Past Residents
Past Resident2023: International Visegrad Fund
Gregor Petrikovic
Gregor Petrikovic is a Slovak artist and filmmaker based in London. His video installations convey stories about the embodiment of love, grief, and the passage of time using performance, dance, and audio archives acquired from everyday interactions. Some feature narratives drawn from a large personal audio archive, such as phone calls and everyday interactions. In these, voices of friends, lovers, and strangers battle with the condition of alienation in a society defined by parasocial digital relationships
Gregor Petrikovic has exhibited work at Brussels Independent Film Festival, Belgium; Swiss Archive of the Performing Arts, Switzerland; and Oberhausen International Film Festival, Germany, among others.
Gregor Petrikovic, Red Cave, 2023, 16mm film and projection installation, 3:57 min..
Gregor Petrikovic, Red Cave, 2023, 16mm film and projection installation, 3:57 min..
Gregor Petrikovic, Red Cave, 2023, 16mm film and projection installation, 3:57 min..
Gregor Petrikovic, Blue Room, 2023, 16mm film and projection installation, 2:44 min..
Gregor Petrikovic, Bardo, 2023, 16mm film and projection installation, 2:38 min..
Past Resident2023: SpallArt Collection, Brigitte Vosse
Elias Wessel
Elias Wessel employs photography to create images and multidisciplinary projects that reflect contemporary societal discourses. His works contribute to discussions about sociological and political development and the historical dialogue between photography and painting, exploring topics such as digitalization and questions of identity.
Elias Wessel has exhibited work at 1014, New York; Palais Beauharnais, Paris; and Kunstsammlung im Willy-Brandt-Haus, Berlin, among others.
Elias Wessel, Sprung in die Zeit [Leap Into Time], 2014-2023, black and white photographs, audio, interactive module, and installation, dimensions variable.
Elias Wessel, It’s Complicated (Tabloid Edition), 2019-2021, color photographs, audio, and artbook, dimensions variable.
Elias Wessel, Schöne neue Welt [Brave New World] – The Moving Images, 2020-2021, looped video and projection on canvas, 59 3/4 × 106 1/4 in. (59 3/4 × 106 1/4 cm).
Elias Wessel, Die Summe meiner Daten [The Sum of My Data] – On Series, No. 5 and 8, 2017, photographs, dimensions variable.
![Exhibition view including works from “Die Summe meiner Daten” [The Sum of My Data], “It's Complicated,” and “Schöne neue Welt” [Brave New World]; Kunstsammlung im Willy-Brandt-Haus, Berlin, 2023](https://iscp-nyc.org/wp-content/uploads/2023/07/EWS_WBH_EliasWesselDeliriousImages_2023_06.jpg)
Elias Wessel, Delirious Images – Fotografien für die nächste Gesellschaft [Photographs for the Next Society], 2023, photographs.
Residents from United States
Zara Pfeifer
Zara Pfeifer’s work is concerned with the social phenomena of large-scale infrastructure. Her documentation of the modernist housing project Alterlaa (Du, meine konkrete Utopie, 2013-17) and her series on truck drivers (Good Street!, 2018-2022) involves extended periods of immersion in the day-to-day life of her subjects. Besides photography, she reveals her findings in lectures, audio, and video recordings.
Zara Pfeifer has exhibited work at Austrian Cultural Forum, Berlin; MAK Center for Art and Architecture, Los Angeles; and Künstlerhaus, Austria, among others.
Events & Exhibitions
2021 Summer Open House
July 28, 2021, 3–9pm
Zara Pfeifer, Du, meine konkrete Utopie, 2019, photography and textile paper, 393/8 × 1571/2 in. (100 × 400 cm).
Zara Pfeifer, Good Street!, 2022, framed photograph , 153/4 × 235/8 in. (40 × 60 cm).
Zara Pfeifer, ICC Berlin, 2023, photography and vinyl, 1181/8 × 1617/16 in. (300 × 410 cm).
Zara Pfeifer, El Archivo, 2023, photography and archival print, dimensions variable.
Zara Pfeifer, Rollrasen, 2023, video on two screens and pasted poster, 783/4 × 1081/4 in. (200 × 275 cm).
