Farah Atassi paints interiors associated with the industrial world from the 1930s to the beginning of the 1970s. Her paintings often include references to modernism in the form of objects located in the depicted space, things like models of industrial landscapes, children’s toys and furniture. The empty interiors are in sense inhabited by these objects whose status is equivocal in as much as they are artistic references, which are also evocative of workers’ lives. In some works they are installed, like the displays, or simply piled up. In others, they are tools that no longer fulfill their function.

Born (Brussels, 1981) to Syrian parents, Farah Atassi lives and works in Paris. She is one of the most well-know of a very young generation of French painters. Having graduated from the National School of Fine Arts in 2005, she is represented by Xippas Gallery, which presented her first solo show in 2011. She also had solo shows at galerie Edouard Manet, Gennevilliers and Les Eglises Art Center in Chelles. Her work is included in the collection of the Musée national d’art moderne, Centre Georges Pompidou, Paris and is currently on view in the exhibition Fruits of Passion. In 2011, she participated in the 6^the Curitiba Biennale in Brazil and in the exhibitions 2000-2011 : Soudain, Déjà, curated by Guillaume Désanges, at Ensba, Paris and Pearls of the North, Palais d’Iéna, Paris. In 2010, She was included in the group exhibition Dynasty at the Musée d’art moderne de la Ville de Paris and the Palais de Tokyo. In 2012, she was awarded the first Bredin-Prat Prize for contemporary art.