Tobias Dostal works to rid the film medium of the classic canvas by restaging the movie in a space with sculptural elements – rebuilt 16 mm projectors and projection screens made of wood or paper constructions, for example. Addressing the roots of the film and similar artistic approaches in the past is crucial to his work. After extensive experiments in a variety of media, formats and techniques and dealing with artistic approaches such as the “Expanded Cinema” and structural film and the history of film, he found his visual language through the use of celluloid film.
Tobias Dostal (born 1982 in Bad Hersfeld, Germany) studied drawing, film and skuplture at the Braunschweig Universitity of Arts. His Film installations have been shown in group exhibitions at the gallery of La Esmeralda, New Mexico; Kunstschaufenster am Hallenbad, Wolfsburg; End in Nation, Kapitelsaal, Bad Hersfeld; Films about being God, Kreuzberg Pavillion, Berlin; Metamorphosen, Allgemeiner Konsumverein, Braunschweig and the Up and Coming Film Festival, Hannover.
Events & Exhibitions
Residents from Germany
Two opposing disciplines inhabit Dina Rončević’s practice: textile work and mechanics. She jumps from warm studio lights and precise handwork, in areas like puppet animation or needlework, to cold exteriors where she moderates a situation in which she highlights her interest in female mechanics of different ages. Her initial interest in socially-constructed gender identities, is transforming into questioning models of education and what kind of role art can play in
the process of learning.
Dina Rončević graduated from the Academy of Fine Arts, Zagreb, completing an interdisciplinary work in which she was trained to become a car mechanic. She is a participant in the MFA program at the School of Missing Studies, Art and Learning, Sandberg Instituut, Amsterdam. She has worked on several puppet animation films as the head animator, and since 2012, has made several performances in which she constructed and deconstructed cars and vehicles within a group of women. Her solo exhibitions have been shown in Croatia, and she has participated in numerous group exhibitions and festivals across Europe and in Mexico.
Residents from Croatia
Bernard Williams embraces a range of formats for the expression of his interests and concerns. The artist investigates the complexities of American history and culture through painting, sculpture, and installation. Within these broad arenas, the work seeks a kind of open-ended dialogue, addressing identity, flattening hierarchies, and questioning who we are collectively. Risk, adventure, conquest, personal status, privilege, and mechanical development are some of the thematic concepts which are pushed into form.
Bernard Williams (born 1964) is a native of Chicago. He holds a BFA from the University of Illinois Urbana-Champaign and an MFA from Northwestern University. He also studied at the Skowhegan School of Painting and Sculpture. Williams has taught at The School of the Art Institute of Chicago and has completed numerous residencies around the United States. In 2009, a large temporary outdoor sculpture was mounted at Socrates Sculpture Park in New York. In 2013, Williams designed and installed two large temporary outdoor sculptures at the Laumeier Sculpture Park in St. Louis. A permanent steel sculpture is currently under installation in Chicago.