Past Residents
Past Resident2021: The Pollock-Krasner Foundation, Inc.
Daniel Ramos
Daniel Ramos creates 3-dimensional sculptures, large-scale collages, and mixed media installations. Early on in his career, Ramos decided that the people in his life–family, friends, co-workers–would be the subjects of his work. He uses photography as a vehicle to amplify their presence in the world, and has recently began moving beyond the single image convention of picture making.
Daniel Ramos has exhibited work at Artpace San Antonio and Center for Photography at Woodstock, among others.
Daniel Ramos, The Land of Illustrious Men, 2020, installation view at Artspace, San Antonio
Daniel Ramos, How Many Generations Does It Take To Be Treated As A Human Being?, 2020, collage made with silver gelatin prints and inkjet prints on various Mohawk papers
Daniel Ramos, The Land of Illustrious Men, 2020, installation view at Artspace, San Antonio
Daniel Ramos, Pilo In Leaves, 2016, photography
Daniel Ramos, My Mother, My Father and Uncle Ramiro On The Way To Monterrey, 2000, photography
Residents from United States
Past Resident2021: Toby Devan Lewis2020: Toby Devan Lewis
Duy Hoàng
Duy Hoàng’s practice focuses on the links between the connections/disconnections one experiences with their surrounding environment, between the mundanes to the phenomena, and from the potential of growth to the inevitability of decay. His work focuses on our relationship to the minute details around us in conjunction with the vast environment we are in. Hoàng entered the United States as a Vietnamese immigrant during his adolescent years and the transitional moment triggered his necessity for intensive observation and awareness.
Duy Hoàng has exhibited work at Festival Images Vevey, Switzerland; Wave Hill, New York; and Kleine Humboldt Galerie, Berlin, among others.
Duy Hoàng, A Wide Area Where Three Rivers Gather, 2018, mixed media, plants, rocks, ink on paper, books, found materials, and tools, 139 × 107 × 103 in. (353.06 × 271.78 × 261.62 cm)
Duy Hoàng, Capsule: La Becque i, 2019, mixed material sculpture, styrofoam, flora, algae, field guide, 14 × 24 × 4 in. (35.56 × 60.96 × 10.16 cm)
Duy Hoàng, Hêtre Gare, 2019, mixed media installation, beech trees, drawings, digital prints, insects, microscope, tool assortment, 174 × 282 × 132 in. (441.96 × 716.28 × 335.28 cm)
Duy Hoàng, Hêtre Gare (Insect Trap), 2019, muslin, UV lamp, rope, wood, 300 × 312 × 72 in. (762 × 792.48 × 182.88 cm)
Duy Hoàng, Interarboreal, 2019, silkscreen and ink drawing on Tyvek, sunflower leaves, incense, dirt, rope, 198 × 198 × 138 in. (502.92 × 502.92 × 350.52 cm)
Anna Estarriola
Anna Estarriola is interested in the exchanges and interactions between visual and media arts with other disciplines, including performing arts and technology. The themes of her work revolve around perception of reality, individual and communal behavior, and communication. She uses cross-disciplinary narrative structures that explore and question the union of content, medium and context. Over the last years, she has created media installation works combining sculptures and moving image with dramaturgy, mechanics and electronics.
Anna Estarriola has exhibited work at Galerie Anhava, Helsinki; Pori Art Museum, Finland; and Museum of Contemporary Art Kiasma, Helsinki, among others.
Events & Exhibitions
2021 Spring Open Studios
April 27–April 28, 2021
Anna Estarriola, Emerging Toughts, 2015, sound installation
Anna Estarriola, The system, 2017, media installation
Anna Estarriola, Resonance, 2019, sound installation
Anna Estarriola, Guided, 2019, sound installation
Anna Estarriola, Transition / Assisted Breathing, 2019, media installation
