Past Residents
Yuki Higashino
Yuki Higashino explores a variety of topics through his work, including the influence of digital technology on our visual culture, immigrant identity, and the conflict between language and picture. Higashino combines several aesthetic standards, such as those of photography, calligraphy, and film, to create his own distinctive pictorial lexicon.
Yuki Higashino has exhibited work at Mumok, Vienna; Last Tango, Zurich; Contemporary Art Factory, Kyoto; Galerie Kunstbuero, Vienna; and The Brno House of Arts, among others.
Yuki Higashino, Notebook 5, 2020, acrylic paint on plexiglass, 111/4 × 151/8 in. (28.57 × 38.42 cm)
Yuki Higashino, After Josef Sudek 1, 2020, acrylic on acetate, 101/4 × 57/8 in. (26.03 × 14.92 cm)
Yuki Higashino, Notebook 6, 2021, acrylic on plexiglass, 111/4 × 151/8 in. (28.57 × 38.42 cm)
Yuki Higashino, Sundborn, Summer 1, 2021, acrylic on plexiglass, 235/16 × 131/4 in. (59.26 × 33.65 cm)
Yuki Higashino, The Poundbury Horror, 2020, HD video with sound, 18 min.
Residents from Austria
Past Resident2022: Danish Arts Foundation
Anu Ramdas
Through her practice, Anu Ramdas explores the multi-dimensional archive of her sensed reality. She is interested in the complexity that lies between the idea and the sensed, negotiating the values of the detectable and the undetectable. Influenced by her Indian heritage, Ramdas’ work incorporates lens-based technology, astrophysics and esoteric science.
Anu Ramdas has exhibied work at Museum of Religious Art, Lemvig, Denmark; He Art Museum, Foshan, China; and SAVVY Contemporary, Berlin, among others.
Anu Ramdas, Parent Body (sample 10), 2019, sculpture, 395/16 × 473/16 × 59 in. (99.82 × 119.89 × 149.86 cm)
Anu Ramdas, Against the Grain, 2020, video and photography, 51 × 395/16 in. (129.54 × 99.82 cm)
Anu Ramdas, Lucem Interiorem - The Atom Series [Seeds for the Future], 2021, installation view of five color pencil works on acid free paper, 271/2 × 395/16 in. (69.85 × 99.82 cm)
Residents from Denmark
Past Resident2022: Ministry of Culture, Taiwan
Alice Nien-Pu Ko
Alice, Nien-Pu Ko is a curator and writer. Her curated and co-curated works include Tony Oursler: Black Box (2021), SUNSHOWER: Contemporary Art from Southeast Asia 1980s to Now (2019), Tomb of the Soul, Temple, Machine and Self (2018), Flags, Transnational–Migrants and Outlaw Territories (2016), Reverse Niche–Dialogue and Rebuilding at the City’s Edge (2013).
Alice, Nien-Pu Ko has presented exhibitions at Kaohsiung Museum of Fine Arts, Kaohsiung; Tokyo Wonder Site, Tokyo; and Bi-City Biennale of Urbanism/Architecture, Hong Kong, among others.
Events & Exhibitions
2022 Spring Open Studios
April 22–April 23, 2022
Tony Oursler, Lock 2, 4, 6, 2021, retrospective at Kaohsiung Museum of Fine Arts., Lock 2, 4, 6, 2021, video installation, dimensions variable
Tony Oursler, Obscura, 2021, video installation, dimensions variable
Apichatpong Weerasethakul and Chai Siris, Sunshower, 2019, Installation view at Kaohsiung Museum of Fine Arts, dimensions variable
Jing-Shan Lang, Chun-Ming Ho, Su-Chen Hsu, Chao-Tang Chang, Chun-Te Hsieh, Yu-Fu Yang Jun-Yin Chiu, Cheng-Po Chen, Hsia-Yu Chen, Chieh-Jen Chen, Yin-Ju Chen, Fu-Sheng Ku, Tomb of the Soul, Temple, Machine and Self, 2018
Hikaru Fujii, Kum So-Ni, Kao Jun-Honn, Au Sow-Yee, Flags, Transnational – Migrants and Outlaw Territories, 2016, installation view at Tokyo Wonder Site., dimensions variable
