Past Residents
Past Resident2020: The Artists’ Salaries, The Icelandic Centre for Research, The Icelandic Visual Artists Copyright Association, MUGGUR2020: Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, William Talbott Hillman Foundation, Hartfield Foundation
Habby Osk
Habby Osk’s interests lies in basic physics: balance, movement, gravity, time and force. These concepts play an important role across her art practice as she creates works which test the limits of balance and stability and explore gravity’s influence over time using sculpture, photography and installation as her primary medium. Osk places objects in precarious situations to probe how far they can go without tipping over, to capture the moment of stillness before the looming collapse and the transformation over time.
Habby Osk has exhibited work at Gerðarsafn – Kópavogur Art Museum, Iceland; Akureyri Art Museum, Iceland; and Tina Kim Gallery, New York, among others.
Habby Osk, Lean, 2018, wood, cement, and rope, 118 × 1961/2 × 10 in. (299.72 × 499.11 × 25.4 cm).
Habby Osk, Anchor IIII, 2019, wood, cement, and rope, 65 × 12 × 10 in. (165.1 × 30.48 × 25.4 cm).
Habby Osk, Fracture, 2018, C-print from photography series, image 3 of 6, 8 × 10 in. (20.32 × 25.4 cm).
Habby Osk, Suspend, 2018, wood, cement, and rope, 114 × 83 × 10 in. (289.56 × 210.82 × 25.4 cm).
Habby Osk, Stability, 2015, site-specific installation with wood and plastic, 636 × 120 × 36 in. (1615.44 × 304.8 × 91.44 cm).
Ground Floor Residents
Hong Seon Jang
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Sujin Lim
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Simon Liu
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Past Resident2020: Pollock-Krasner Foundation
Annabel Daou
Annabel Daou’s work takes place at the intersection of writing, speech, and non-verbal modes of communication. Her paper works, videos, sound pieces, and performances deal with yearnings and anxieties that are both personal and political. Her process involves mining the expressive possibilities of ordinary words and phrases in order to reveal unexpected intimacies between individual and collective experience. Frequently, the work evokes moments of rupture, chaos, and misunderstanding, but always with the tenuous possibility of repair.
Annabel Daou has exhibited work at National Museum of Beirut; KW Institute for Contemporary Art, Berlin; and Park Avenue Armory, New York, among others.
Annabel Daou, Is this living?, 2018, paper, graphite and gesso, 34 × 39 in. (86.36 × 99.06 cm).
Annabel Daou, they were here, 2016, cuben fiber, ink, and repair tape, 103 × 146 in. (261.62 × 370.84 cm).
Annabel Daou, Chou Hayda, 2018, video still, 24 min.
Annabel Daou, Need Is Not Quite Belief, 2014, ink on mending tape on handmade Japanese paper, 161/2 × 60 in. (41.91 × 152.4 cm).
Annabel Daou, punch the clock, spin the bottle, rule the world, 2015, ink and mending tape on paper, 56 × 94 in. (142.24 × 238.76 cm).
Residents from United States
Ailyn Lee
Studio #210
Angel Lartigue
Studio #217
Past Resident2019: Temple Bar Gallery + Studios, Dublin, Arts Council of Ireland
Hannah Fitz
Hannah Fitz creates sculpture works, representing familiar objects, departicularized and dead pan. Awkwardly rendered as still chunks of physicality uncomfortable in their material form, they are more an image than object. Fitz creates series or sets of sculptures, with repeated and varied forms that catch on a glitch in vision or a gap in knowledge.
Hannah Fitz has exhibited works at Kerlin Gallery, Dublin; Temple Bar Gallery + Studios, Dublin; and L21, Mallorca, among others.
Events & Exhibitions
2019 Fall Open Studios
November 15–November 16, 2019
Hannah Fitz, Mirror, 2017, mixed media, 5913/16 × 77/8 × 1911/16 in. (151.89 × 20.07 × 50.04 cm). Photo courtesy of The Kerlin Gallery.
Hannah Fitz, Man, 2017, mixed media, 3713/16 × 531/2 × 531/2 in. (96.01 × 135.89 × 135.89 cm). Photo courtesy of The Kerlin Gallery.
Hannah Fitz, Flower Table, 2018, mixed media, 411/2 × 31 × 22 in. (105.41 × 78.74 × 55.88 cm). Photo courtesy of The Kerlin Gallery.
Hannah Fitz, Dress, 2017, mixed media, 641/8 × 32 × 201/2 in. (162.81 × 81.28 × 52.07 cm). Photo courtesy of The Kerlin Gallery.
Hannah Fitz, ALL HAIL, 2019, mixed media, 557/8 × 593/8 × 363/16 in. (141.99 × 150.88 × 91.95 cm). Photo courtesy of The Kerlin Gallery.
