Past Residents
Past Resident2018: BARRO Arte Contemporáneo
Joaquín Boz
Joaquín Boz creates abstract paintings and drawings of various scales. He works with the different qualities that materials offer to tell stories in his pieces. Boz’s paintings and drawings are the result of processes of ladening material.
Joaquín Boz has exhibited work at Móvil, Buenos Aires; Steve Turner, Los Angeles; and Barro | Arte contemporáneo, Buenos Aires, among others.
Events & Exhibitions
2018 Summer Open House
July 31, 2018, 6–9pm
Joaquín Boz, Untitled, 2018, oil on panel, 7811/16 × 118 in. (199.9 × 299.72 cm).
Joaquín Boz, Untitled, 2017, oil on panel, 120 × 240 in. (304.8 × 609.6 cm).
Joaquín Boz, Variations, 2017, oil on panel, 7811/16 × 59 in. (199.9 × 149.86 cm).
Joaquín Boz, Una Linea, 2018, paper in linseed oil, dimensions variable.
Joaquín Boz, Untitled, 2014, cotton paper, automobile oil and iron structure, dimensions variable.
Past Resident2018: Edward Steichen Award Luxembourg
Esther Hovers
In her practice, Esther Hovers investigates how power, politics and control are exercised through urban planning and the use of public space. She was trained as a photographer but creates installations in which photographs, drawings, text and film play an equal part. She is interested in finding poetic translations for power structures and technological developments.
Esther Hovers has exhibited at GEM, Museum of Contemporary Art, The Hague; C/O Berlin; and the National Gallery in Prague, among others.
Esther Hovers, False Positives, 2016, installation view, 157 × 118 in. (398.78 × 299.72 cm).
Esther Hovers, False Positives, 2017, mixed media, dimensions variable.
Esther Hovers, Structures Of Power Triptych, 2016-18, photographs, linen, and pins, 1511/16 × 1911/16 in. (39.88 × 50.04 cm).
Esther Hovers, Structures Of Power, 2016-18, photographs, linen, and pins, 61 × 435/16 in. (154.94 × 109.98 cm).
Esther Hovers, False Positives, 2017, artist book, 9.5 x 13.4 in. (48 pages).
Residents from The Netherlands
Past Resident2018: Danish Arts Foundation
Stine Marie Jacobsen
Stine Marie Jacobsen is a conceptual artist working to decode violence and law through participatory means. To give participants a collaborative and dialogical space, Jacobsen creates open structured sociocultural and participatory projects with clearly defined themes, with a focus on film, language, gender, violence, death, taboos, anonymity, and psychology. The artist conducts performative experiments, and creates platforms for critical thinking and new ways of looking at ethics, identity, control, fear and trust.
Stine Marie Jacobsen has exhibited work at Riga Biennial, Latvia; Nikolaj Kunsthal, Copenhagen, Denmark; and Momentum Biennial, Moss, Norway, among others. She is the recipient of Node Center for Curatorial Studies Innovators Grant and the Berlin Art Prize 2016.
Stine Marie Jacobsen, Pidgin Tongue, 2018, book and workshop method.
Stine Marie Jacobsen, Direct Approach, 2014, book and workshop method.
Stine Marie Jacobsen, Law Shifters, 2016, book and workshop method.
Stine Marie Jacobsen, German for Newcomers, 2016, book and workshop method.
Stine Marie Jacobsen, German for Artists, 2014, book.
