Current Resident: Sep 1, 2019–Nov 30, 2019
ARTWORKS
Studio #304
Artist
Paky Vlassopoulou
In her practice, Paky Vlassopoulou explores issues such as the production of knowledge, historization and ruins. Most recently, she has been particularly interested in the politics of service industries in relation to notions of care and hospitality. Her work often takes the form of an event, open to participation and discussion. In 2012, together with artists Chrysanthi Koumianaki and Kosmas Nikolaou, she co-founded 3 137, an artist run space operating in Athens, Greece.
Paky Vlassopoulou has had work commissioned by NEON Foundation and Whitechapel Gallery at the Gennadius Library/The American School of Classical Studies, Athens; and has exhibited work in a project by the New Museum, New York, and the DESTE Foundation, at the Benaki Museum, Athens, and at the School of the Museum of Fine Arts, Boston, among others.
pakyvlassopoulou.comEvents & Exhibitions
Fall Open Studios
November 15–November 16, 2019
Paky Vlassopoulou, Training Drills, 2019, C-print.
Paky Vlassopoulou, At Your Service, 2019, digital image.
Paky Vlassopoulou, One Is Not Born a Dolphin, By An octopus, A Dolphin and Others, 2019, performance.
Paky Vlassopoulou, Hello Mrs Ramsay (Things Don't Change That Fast), 2017, event.
Paky Vlassopoulou, Hello Mrs Ramsay (Things Don't Change That Fast), 2017, event.
Current Resident: Jul 1, 2019–Jun 30, 2020
Toby Devan Lewis Donor Advised Fund of the Jewish Federation of Cleveland
Studio #305
Artist
Duy Hoàng
Duy Hoàng’s practice focuses on the links between the connections/disconnections one experiences with their surrounding environment, between the mundanes to the phenomena, and from the potential of growth to the inevitability of decay. His work focuses on our relationship to the minute details around us in conjunction with the vast environment we are in. Hoàng entered the United States as a Vietnamese immigrant during his adolescent years and the transitional moment triggered his necessity for intensive observation and awareness.
Duy Hoàng has exhibited work at Brother Joseph McNally Gallery, LASALLE College of the Arts, Singapore; Wave Hill, New York; and Thomas Erben Gallery, New York, among others.
duy-h.comEvents & Exhibitions
Fall Open Studios
November 15–November 16, 2019
Duy Hoàng, A Wide Area Where Three Rivers Gather, 2018, mixed media, plants, rocks, ink on paper, books, found materials, and tools, 107 × 139 × 103 in. (271.78 × 353.06 × 261.62 cm).
Duy Hoàng, Archipelago: Mayfly, 2018, mixed media, wood, insects, moss, drawings, spore prints, and tools, dimensions variable.
Duy Hoàng, Septal Nectary, 2017, mixed media, plants, water, food coloring, container, wood, light, and tools, 58 × 127 × 48 in. (147.32 × 322.58 × 121.92 cm).
Duy Hoàng, Second Sightings, 2019, mixed media, natural materials, yarn, drawings, digital prints, and tools, 243 × 174 × 126 in. (617.22 × 441.96 × 320.04 cm).
Duy Hoàng, Shining Afternoons, 2017, mixed media, plants, tarp, dirt, wood, silkscreen on paper, monitor, and video camera, 288 × 210 × 156 in. (731.52 × 533.4 × 396.24 cm).
Residents from United States
Current Resident: Sep 1, 2019–Nov 30, 2019
Canada Council for the Arts
Studio #306
Artist
Jasmine Reimer
Jasmine Reimer’s installations feature exterior and interior, natural and artificial, human and non-human elements. They contain organic materials and every day objects, with recurrent components such as snails, branches, frogs, and fingers. Her work begins with the re-appropriation of the body, the revaluation of its experiences and the re-discovery of its capacity for transformation. Through excess and order she investigates the rituals, rhythms and sensations of what she calls permanent ‘in-becoming.’
Jasmine Reimer has exhibited work at Forest City Gallery, London; Clint Roenisch Gallery and Georgia Scherman Projects, both Toronto, among others.
Events & Exhibitions
Fall Open Studios
November 15–November 16, 2019
Jasmine Reimer, Of, In, or Under, 2018, wood, rubber, sand, resin, epoxy putty, found objects, wax, and acrylic, 120 × 264 × 96 in. (304.8 × 670.56 × 243.84 cm).
Jasmine Reimer, Of, In, or Under, 2018, wood, rubber, sand, resin, epoxy putty, found objects, wax, and acrylic, 120 × 264 × 96 in. (304.8 × 670.56 × 243.84 cm).
Jasmine Reimer, Me and My Earth Cult 23 of 37: Owl-as-Self-Portrait, 2018, found objects, sand, paper mache, rubber, resin, and epoxy putty, 141/4 × 10 × 63/4 in. (36.19 × 25.4 × 17.14 cm).
Jasmine Reimer, Dating Dionysus, 2018, plaster, sand, rubber, resin, and found objects, 123/4 × 63/4 × 43/4 in. (32.38 × 17.14 × 12.06 cm).
