Past Residents
Susan Gibb
Susan Gibb is a curator who is interested in the conditions that shape artistic production. She often works in long-term engagement with artists on the production of new work.
Susan Gibb (born 1983, Sydney, Australia) is an associate curator at If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution in Amsterdam, The Netherlands. She previously ran the independent curatorial initiative Society and has held curatorial positions at the interdisciplinary art centers Carriageworks and Campbelltown Arts Centre, both in Sydney, Australia. Her recent projects include A Planet With Two Suns with Agatha Gothe-Snape at Kunstvlaai: Festival of Independents, Amsterdam, 2012 and the Museum of Contemporary Art, Sydney, 2013;The River Project, 2010; and What I Think About When I Think About Dancing, 2009; both at Campbelltown Arts Centre, Sydney. She regularly writes for art periodicals including ArtAsiaPacific, Art Monthly Australia and Photofile.
Agatha Gothe-Snape with Susan Gibb, A Planet With Two Suns, 2012, Installation view. Courtesy of the artist and Kunstvlaai, Amersterdam
Past Resident2015: Danish Arts Foundation
Erik Steffensen
Erik Steffensen’s photographs use subtle tones in grey, black and white and monocolors to evoke the remembrance of images from the art history, referencing paintings, poetry and fine art photography. Steffensen produces spare and unpopulated images that conjure an open mind.
Erik Steffensen (born in Valby, Copenhagen) studied the Philosophy and Art History at the University of Copenhagen and the Danish Royal Academy of Arts in Copenhagen. He lives and works in Copenhagen.
Events & Exhibitions
Salon: Erik Steffensen
March 10, 2015
Erik Steffensen, Can lis - agnes martin, 2014, Black and white photograph, 7 × 9 in. (17.78 × 22.86 cm). Courtesy of the artist
Residents from Denmark
Past Resident2015: The Isabel Aninat Gallery
Adolfo Bimer
Adolfo Bimer’s practice, through paintings and their displacements, focuses on a material and metaphorical innerness of the human body. His recent work is based on research about direct interactions from both the traditional and industrial world, not only of painting but from the medical and the construction fields as well. Bimer’s body of work questions health and disease; the body’s movement, fluids, organs and textures. He looks at the development of medical technology imaging systems such as x-rays, microscopy and anatomical drawing, as ways to understand a body that we otherwise would not be able to see.
Adolfo Bimer (born in 1985 Santiago, Chile) currently lives and works in Santiago, Chile. His solo exhibitions include Témpanos de Fe, Nueveochenta Contemporary Art, Bogotá, 2013; Las Inseguridades, Patricia Ready Gallery, Santiago, 2013; Tactismo, Revolver, Lima, 2012; and X, Museum of Contemporary Art, Santiago, 2011. He was included in Younger than Jesus: Artist Directory, Phaidon, 2008. Bimer also participates in the Chile-based art collective Sagrada Mercancía.
Adolfo Bimer, 240, 2014, Oil, enamel and varnishes on PVC, 48 × 18 in. (121.92 × 45.72 cm). Courtesy of the artist
