Current Resident: Sep 1, 2019–Nov 30, 2019
ARTWORKS
Studio #304
Artist
Paky Vlassopoulu
In her practice, Paky Vlassopoulou explores issues such as the production of knowledge, historization and ruins. Most recently, she has been particularly interested in the politics of service industries in relation to notions of care and hospitality. Her work often takes the form of an event, open to participation and discussion. In 2012, together with artists Chrysanthi Koumianaki and Kosmas Nikolaou, she co-founded 3 137, an artist run space operating in Athens, Greece.
Paky Vlassopoulou has had work commissioned by NEON Foundation and Whitechapel Gallery at the Gennadius Library/The American School of Classical Studies, Athens; and has exhibited work in a project by the New Museum, New York, and the DESTE Foundation, at the Benaki Museum, Athens, and at the School of the Museum of Fine Arts, Boston, among others.
pakyvlassopoulou.com
Paky Vlassopoulu, Training Drills, 2019, C-print.
Paky Vlassopoulu, At Your Service, 2019, digital image.
Paky Vlassopoulu, One Is Not Born a Dolphin, By An octopus, A Dolphin and Others, 2019, performance.
Paky Vlassopoulu, Hello Mrs Ramsay (Things Don't Change That Fast), 2017, event.
Paky Vlassopoulu, Hello Mrs Ramsay (Things Don't Change That Fast), 2017, event.
Current Resident: Jul 1, 2019–Jun 30, 2020
Toby Devan Lewis Donor Advised Fund of the Jewish Federation of Cleveland
Studio #305
Artist
Duy Hoàng
Duy Hoàng’s practice focuses on the links between the connections/disconnections one experiences with their surrounding environment, between the mundanes to the phenomena, and from the potential of growth to the inevitability of decay. His work focuses on our relationship to the minute details around us in conjunction with the vast environment we are in. Hoàng entered the United States as a Vietnamese immigrant during his adolescent years and the transitional moment triggered his necessity for intensive observation and awareness.
Duy Hoàng has exhibited work at Brother Joseph McNally Gallery, LASALLE College of the Arts, Singapore; Wave Hill, New York; and Thomas Erben Gallery, New York, among others.
duy-h.com
Duy Hoàng, A Wide Area Where Three Rivers Gather, 2018, mixed media, plants, rocks, ink on paper, books, found materials, and tools, 107 × 139 × 103 in. (271.78 × 353.06 × 261.62 cm).
Duy Hoàng, Archipelago: Mayfly, 2018, mixed media, wood, insects, moss, drawings, spore prints, and tools, dimensions variable.
Duy Hoàng, Septal Nectary, 2017, mixed media, plants, water, food coloring, container, wood, light, and tools, 58 × 127 × 48 in. (147.32 × 322.58 × 121.92 cm).
Duy Hoàng, Second Sightings, 2019, mixed media, natural materials, yarn, drawings, digital prints, and tools, 243 × 174 × 126 in. (617.22 × 441.96 × 320.04 cm).
Duy Hoàng, Shining Afternoons, 2017, mixed media, plants, tarp, dirt, wood, silkscreen on paper, monitor, and video camera, 288 × 210 × 156 in. (731.52 × 533.4 × 396.24 cm).
Residents from United States
Current Resident: Jul 1, 2019–Sep 30, 2019
Kettering Family Foundation
Studio #306
Artist
Conrad Egyir
Conrad Egyir’s work borrows from Afrocentric folklore that is rooted in political and religious erudition. He creates narrative paintings that focus on subjects from the Afro-diaspora who interact with identical versions of themselves. Concurrently they take on multiple staged roles as both an antagonist and a protagonist, a friend and foe, or a noble and a commoner as a tool that behooves the viewer to step into the multiple incarnations of each subject, in reverence of a collective human spirit.
Conrad Egyir has exhibited work at Jessica Silverman Gallery, San Francisco; Library Street Collective, Detroit; and Mindy Solomon Gallery, Miami, among others.
Conrad Egyir, Joseph's Lullaby, 2019, oil on canvas, 86 × 108 in. (218.44 × 274.32 cm).
Conrad Egyir, Vestiges of the Potentate, 2019, oil on canvas, 90 × 108 in. (228.6 × 274.32 cm).
Conrad Egyir, Unctions of the Flummoxed Panthers, 2018, oil on canvas, 84 × 60 in. (213.36 × 152.4 cm).
Conrad Egyir, Unctions of the Luminaries, 2019, oil on canvas, 84 × 60 in. (213.36 × 152.4 cm).
Conrad Egyir, Ludus An Allegory of Love, 2019, oil on canvas, 66 × 48 in. (167.64 × 121.92 cm).
