàng, A Wide Area Where Three Rivers Gather, 2018, mixed media, plants, rocks, ink on paper, books, found materials, and tools, 107 × 139 × 103 in. (271.78 × 353.06 × 261.62 cm).
Duy Hoàng, Capsule: La Becque i, 2019, mixed material sculpture, styrofoam, flora, algae, field guide, 24 × 14 × 4 in. (60.96 × 35.56 × 10.16 cm).
Duy Hoàng, Hêtre Gare, 2019, mixed media installation, beech trees, drawings, digital prints, insects, microscope, tool assortment, 282 × 174 × 132 in. (716.28 × 441.96 × 335.28 cm).
Duy Hoàng, Hêtre Gare (Insect Trap), 2019, muslin, UV lamp, rope, wood, 312 × 300 × 72 in. (792.48 × 762 × 182.88 cm).
Duy Hoàng, Interarboreal, 2019, silkscreen and ink drawing on Tyvek, sunflower leaves, incense, dirt, rope, 198 × 198 × 138 in. (502.92 × 502.92 × 350.52 cm).
Residents from United States
Past Resident2019: The Kettering Family Foundation
Conrad Egyir
Conrad Egyir’s work borrows from Afrocentric folklore that is rooted in political and religious erudition. He creates narrative paintings that focus on subjects from the Afro-diaspora who interact with identical versions of themselves. Concurrently they take on multiple staged roles as both an antagonist and a protagonist, a friend and foe, or a noble and a commoner as a tool that behooves the viewer to step into the multiple incarnations of each subject, in reverence of a collective human spirit.
Conrad Egyir has exhibited work at Jessica Silverman Gallery, San Francisco; Library Street Collective, Detroit; and Mindy Solomon Gallery, Miami, among others.
Conrad Egyir, Joseph's Lullaby, 2019, oil on canvas, 86 × 108 in. (218.44 × 274.32 cm).
Conrad Egyir, Vestiges of the Potentate, 2019, oil on canvas, 90 × 108 in. (228.6 × 274.32 cm).
Conrad Egyir, Unctions of the Flummoxed Panthers, 2018, oil on canvas, 84 × 60 in. (213.36 × 152.4 cm).
Conrad Egyir, Unctions of the Luminaries, 2019, oil on canvas, 84 × 60 in. (213.36 × 152.4 cm).
Conrad Egyir, Ludus An Allegory of Love, 2019, oil on canvas, 66 × 48 in. (167.64 × 121.92 cm).