Past Residents
Past Resident2013: Foundation for a Civil Society2008: Foundation for a Civil Society
Irgin Sena
Irgin Sena works with consideration of time as a space and as a zone. The voids, the gaps in between, the seemingly unimportant, or the things that fail are what he pays attention to. While thinking about time, Sena also considers the effectiveness of the delay. He is interested in the duration of transitions and moments of in(activity). The idea of creating a score, a track and a timeline for the work, as one would do in music, has occupied him for some time. Irgin’s process has much to do with how we select what to see from what we merely look at.
Irgin Sena was born in Albania and lives and works in New York. He has a MFA from Hunter College. Inn 2007 the he received the ARRDHJE Award for Contemporary Art and in 2012 he was awarded the Marian Netter Award. Irgin has participated at Qui Vive, International Moscow Biennial for Young Art and New Insight, Chicago. His work has been shown at Futura- Center For contemporary Art, Prague; Art Chicago; Boots Contemporary Art Space, St. Louis; Vanessa Quang Galerie, Paris; House am Lutzowplatz, Berlin; The National Gallery, Tirana and Badischer-Kunstverein, Karlsruhe.
Irgin Sena, There Was a Mirror in the Reanimation Clinic, 2009, Video installation, 4 min. 26 sec. Courtesy of the artist.
Irgin Sena, Father's Cabinet, 2012, Video installation, 4 min. 50 sec. Courtesy of the artist.
Irgin Sena, Untitled, 2010, Video projection and hanging screens, 15 × 54 in. (38.1 × 137.16 cm). Courtesy of the artist.
Irgin Sena, 0-8, 2009, Foam, video, and sound, 96 × 96 × 96 in. (243.84 × 243.84 × 243.84 cm). Courtesy of the artist.
Irgin Sena, Forty 12 Forty, 2012, Video installation, looped, 29 min. Courtesy of the artist.
Past Resident2013: Italian Cultural Institute of New York
Anna Franceschini
Anna Franceschini primarily works with film and video, deploying the moving image and our relationship with the cinematic language to scrutinize specific places as metaphors of the human condition. Her films and her video installations often consist of a slow and prolonged investigation of objects, spaces and activities: most of the time the camera is almost static, although occasionally limited movements are allowed, and then they recycle, as if the act of filming happened in a loop. For Franceschini, the moving image is the space for silent, meditative observation of reality: a space almost totally emptied of the human presence, where time becomes tangible.
Anna Franceschini (born 1979) lives and works in Amsterdam and Brussels. In 2006 she graduated from IULM University in Milan and in 2010 completed a residency at Rijksakademie, Amsterdam. Her work has been exhibited and awarded in prestigious festivals including the Locarno Film Festival, Torino Film Festival and Milano Film Festival. Her work has been presented in recent solo exhibitions at Peep Hole, Milan; Objectif Exhibitions, Antwerp; Bielefelder Kunstverein, Bielefeld; Kiosk, Ghent and in several international group exhibitions. Her work is part of public collections at the Musée National d’Art Moderne/ Centre Georges Pompidou, Paris and MACRO Museum, Rome.
Anna Franceschini, Polistirene, 2007, Single-channel video, 12 min. Courtesy of the artist.
Anna Franceschini, Untitled (almost lost), 2010, Single-channel video. Courtesy of the artist.
Anna Franceschini, How to Pronounce Reality, 2012, Two-channel video installation. Courtesy of the artist.
Anna Franceschini, It's About Light and Death (to joseph plateau), 2011, 16mm film. Courtesy of the artist.
Anna Franceschini, it's All About Light (to joseph plateau), 2011, Single-channel video installation. Courtesy of the artist.
Residents from Italy
Raffaela Naldi Rossano
The Italian Academy for Advanced Studies, Columbia University, Italian Cultural Institute of New York, Directorate-General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs and International Cooperation, Directorate-General for Contemporary Creativity of the Italian Ministry of Culture
2024
Past Resident2012: Ministry of Culture, Taiwan
Chang-Jung Wu
Chang-Jung Wu’s works, created using records of her life, daily imagination, and memories, often reveal her own story. Wu’s work explores a diverse group of issues including the global economy, energy supply, voice making, ecology, and visual sensory imagination giving an imagination with emotional dynamics; she combines spatial projections with other experimental images to express deeply personal ideas.
Chang-Jung Wu (born 1984 Taiwan), received her degree from the Graduate Institute of Plastic Arts, Tainan National University of The Arts, Taiwan in 2012. Her work has been shown recently at the The Taipei Digital Art Center, Manchester Chinese Centre for Contemporary Art, UK; The 58th International Short Film Festival, Oberhausen, the 2011 Venice Biennale, The 7th Busan International Video Festival, Korea, and in the exhibition Ambiguous Being: who is afraid of identity?, Berlin. Chang-Jung was the winner of the 2012 58th International Short Film Festival in Oberhausen and the recommended new artist of Art Taipei 2010.
Chang-Jung Wu, Documentary VIII - Night Night Flower, 2011, Video installation, 3 min. 10 sec.
Chang-Jung Wu, Documentary I - Pig Five Flower, 2010, Video installation, 3 min 10 sec.
Chang-Jung Wu, Documentary XIII - The Kaleidoscopig Farm Cuckoo Clock, 2012, 12 projector synchronization, 3 min 30 sec.
Chang-Jung Wu, Documentary III - Slot Machine, 2010, Single channel video, 2 min 58 sec.
