Past Residents
Past Resident2013: Al-Riwaq Art Space
Jaffar Al Oraibi
Jaffar Al Oraibi began drawing and painting early in life, first drawing portraits of friends and family members and then landscapes in Bahrain. His work has evolved toward the evolution of knowing the world of art and artists, through direct visits inside and outside Bahrain.
Jaffar Al Oraibi (born 1976) is one of Bahrain’s foremost emerging contemporary artists, with a Bachelor of Education from the University of Bahrain. His work has been exhibited widely, including solo exhibitions at Cuadro Fine Art Gallery, Dubai, and Al Riwaq Art Space, Bahrain. Group exhibitions include Morocco’s Asilah Festival, the China Art Olympiad Biennale, the 5th International Print Triennial in Egypt, and the Cité International des Arts in France. He has won numerous awards for his work, such as first prize at the Qatari Diar Art Symposium, special recognition at the 32nd Annual Plastic Arts exhibit at Bahrain’s National Museum, and the Silver Palm from the seven GCC art exhibitions, Kuwait. Al Oraibi was an artist-in-residence at Cité International des Arts and the Delfina Foundation in London.
Events & Exhibitions
Salon: Jaffar Al Oraibi, Waheeda Malullah and Mohamed Sharkawy
August 27, 2013
Jaffar Al Oraibi, Untitled, 2012, Oil, charcoal and oil bar on canvas, 5611/16 × 5811/16 in. (144.02 × 149.1 cm). Courtesy of the artist.
Jaffar Al Oraibi, Untitled 0, 2012, Oil, charcoal and oil bar on canvas, 5611/16 × 5811/16 in. (144.02 × 149.1 cm). Courtesy of the artist.
Jaffar Al Oraibi, Untitled 22, 2010, Oil, charcoal and spray paint on canvas, 353/8 × 275/8 in. (89.92 × 70.1 cm). Courtesy of the artist.
Jaffar Al Oraibi, Untitled, 2010, Oil, charcoal and oil bar on canvas, 5811/16 × 753/16 in. (149.1 × 191.01 cm). Courtesy of the artist.
Jaffar Al Oraibi, Untitled 3, 2010, Oil, charcoal, oil bar and spray paint on canvas, 5611/16 × 753/16 in. (144.02 × 191.01 cm). Courtesy of the artist.
Residents from Bahrain
Past Resident2013: Seoul Foundation for Arts and Culture
Eunji Cho
Eunji Cho activates the movement and inherent energy of urban remains, traces and suspended matters such as mud, stone and dust through performance, installation, situationist intervention and writing. She explores the slippage that arises when a modern subject enters another territory and becomes a minority, colonized, and the “other.” In her recent works, she focuses on the socio-psychological landscape of surface elements of the city interpreted by her own intuition and methodologies. Her artistic practice retains a minimalist approach to explore the ways in which certain objects are used in her works. Cho uses a range of media including drawing, video, performance and installation
In 2012, Eunji Cho had her 5th solo exhibition, Poem In Action, at RM Gallery, Auckland. Her selected group exhibitions include Walking Drifting Dragging, New Museum, New York, 2013; Play Time, Culture Station Seoul 284, Seoul, 2012; Dtang, the Mud Said, Duesseldorf Festival, Duesseldorf, 2012; tempus fugit, Kuenstlerverein Malkasten, Duesseldorf, 2012;Media Scape, Nam Jun Paik Art Center, Yongin, 2011; 7th Gwangju Biennale: Annual Report, Gwangju, 2008; Anyang Public Art Project, Anyang,2007; The Multicultural in Our Time, Palais de Tokyo, Paris, 2010; and Cittadellarte Venice, Venice University, Venice, 2005. She also has a female duo performance band, Michelangelo Pistoletto Band and sings about love and cities in various cities all over the world. Eunji Cho lives and works in Seoul.
Eunji Cho, Exodus Mud Poem, 2008, Mud from Paju New Town City Performance at 7th Gwangju Biennale.
Eunji Cho, Poem in Action, 2012, Mud Installation view RM Gallery, Auckland.
Eunji Cho, The Organic Flag, 2007, Mud and flag Installation view Yangju City Hall, Gyeongsang-do, Korea.
Eunji Cho, Dtang, The Mud Said, 2012, Performance FFT, Duesseldorf Festival.
Eunji Cho, Real Estate Box Empty Seongam 123 Project, 2010, Collaborative project Seongamdo, Ansan, Korea.
Residents from South Korea
Past Resident2013: Canada Council for the Arts
Paul Dignan
The starting point for Paul Dignan’s recent paintings are squares aligned in an even grid. Within these squares there are individual compositions based on one original source drawing. These paintings challenge the viewers’ perception in that the apparent uniformity of the schemata gradually begins to dissolve over time allowing slight shifts to occur. The feeling of order is further disrupted by the placement of flat areas next to airbrushed areas that feign an illusion of depth. Within a limited and regular format the paintings offer endless shifting variations that initially engage the viewers eye before ultimately revealing a certain resistance to it.
Paul Dignan (born Dundee, Scotland) is based in Ontario, Canada. He has lived and worked there since leaving Scotland in 2003. He is a graduate of the Slade School of Fine Art, London and is a past recipient of The Rome Scholarship in Painting at The British School at Rome. He has received numerous awards from the Scottish Arts Council, The Ontario Arts Council and The Canada Council for the Arts. His work has been included in shows at the Centre for Contemporary Art, Glasgow; The Museum of Contemporary Art, Skopje; FYR Macedonia and The Art Gallery of Ontario, Toronto. His work can be found in numerous collections, including The Art Gallery of Nova Scotia, The Unilever Collection, London and The Canada Council for the Arts.
Paul Dignan, Cota 1, 2011, Acrylic on canvas, 48 × 48 in. (121.92 × 121.92 cm). Courtesy of the artist and The Canada Council for the Arts.
Paul Dignan, Beamish 2, 2012, Acrylic on canvas, 36 × 36 in. (91.44 × 91.44 cm). Courtesy of the artist.
Paul Dignan, Beamish 2 (detail), 2012, Acrylic on canvas, 36 × 36 in. (91.44 × 91.44 cm). Courtesy of the artist.
Paul Dignan, Corridor 2, 2013, Acrylic on canvas, 60 × 60 in. (152.4 × 152.4 cm). Courtesy of the artist.
Paul Dignan, Corridor 3, 2013, Acrylic on canvas, 36 × 36 in. (91.44 × 91.44 cm). Courtesy of the artist.
