Past Residents
Past Resident2023: Danish Arts Foundation
Julian Juhlin
Julian Juhlin creates theatrical visual art using staging techniques he learned while working as a stage designer, establishing a distinct iconography in the artist’s practice. In his works, Juhlin stages figures and objects derived from his own experience, placing them in visual scenes frozen in time in an attempt to maintain and preserve specific stages of life.
Julian Juhlin has exhibited work at Copenhagen Contemporary, Denmark; Prague Quadrennial, Czech Republic; and Royal Danish Theatre, Denmark, among others.
Events & Exhibitions
2022 Fall Open Studios
November 18–November 19, 2022
Julian Juhlin, The Boy Who Will Never Leave Home, 2012-ongoing, installation, performance and video
Julian Juhlin, Halfdans Hokus Pokus, 2019, set design, 315 × 748 × 236 in. (800.1 × 1899.92 × 599.44 cm)
Julian Juhlin, Virgin Tour - Czech Republic, 2019, performance and installation, 196 × 196 × 149 in. (497.84 × 497.84 × 378.46 cm)
Julian Juhlin, Virgin Tour - Tokyo, 2022, performance and installation, 78 × 149 × 66 in. (198.12 × 378.46 × 167.64 cm)
Julian Juhlin, Virgin Tour - New York, 2022, film, 8 min.
Residents from Denmark
Past Resident2022: Federal Ministry for Arts, Culture, Civil Service and Sport of Austria2020
Antoinette Zwirchmayr
Antoinette Zwirchmayr’s work consists of concise juxtapositions that reveal sensitive relationships between human beings, objects and nature. The artist investigates stereotypical ideas of physique and identity through abstract fiction films, autobiographical memory tales, film adaptations of theoretical books, and fragmented picture compositions. Through the fusion of materials, colors, surfaces, and textures, Zwirchmayr attempts to evoke a sensory experiencing realm.
Antoinette Zwirchmayr has exhibited work at McEvoy Foundation for the Arts, San Francisco; Galerie Nationale du Jeu de Paume, Paris; MUMOK, Viena; Berlinale; Toronto International Film Festival; and Austrian Film Museum, among others.
Antoinette Zwirchmayr, Dear Darkness, 2022, 35mm film, 30 min.
Antoinette Zwirchmayr, Jean Luc Nancy, 2020, 16 mm film, 4 min.
Antoinette Zwirchmayr, The Seismic Form, 2020, 16 mm film, 15 min.
Antoinette Zwirchmayr, At the edge of the curtain, 2022, 16 mm lilm, 4 min.
Residents from Austria
Anaïs Horn
Anaïs Horn’s work intertwines literature, text, photography, video, drawing and painting to explore intimate moments. With a focus on liminality and coming-of-age, Horn observes people and their spaces. In her artistic process, she investigates time, memories, the body and its traces, the cautious intrusion of privacy, the aesthetics of reality, and fugacity. Her images take shape by exploring surfaces and objects, and they frequently unfold into spatial installations.
Anaïs Horn has exhibited work at Camera Austria, Graz; Paris Photo, Curiosa Section, Paris; and MAK-Museum of Applied Arts, Vienna, among others.
Anaïs Horn, Longing Ghosts in Deep Blue Paranoia, 2022, photography, drawing and installation, dimensions variable
Anaïs Horn, Les Fenêtres, 2022, photography and painting, dimensions variable
Anaïs Horn, Die Hand voller Stunden, so kamst du zu mir, 2021, photography and installation, dimensions variable
Anaïs Horn, You would wear it as pajamas and even to go out with it before breakfast, 2021, yukata object and several photo prints on crêpe de Chine, dimensions variable
Anaïs Horn, How do you feel about "Lou"?, 2020, photography and installation