Nova Milne create moments of connection or disruption, often taking the form of encounters across the breach of time. These sometimes reveal invisible or poetic connections between minor-historical events, and shared fictional or popular references. Through their increasingly expanded video installations, they unleash the occult potential of recombining anachronistic elements, forging a magical sympathy between documentary or amature sources and fabricated material. Their process invents a de-centered point of view and the question of inter-subjectivity forms an ongoing curiosity, alongside considerations of time, mysticism, longing, and empathy.
Nova Milne is a relationship that began when the two artists met as teenagers in 1998, and started exhibiting in 2003. They are recent alumni of the Residency Program at the Bemis Center, Omaha and have undertaken several residencies, including at the Cité Internationale des Arts, Paris, and Artspace, Sydney. Their solo exhibitions include the Art Gallery of New South Wales, Australia; The Physics Room, New Zealand; and Artspace, Australia. Other exhibitions include venues such as the Museum of Contemporary Art Australia; The Kadist Art Foundation, Paris; The Museum of Old and New Art, Tasmania; The Ian Potter Museum of Art, Melbourne; 104 and The Musee Rodin, Paris.
Residents from Australia
Allard van Hoorn
Allard van Hoorn investigates relationships to our environment incorporating the disciplines of architecture, design, music and dance. He visually, acoustically and spatially transcodes our usage and perception of cities and nature in order to question preconceptions and experiences of the spaces we live and work in. Through mapping and the subsequent re-ordering of embedded rituals, rules and routines in buildings and public spaces, he allows for reinterpretation of form and function taking into account the inherent impossibility of complete description of our world by manmade systems.
Allard van Hoorn (Leiden, The Netherlands, 1968) has been shown at biennials in cities including Istanbul, Shenzen and Gwangju. His work has also been shown at the de Appel Arts Centre and Stedelijk Museum Amsterdam, Storefront for Art and Architecture, New York City; Pinakothek der Moderne, Zurich; the Moore Space, Miami; MoCA and Zendai MoMA, Shanghai; Art Rotterdam; Van Abbemuseum, Eindhoven; Gasworks, London; CCCB, Barcelona; Museu de Arte Moderna, Salvador; Museo de la Ciudad de México, the German Architectural Centre, Berlin and Contemporary Arts Center, Cincinnati. He currently collaborates as Outpost with OfficeUS, the official participation of the United States at the Venice Architectural Biennial. He tutors at the Architectural Association in London.
Residents from The Netherlands
Chun-Yi Chang’s work focuses on the presentation of light reality within digital images. In recent years, her works have emphasized the exploration of imagination and experience. She accomplishes coexistence of the eternal and the ever-changing by alternating motion and motionless scenes, and reorganizes the different facets of a single phenomenon into plausible events which are aberrations of normality. She uses the “floating light” and “glimpse” of digital images to remodel a sense of light reality that wavers between reality and virtual reality.
Born in Taipei, and based in Paris, Chun-Yi Chang received an MA from the Rouen College of the Arts and her PhD the University of Paris Sorbonne. In 2009, she was sponsored by the Ministry of Culture for a residency at 18th Street Arts Center, Santa Monica. She was also awarded the Gerda Henkel Stiftung scholarship in 2013. Chang’s participation in exhibitions include the 5th and 11th White Night (la Nuit Blanche) and 6th Young Artists Biennale, Paris, and French-Chinese Young Artists, Today Art Museum, Peking.