ISCP Talk
November 13, 2012

Salon: Astra Howard and Constanza Levine

Astra Howard will present a series of Action Research/Performance projects undertaken over recent months on the streets of New York. These public space interventions build on previous experimental investigations of the city made in such diverse locations as: Delhi, Beijing, Hanoi, Paris, Coventry, New York and various sites across Australia. On the sidewalks of Brooklyn, Manhattan and Peekskill, participatory booth/vehicles are used as surveillance devices with a narrative intent. Developing live scripts act as catalysts for discussion with local communities, creating opportunities to debate topical issues and generate new tales of the city.

Constanza Levine will discuss the different facets of her work which cover a broad spectrum from painting to work that is more sculptural. The emphasis will be on commonalities of technique, materials, and shared geometric criterion.

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Participating Residents

Astra Howard

Constanza Levine

Astra Howard, 2012

Current and Upcoming Events & Exhibitions

Sujin Lim: The Land, Dark and Muddy

Through February 7

Exhibition

Somewhere Inside: ISCP and the Studio

Through March 7

Exhibition

Open Studios
November 9–November 11, 2012

Fall Open Studios 2012

Friday, November 9th
7pm Clark House Iniative, Bombay presents
YAY-ZEQ: Two Burmese Artists Meet Again

Imagine Death: A performance by Anastasia Ax

Saturday, November 10th
5pm Drawings on the Forest Floor: Htein Lin and Sitt Nyein Aye in conversation

Sunday, November 11th
3pm Living Monument: A performance by Htein Lin and Chaw Ei Thein

The International Studio & Curatorial Program (ISCP) Fall Open Studios is a three-day exhibition of international contemporary art. The 36 artists, art collectives and curators from 24 countries currently in residence present work in their studios. The studio is a generative space – part production site, office, laboratory and situation – and it can be argued that it is more significant today for artistic process than ever before. Open Studios invites the public to 36 “studio visits” to experience art in its place of origin and to share conversations with artists and curators from all over the world.

Alongside Open Studios, ISCP’s 2012 institution-in-residence Clark House Initiative, Bombay brings a program to New York that illuminates the philosophical and cultural strategies that have served to withstand or conjure tectonic social and political shifts of upheaval or change. The exhibition Yay-Zeq: Two Burmese Artists Meet Again tells the story of how artist Sitt Nyein Aye taught Htein Lin to draw on the forest floor in an enclosed refugee camp in Manipur in 1988 after fleeing Burma during the 8888 Uprising. Also, on November 10, the first public meeting since 1988 between the two artists will take place at ISCP.

Participating ISCP artists and curators

A Kassen (Denmark), Ambie Abaño (Philippines), Michael Arcega (United States), Benjamin Armstrong (Australia), Lauri Astala (Finland), Anastasia Ax (Sweden), Tonje Bøe Birkeland (Sweden), Nanna Debois Buhl (Denmark), Wan-Jen Chen (Taiwan), Quynh Dong (Switzerland), Erlend Hammer (Norway), Camille Henrot (France), Ann Cathrin November Høibo (Norway), Astra Howard (Australia), Moussa Kone (Austria), Constanza Levine (Chile), Maria Loboda (Luxembourg), Mads Lynnerup (United States), Kaeko Mizukoshi (Japan), Nuria Montiel (Mexico), Francisco Montoya Cázarez (Germany), Kellie O’Dempsey (Australia), Claudia Passeri (Luxembourg), Marie Perrault (Canada), Mario Pfeifer (Germany), Nicolas Provost (Belgium), Andres Ramirez Gaviria (Dominican Republic), Maaike Schoorel (The Netherlands), Mono Schwarz-Kogelnik (United States), Karen Spencer (Canada), Dita Stepanova (Czech Republic), Slobodan Stosic (Serbia), Jennifer Tee (The Netherlands), Wojtek Ulrich (Poland), Chang-Jung Wu (Taiwan), Velimir Zernovski (Macedonia)

ISCP thanks the following contributors for their generous support

The Andy Warhol Foundation for the Visual Arts, NY; Brooklyn Arts Council, NY; Brooklyn Brewery, NY; Consulate General of the Netherlands, NY; Consulate General of Sweden, NY; Czech Center, NY; Embassy of Australia, Washington, DC; Flanders House, NY; The Greenwich Collection, NY; Milton & Sally Avery Arts Foundation, Inc., NY; National Endowment for the Arts, Washington, DC; New York City Department of Cultural Affairs, NY; Polish Cultural Institute, NY; Royal Norwegian Consulate General, NY; Taipei Cultural Center, NY; Tom Cat Bakery, NJ

Opening Reception: Nov 09, 2012, 7-9pm

Download Open Studios Newspaper

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Lauri Astala, Of disappearance, 2012, Computer-basted video installation

Anastasia Ax, Pan Theon, 2012, Performance with ink, paper, water, sound equipment

Mads Lynnerup, Plastic Gymnastic, 2012, Installation

Current and Upcoming Events & Exhibitions

Sujin Lim: The Land, Dark and Muddy

Through February 7

Exhibition

Somewhere Inside: ISCP and the Studio

Through March 7

Exhibition

Exhibition
November 9–November 21, 2012

Clark House Initiative at ISCP

ISCP’s 2012 institution-in-residence is Clark House Initiative, Bombay. This annual residency was initiated by ISCP in 2011 to support cultural exchange by bringing an international perspective into a local context. Clark House Initiative is a curatorial practice about a place, which, in sharing a junction with two museums and a cinema, mirrors the fiction of what these spaces could be. Sumesh Sharma and Zasha Colah established Clark House Initiative in 2010 as a curatorial collaborative concerned with ideas of freedom.

Beginning in November 2012, Clark House organizes an exhibition, series of discussions and performances at ISCP, as well as the meeting and an exhibition between Burmese artists Htein Lin and Sitt Nyein Aye: Yay-Zeq: Two Burmese Artists Meet Again.

Alongside Open Studios, Clark House Initiative brings a program to New York that illuminates the philosophical and cultural strategies that have served to withstand or conjure tectonic social and political shifts of upheaval or change. In Burmese thought, yay-zeq, a water-drop, signifies a present or future encounter caused by an act of merit performed by two people in the past. Yay-Zeq: Two Burmese Artists Meet Again tells the story of how artist Sitt Nyein Aye taught law student Htein Lin to draw on the forest floor in an enclosed refugee camp in Manipur in 1988 after fleeing Burma during the 8888 Uprising. It also tells the story of the friendship between Htein Lin and the comedian Zarganar in Rangoon that began at their university in the mid-1980s and has survived each other’s multiple imprisonments and exiles.

While at university they reinvigorated the ancient comedy and dance tradition – anyeint – in two directions. For Zarganar (whose name means tweezers), it took the form of stand-up comedy routines. Htein Lin and his performance partner Chaw Ei Thein used its recognizable structure of a princess and a comedian to create small acts in the streets of Rangoon.

Clark House Initiative presents rarely seen selections from Sitt Nyein Aye’s archive, including drawings of his journey from Burma to India and the camps and refugee communities in which he lived, as well as his own writing and autobiography alongside publications he edited and produced by means of makeshift printing machines. Also exhibited for the first time is a video documenting the artist Htein Lin’s second performance in 1997, at an exhibition opening in Yangon, kept secret since its creation and only returned to the artist this year. The exhibition is a culmination of conversations, collected archives, commissions and translations that began when curator Zasha Colah first met Htein Lin in his studio in 2008.

Drawings on the Forest Floor: Htein Lin and Sitt Nyein Aye in conversation
Saturday, November 10th, 5pm
This conversation serves as the first public meeting of Burmese artists Htein Lin and Sitt Nyein Aye since they fled to the border hills following the repression of the democratic protest against the military regime in Burma that began on August 8, 1988, now known as the 8888 Uprising. Together they share their views on art and philosophy, duty and “the artist’s way,” reconnecting with their discussions from 24 years ago, including Sitt Nyein Aye’s imparting of an art education through drawings on the forest floor.

Living Monument: A performance by Htein Lin and Chaw Ei Thein
Sunday, November 11th, 3pm

Living Monument is a collaborative performance between Htein Lin and Chaw Ei Thein developed in response to recent political transitions in Burma and the artists’ current positions as persons in exile. The artists will don traditional Burmese dance costumes and perform various narratives providing commentary on the historical and current political situation in Burma. The performance will remember and recognize times under the previous military dictatorship and doubtfully consider the potential of the new democratically elected Burmese government.

Collective Practices Discussion
Monday, November 19th, 6:30pm

Clark House is currently working on the idea of cultural transfer – how a work of culture can be transferred to another cultural context, which may be another geography or from another time. Curators Zasha Colah and Sumesh Sharma will use video and assemblage works to discuss their on-going research of collective practices from various parts of India, especially the Northeast.

Translations: Ko Moe and Vicky Bowman. Collaborators: Amrita Gupta-Singh Mohile Parikh Center Bombay, Home Office Yangon, JJ School of Art Bombay, Asian Cultural Council New York, Kari Conte and ISCP, New York. The exhibition will travel to the Kochi-Muziris Biennale with the support of Foundation for Arts Initiatives New York and Stapati Architects Kochi.

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