Past Residents

List Grid

Past Resident
2021: The Pollock-Krasner Foundation, Inc.

Artist

Daniel Ramos

Daniel Ramos creates 3-dimensional sculptures, large-scale collages, and mixed media installations. Early on in his career, Ramos decided that the people in his life–family, friends, co-workers–would be the subjects of his work. He uses photography as a vehicle to amplify their presence in the world, and has recently began moving beyond the single image convention of picture making.

Daniel Ramos has exhibited work at Artpace San Antonio and Center for Photography at Woodstock, among others.

Events & Exhibitions

Artists at Work: Daniel Ramos in Conversation with Monica Espinel hosted by Culture Pass

May 27, 2021, 4-5pm

2021 Spring Open Studios

April 27–April 28, 2021

Daniel Ramos, The Land of Illustrious Men, 2020, installation view at Artspace, San Antonio

Daniel Ramos, How Many Generations Does It Take To Be Treated As A Human Being?, 2020, collage made with silver gelatin prints and inkjet prints on various Mohawk papers

Daniel Ramos, The Land of Illustrious Men, 2020, installation view at Artspace, San Antonio

Daniel Ramos, Pilo In Leaves, 2016, photography

Daniel Ramos, My Mother, My Father and Uncle Ramiro On The Way To Monterrey, 2000, photography

Residents from United States

Hellen Ascoli

This interactive sound table is an exploration of the relationship between text and textile, particularly through the oral tradition.

United States, Guatemala

The Pollock-Krasner Foundation, Inc.

Studio #302

Andrew Ross

Escher once asked, “Are you really sure that a floor can’t also be a ceiling?” The Dutch artist might have ignored the fundamentals of gravity, but Andrew Ross takes them head on, laying out a narrative where gravity is a character as real as the mole or ant. Ross’s exhibition—with its creatures, exotic garden, and reclining man admiring an apple —distorts what could otherwise be seen as a kind of pastoral. Using the language of display (plinths, pedestals, trusses), Ross teases out the purgatory between what we experience and what we know: the heavens, the earth, and the scafolding that connects them. The many faces of astrophysicist Neil deGrasse Tyson found in Ross’s flowers One suspects Tyson would admire the way that Ross’s universe, situated in the double helix of fact and ction, gives body to the forces we usually take for granted. His Untitled (Figure), a nod to the Newtonian myth, locates us in a moment of wonder when daydreams collide with reality. The ceiling and floor collapse and leave us with a divine sense of self- awareness. In the words of Tyson: “We are part of this Universe, we are in this Universe, but perhaps more important than both of those facts is that the Universe is in us.” — Kat Herriman, Artforum Critic's Pick

United States

Celebrate the Studio

2023

Meghana Karnik

Exhibition view of TITLE TBD, a group exhibition featuring work by ⚙️️Admin, Adult Kindergarten, Thomas Barger, Lukaza Branfman-Verissimo, GenderFail, Jeff Kasper, Ariane Loze, Natalia Nakazawa, Emily Mae Smith and presented at The Cleveland Institute of Art's Reinberger Gallery.

United States

Artis

2022

Vietnam, United States

Past Resident
2021: Toby Devan Lewis
2020: Toby Devan Lewis

Artist

Duy Hoàng

Duy Hoàng’s practice focuses on the links between the connections/disconnections one experiences with their surrounding environment, between the mundanes to the phenomena, and from the potential of growth to the inevitability of decay. His work focuses on our relationship to the minute details around us in conjunction with the vast environment we are in. Hoàng entered the United States as a Vietnamese immigrant during his adolescent years and the transitional moment triggered his necessity for intensive observation and awareness.

Duy Hoàng has exhibited work at Festival Images Vevey, Switzerland; Wave Hill, New York; and Kleine Humboldt Galerie, Berlin, among others.

Events & Exhibitions

2021 Spring Open Studios

April 27–April 28, 2021

2019 Fall Open Studios

November 15–November 16, 2019

Duy Hoàng, A Wide Area Where Three Rivers Gather, 2018, mixed media, plants, rocks, ink on paper, books, found materials, and tools, 139 × 107 × 103 in. (353.06 × 271.78 × 261.62 cm)

Duy Hoàng, Capsule: La Becque i, 2019, mixed material sculpture, styrofoam, flora, algae, field guide, 14 × 24 × 4 in. (35.56 × 60.96 × 10.16 cm)

Duy Hoàng, Hêtre Gare, 2019, mixed media installation, beech trees, drawings, digital prints, insects, microscope, tool assortment, 174 × 282 × 132 in. (441.96 × 716.28 × 335.28 cm)

Duy Hoàng, Hêtre Gare (Insect Trap), 2019, muslin, UV lamp, rope, wood, 300 × 312 × 72 in. (762 × 792.48 × 182.88 cm)

Duy Hoàng, Interarboreal, 2019, silkscreen and ink drawing on Tyvek, sunflower leaves, incense, dirt, rope, 198 × 198 × 138 in. (502.92 × 502.92 × 350.52 cm)

Finland

Past Resident
2021: Uniarts Helsinki Academy of Fine Arts in partnership with Saastamoinen Foundation
2020: Uniarts Helsinki Academy of Fine Arts in partnership with Saastamoinen Foundation

Artist

Anna Estarriola

Anna Estarriola is interested in the exchanges and interactions between visual and media arts with other disciplines, including performing arts and technology. The themes of her work revolve around perception of reality, individual and communal behavior, and communication. She uses cross-disciplinary narrative structures that explore and question the union of content, medium and context. Over the last years, she has created media installation works combining sculptures and moving image with dramaturgy, mechanics and electronics.

Anna Estarriola has exhibited work at Galerie Anhava, Helsinki; Pori Art Museum, Finland; and Museum of Contemporary Art Kiasma, Helsinki, among others.