Past Residents
Past Resident2023: Danish Arts Foundation
Julian Juhlin
Julian Juhlin creates theatrical visual art using staging techniques he learned while working as a stage designer, establishing a distinct iconography in the artist’s practice. In his works, Juhlin stages figures and objects derived from his own experience, placing them in visual scenes frozen in time in an attempt to maintain and preserve specific stages of life.
Julian Juhlin has exhibited work at Copenhagen Contemporary, Denmark; Prague Quadrennial, Czech Republic; and Royal Danish Theatre, Denmark, among others.
Events & Exhibitions
2022 Fall Open Studios
November 18–November 19, 2022
Julian Juhlin, The Boy Who Will Never Leave Home, 2012-ongoing, installation, performance and video
Julian Juhlin, Halfdans Hokus Pokus, 2019, set design, 315 × 748 × 236 in. (800.1 × 1899.92 × 599.44 cm)
Julian Juhlin, Virgin Tour - Czech Republic, 2019, performance and installation, 196 × 196 × 149 in. (497.84 × 497.84 × 378.46 cm)
Julian Juhlin, Virgin Tour - Tokyo, 2022, performance and installation, 78 × 149 × 66 in. (198.12 × 378.46 × 167.64 cm)
Julian Juhlin, Virgin Tour - New York, 2022, film, 8 min.
Residents from Denmark
George Egerton-Warburton
Utilizing text, sculpture, painting and video, George Egerton-Warburton’s works embrace stylistic dissonance and the syntax of conceptual art. The artist’s practice attempts to investigate the discordance between impulses and behavior shaped by cultural norms.
George Egerton-Warburton has exhibited works at Heide Museum of Modern Art, Melbourne; Shoot the Lobster, New York; and Chateau Shatto, Los Angeles, among others.
Events & Exhibitions
2022 Fall Open Studios
November 18–November 19, 2022
George Egerton-Warburton, Installation view, Contemporary Art Tasmania, 2018, chairs and paper
George Egerton-Warburton, Woozy Heights, 2022, steel from farm machinery and infrastructure, castor wheels, eucalyptus branch, chain, antique plough point, Guzman y Gomez table numbers, United Airlines ratchet strap, strainer, designer coffee mugs, water bottles, carrier, Calvin Klein underpants, security tag and disco ball, 755/8 × 353/8 × 7811/16 in. (192.02 × 89.92 × 199.9 cm)
George Egerton-Warburton, Untitled, 2021, tiger snake
George Egerton-Warburton, Installation view, Heide Museum of Modern Art, 2019, augers, belts, DC motors, modified steel grating, oil on canvas, resin and tape
George Egerton-Warburton, Installation view, Chateau Shatto, 2017, motors, wood, cotton and foam
Residents from Australia
Anaïs Horn
Anaïs Horn’s work intertwines literature, text, photography, video, drawing and painting to explore intimate moments. With a focus on liminality and coming-of-age, Horn observes people and their spaces. In her artistic process, she investigates time, memories, the body and its traces, the cautious intrusion of privacy, the aesthetics of reality, and fugacity. Her images take shape by exploring surfaces and objects, and they frequently unfold into spatial installations.
Anaïs Horn has exhibited work at Camera Austria, Graz; Paris Photo, Curiosa Section, Paris; and MAK-Museum of Applied Arts, Vienna, among others.
Anaïs Horn, Longing Ghosts in Deep Blue Paranoia, 2022, photography, drawing and installation, dimensions variable
Anaïs Horn, Les Fenêtres, 2022, photography and painting, dimensions variable
Anaïs Horn, Die Hand voller Stunden, so kamst du zu mir, 2021, photography and installation, dimensions variable
Anaïs Horn, You would wear it as pajamas and even to go out with it before breakfast, 2021, yukata object and several photo prints on crêpe de Chine, dimensions variable
Anaïs Horn, How do you feel about "Lou"?, 2020, photography and installation
