Past Residents

Residents Map

Veronika Zajačiková

Veronika Zajačiková’s curatorial practice refers to the possibility of an international dialogue through art. Her research is based in virtual reality and the true world, diverting people from an online reception of art to one related to our human nature. Zajačiková believes that without this expansion of experience people are degraded and impoverished in their humanity.

Zajačiková (born 1981 in Prague, Czech Republic) received a BA degree at Faculty of Arts – Theory and History of Art, Philosophical faculty, Palacký University Olomouc, Czech Republic. From September 2010 Zajačiková is an MA student in Curatorial Studies, Faculty of Art and Design, Jan Evangelista Purkyně University, Ústí nad Labem, Czech Republic. She is currently preparing an exhibition at Emil Filla Gallery, Ústí nad Labem, Czech Republic. In 2010 she curated two solo shows of students from Academy of Fine Arts in Prague: Po druhé (For the Second Time), Klubovna 2.patro, Prague, CZ.

Past Resident
2011: Foundation for a Civil Society

Adela Jusic

Adela Jusic works primarly with video. Socially engaged and rooted in personal experiences, her artistic practice revolve around the subject of the war in Bosnia, the position of women in war, and the religion and tradition in which she grew up.  Jusic recently started a collaboration with Sarajevo-based artist Lana Cmajcanin tackling the question of self-presentation and in the art market.

Adela Jusic (born 1982 in Sarajevo, Bosnia & Herzegovina) lives and works in Sarajevo. She graduated from the Academy of Fine Arts and from the University of Sarajevo. Adela Jusic is a cofounder of the Association for Art and Culture Crvena. She has exhibited in many international exhibitions including Manifesta 8, Murcia, Spain; Videonale Kunstmuseum Bonn, Germany; Decolonial Aesthetics, El Parqueadero, Bogota, Colombia; Transitland in Trieste, Institute for the Documentation and Dissemination of Art, Trieste, Italy; Projected Visions, Espace Appolonia, Strasbourg, France; South East European Film Festival, Goethe Institute Los Angeles, CA; Transitland, Los Angeles, CA and Global South in Festival City of Women, Gallery P74, Ljubljana, Slovenia.

Past Resident
2011: CBK-Centrum Beeldende Kunst

David Jablonowski

David Jablonowski questions the potential of communication in contemporary visual culture. Through sculpture and film, he explores the way language is established and developed and then reproduced technically in relation to political and historical discourse. Jablonowski’s interest in display systems and information transfer has as much to do with the hardware that is used in the staging of knowledge as it has with the knowledge itself. Therepetitive and unsustainable promise of a valid direction of communication is expressed in works which question the understanding of sign systems; making us aware of the transience of visual language.

David Jablonowski (born 1982 in Bochum, Germany) moved to Amsterdam, The Netherlands, in 2007 where he graduated from the Gerrit Rietveld Academy and participated in De Ateliers studio program until 2009. Recent solo shows include Imposition, Schaufenster of the Kunstverein Duesseldorf, Germany; Material Kontingenz at SMBA (Stedelijk Museum Bureau Amsterdam), Amsterdam, The Netherlands; Perfection Simple Way at Gallery Luettgenmeijer and 1.33:1, Hard Copy Display Sequences, Multi Channel Projection at Bloombergspace London, UK. Group exhibitions include Monumentalism, Stedelijk Museum Amsterdam, The dutch identity?, De Paviljoens, Almere, The Netherlands; After Architects, Kunsthalle Basel, Basel, Switzerland; Woodman, Woodman, Spare That Tree, Gallery Luettgenmeijer, Berlin, Germany.