Past Residents
Current Resident: Jan 1, 2025–Jun 30, 2025
The New York Community Trust’s Edward and Sally Van Lier Fund
Studio #303
Artist
Charlie Perez-Tlatenchi
Charlie Perez-Tlatenchi’s work crosses the boundaries of photography, painting, and printmaking. Rooted in the intercultural sensibility he cultivated growing up in Sunset Park, Brooklyn, his practice reflects on histories shaped by the histories operating under the shadows of globalization. His artistic language draws from the Latin American tradition of double entendre, or “doble sentido,” using allegory to imbue materials and images with layered meanings. This approach stems from his enduring fascination with layering knowledge, circulating imagery, and fragmenting compositions.
Charlie Perez-Tlatenchi has exhibited work at haul gallery, New York; Sikkema Jenkins & Co., New York; and Elizabeth Leach Gallery, Portland, among others.
Charlie Perez-Tlatenchi, Import Ex-port (Venimos a triunfar), 2023, installation view.
Charlie Perez-Tlatenchi, Import Ex-port (Venimos a triunfar), 2023, installation view.
Charlie Perez-Tlatenchi, Hasta que amanezca, 2023, lenticular print and UV print on plexi, 301/4 × 451/4 in. (76.83 × 114.93 cm).
Charlie Perez-Tlatenchi, Alabanza al Avance, 2023, found lenticular print, pigment print, spray paint on rag paper, in artist’s frame, 173/8 × 223/8 in. (44.2 × 56.9 cm).
Charlie Perez-Tlatenchi, Constellation (Baraja de Oro), 2023, polaroid, pigment print, found lenticular prints, holographic film and imitation gold leaf in artist’s mat and frame, 1313/16 × 1613/16 in. (35.05 × 42.67 cm).
Residents from United States
Aryel René Jackson
Studio #305
Hanae Utamura
Studio #201
Past Resident2025: Federal Ministry for Arts, Culture, Civil Service and Sport of Austria
Marianne Vlaschits
Marianne Vlaschits creates paintings and installations that explore connections between the human body and the so-called natural world. Drawn to the grotesque and enigmatic, she seeks to break down perceived borders and explore what can be gained by leaving them behind. Her process combines research, subconscious exploration, and experimentation with materials and techniques. For Vlaschits, making art is a negotiation between mind, body, and material, with painting as a sensual, physical experience that activates subconscious knowledge stored in the flesh. Fascinated by humanity’s ancient impulse to paint and the primal creative moment when art comes into being, she examines how paint expands thought across space and time. As a person who stutters, she is particularly interested in painting as a form of language and its potential to represent disabled speech.
Marianne Vlaschits has exhibited work at Kunstwerke, Berlin; Belvedere21. Vienna; and Leopold Museum, Vienna, among others.
Events & Exhibitions
Spring Open Studios 2025
April 25–April 26, 2025
Marianne Vlaschits, 10% Curiosity, 5% Fear, 85% Fun, 2024, acrylic on burlap, 55 × 1065/16 in. (139.7 × 270 cm).
Marianne Vlaschits, 5% Mild Joy, 30% Distrust, 50% Despair, 15% Awe, 2024, acrylic on burlap, 393/8 × 1065/16 in. (100.08 × 270 cm).
Marianne Vlaschits, Herbarium Burggasse, 2024, mural, dimensions variable.
Marianne Vlaschits, Glitch Music, 2023, oil on linen, dimensions variable.
Marianne Vlaschits, Opinions, 2024, acrylic and oil on burlap, 11.8.
Residents from Austria
Tony Karlsson Savci
Tony Karlsson Savci is a transdisciplinary artist whose practice engages with queer life, intergenerational trauma, healing, and community resilience through performance, installation, and social practice. They are currently working on I Am The Sun, a poem using the sun as a metaphor for the Syriac Orthodox church, reflecting on its role in producing and destroying identity, culture, and belonging. They have collaborated with a wide range of art professionals including Every Ocean Hughes, Makda Embaie, and pop star Zhala. Alongside Sara Kaaman and Johnny Chang, they co-run Munnen (The Mouth), a Stockholm-based cultural hub for art, publishing, and workshops.
Tony Karlsson Savci has exhibited work at Off Biennale, Cairo; Mint ABF, Stockholm; Baerum Kunsthall, Oslo; and the Whitney Museum, New York, among others.
Tony Karlsson Savci, I Am the Sun, 2024, installation. Photo by Jean-Baptiste Béranger.
Tony Karlsson Savci, Churchs' Finger, 2024, readymade, 38.6. Photo by Jean-Baptiste Béranger.
Tony Karlsson Savci, 1815 Year of The Sword, 2024, readymade. Photo by Jean-Baptiste Béranger.
Tony Karlsson Savci, Rotten Sun, 2024, vinyl text. Photo by Tony Karlsson Savci.
Tony Karlsson Savci, Seyfo, 2024, readymade.
