Antoinette Zwirchmayr’s work consists of concise juxtapositions that reveal sensitive relationships between human beings, objects and nature. Her lyrical visual compositions show vulnerable surfaces separating the inner from the outer, where she examines stereotypical ideas of physique and identity. The reduced formal aesthetic that she employs is marked by a critical ambivalence and directs the viewer’s attention to details that are correlated in the transient and physical quality of analog film.