Past Residents
Past Resident2023: Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha2023: Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha
Kyoung eun Kang
Kyoung eun Kang’s work focuses on the small, simple everyday gestures and rituals that we tend to see as mundane, but have great significance. She captures subtle human interactions and behaviors to better understand human nature and the bonds between us–bonds that bridge time and space to connect couples, families, communities, strangers, and even the dead. Using an interdisciplinary approach, she explores geographical and cultural identity as well as universal human themes such as affection and attachment.
Kyoung eun Kang has exhibited at A.I.R. gallery, Brooklyn; The Korean Cultural Center, Washington D.C.; and Collar Works, Troy among others.
Events & Exhibitions
2023 Spring Open Studios
April 21–April 22, 2023
Care Package: A Performance Series by Kyoung eun Kang
January 24, 2023, 6-7pm
Kyoung eun Kang: Every Morning, Every Evening
December 13, 2022–February 2, 2023
2022 Fall Open Studios
November 18–November 19, 2022
2022 Spring Open Studios
April 22–April 23, 2022
Kyoung eun Kang, TRACES: 28 Days in Elizabeth Murray’s Studio, 2020, performance photograph, kodak endura luster photo print mounted on mat-board, 30 × 20 in. (76.2 × 50.8 cm).
Kyoung eun Kang, TRACES: 28 Days in Elizabeth Murray’s Studio, 2020, multimedia installation, a video shown in three segments, photographs, studio objects that belonged to the late American painter Elizabeth Murray.
Kyoung eun Kang, 1402 Seok-Dong, 2017, family poems, Korean dried anchovies, photographs, hand made ceramic sculptures, a Korean chamber pot, a sound installation and a floor installation.
Kyoung eun Kang, Partners, 2008, video still of a performance-based single channel video, 12:58 min.
Kyoung eun Kang, Omaha Diary I, 2016, three-channel video installation, 63min.
Ground Floor Residents
Hong Seon Jang
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Sarah Zapata
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Department of Cultural Affairs, in partnership with the City Council, Brooklyn Borough President Antonio Reynoso, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation, Hartfield Foundation
Sasha Wortzel
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation, Brooklyn Borough President Antonio Reynoso
Past Resident2022: AES+F
Pavlo Grazhdanskij
Pavlo Grazhdanskij works from the perspective of Ukrainian culture in the field of research of strategies of representation; problematics of documentary and found material; artistic approaches and manual labor in data processing and collection; dead-ends and turns of logics of sustainable states; biopolitics; reproduction techniques of existence–cycle, tradition, rituality, fatum, authoritarianism, insuperability, and other images of survival strategies; and abstraction, collaborationism, and intentionality.
Pavlo Grazhdanskij has exhibited at Detenpyla gallery, Lviv; Sörnäinen public bomb shelter, Helsinki; and Rosa’s House of Culture, Saint Petersburg among others.
Pavlo Grazhdanskij, from Cheryomushki district to the present day, 2018, installation.
Pavlo Grazhdanskij, from Cheryomushki district to the present day, 2018, installation.
Pavlo Grazhdanskij, from Cheryomushki district to the present day, 2018, installation.
Pavlo Grazhdanskij, Shelters, 2018, single-channel video , 16:22 min.
Pavlo Grazhdanskij, Ponivecheno, 2020, single-channel video , 103 min.
Residents from Ukraine
Past Resident2022: Alberta Foundation for the Arts
Taryn Kneteman
Taryn Kneteman documents moving bodies and changes of state with video, sculpture, and works on paper. Using tactile, process-intensive working methods that offer chances for unexpected intervention–from materials, weather, technological glitches, and feedback–she combines stretches of habitual routine with gestures of dream-like divergence. Her work considers the cyclical nature of seemingly permanent materials and reflects on the intricacies of their transitions.
Taryn Kneteman has exhibited at Walter Phillips Gallery, Banff; Art Gallery of Alberta and SNAP Gallery, both Edmonton, among others.
Events & Exhibitions
2022 Spring Open Studios
April 22–April 23, 2022
Taryn Kneteman, Bath bomb heart, 2020, 4k digital video with audio, 3:02 min.
Taryn Kneteman, Egg yolk brain, 2020, HD digital video with audio, 3:12 min.
Taryn Kneteman, Surf’s edge like pine needles, 2018, screen print, graphite ink and fluorescent acrylic on torn paper, 22 x 30 inches.
Taryn Kneteman, Everyday Rituals (survival tactics), 2015, archival pigment print on metallic paper, 29 x 36 inches.
Taryn Kneteman, Frequency Finding, 2021, HD digital video with audio, 2:00 min.
