Past Residents
Past Resident2021: AES+F
Aslan Goisum
Aslan Goisum tends to mine memory–collective and personal, political and cultural–for clues about colonial realities, how they have been endured and how they might be undone. Identities come into play in his work, as embodied effects of violence perpetrated or unfreedom suffered but also as possible openings, new beginnings. So far, his prime artistic tools have been the moving image, sculptural installation and various paper-based techniques.
Aslan Goisum has exhibited work at Museum of Contemporary Art, Antwerp; Stedeljik Museum, Amsterdam; and Kohta, Helsinki, among others.
Aslan Goisum, Volga, 2015, single-channel, HD video projection, 4:11 min.
Aslan Goisum, People of No Consequence, 2016, single-channel, HD video projection, 8:34 min.
Aslan Goisum, Numbers, 2015, 50 metal plaques, 77/8 × 11 in. (20.07 × 27.94 cm) each.
Aslan Goisum, Untitled, 2015, one metal jug, six glass copies.
Aslan Goisum, No Need for Theories, 2011, book, soil, 3 × 411/16 × 10 in. (7.62 × 11.94 × 25.4 cm).
Residents from Russia
Past Resident2021: Temple Bar Gallery + Studios, Dublin
Myrid Carten
Myrid Carten is moving image artist whose work has screened internationally. Using documentary and fiction, and often a playful combination of both, her films interrogate both the struggle for intimacy and the ways we are compromised by our pasts. She explores the universal desire to be both known and hidden, and the costs involved in both of these complicated commitments.
Myrid Carten has exhibited work at Sadler’s Wells Theatre, London; Void Gallery, Derry, United Kingdom; and The Regional Cultural Centre, Ireland, among others.
Events & Exhibitions
2021 Summer Open House
July 28, 2021, 3–9pm
Myrid Carten, Lick my Tyres - Study for Fox Cry 1, 2019, 35mm film still.
Myrid Carten, Divide Install, 2014, digital film, 10 min. loop.
Myrid Carten, No Place Like Home, 2021, 16mm digital film still.
Myrid Carten, No Place Like Home, 2021, 16mm digital film still.
Myrid Carten, The Yalta Game, 2020, film installation, 18 min.
Past Resident2021: Ministry of Culture, Taiwan
Yu-Ling Chou
Chou Yu-Ling’s research focuses on visual culture, moving images’ curation and curatorial methodology. She was a curator of the National Taiwan Museum of Fine Arts where she organized the 2018 Taiwan Biennial titled Wild Rhizome that looked at the cultural legacy of a theatre group who self-published Theatre Quarterly, an avant-garde magazine that circulated during 1960s in Taiwan.
Chou Yu-Ling has curated shows at Peltz Gallery, London; Soulangh Cultural Park, Tainan; and National Taiwan Museum of Fine Arts, Taichung, among others.
Kao Chung-li, The Man with the Moving Projector, 2015, mixed media, installation view at Peltz Gallery, London.
The Other Cinema Collective, Every Film is an Enigma: Moving Images in the Black Box and White Cube, 2017, mixed media, installation view at Soulangh Cultural Park, Tainan.
Kao Chung-li, Kao Chung-li and Experimental Film in Taiwan, 2015, mixed media, installation view at LUX Salon, London.
Wild Rhizome, The Glamorous Boys of Tang, 2018, mixed media, installation view at Taiwan Beinnale, 2018.
The Other Cinema Collective, Every Film is an Enigma: Moving Images in the Black Box and White Cube, 2017, mixed media, installation view at Soulangh Cultural Park, Tainan.
