Current Resident: May 1, 2022–Aug 31, 2022
Fire Station - Qatar Museums
Studio #209
Artist
Saida Alkhulaifi
Saida Alkhulaifi’s work explores the theme of time within the context of recent memory, emotions and objects’ connection to human behavior. She examines the notion of time through layering and added text, investigating different surfaces and mediums, experimental photography, and where all of these exist in time and space.
Saida Alkhulaifi has exhibited work at GlogauAIR, Berlin; Fire Station – Qatar Museums; and at Qatar-USA 2021 Year of Culture, among others.
Saida Alkhulaifi, Freej ii, 2021, 35mm photo digital scan
Saida Alkhulaifi, Burka, 2021, 35mm photo print, fabric, and thread
Saida Alkhulaifi, Your Eyes Are a Palm Tree Forest, 2021, fabric, thread, and paint
Saida Alkhulaifi, She Bloomed on Water, 2021, 35mm photo and thread
Current Resident: Aug 1, 2022–Dec 31, 2022
Australia Council for the Arts
Studio #210
Artist
George Egerton-Warburton
Utilizing text, sculpture, painting and video, George Egerton-Warburton’s works embrace stylistic dissonance and the syntax of conceptual art. The artist’s practice attempts to investigate the discordance between impulses and behavior shaped by cultural norms.
George Egerton-Warburton has exhibited works at Heide Museum of Modern Art, Melbourne; Shoot the Lobster, New York; and Chateau Shatto, Los Angeles, among others.
georgeegertonwarburton.com
George Egerton-Warburton, Installation view, Contemporary Art Tasmania, 2018, chairs and paper
George Egerton-Warburton, Woozy Heights, 2022, steel from farm machinery and infrastructure, castor wheels, eucalyptus branch, chain, antique plough point, Guzman y Gomez table numbers, United Airlines ratchet strap, strainer, designer coffee mugs, water bottles, carrier, Calvin Klein underpants, security tag and disco ball, 755/8 × 353/8 × 7811/16 in. (192.02 × 89.92 × 199.9 cm)
George Egerton-Warburton, Untitled, 2021, tiger snake
George Egerton-Warburton, Installation view, Heide Museum of Modern Art, 2019, augers, belts, DC motors, modified steel grating, oil on canvas, resin and tape
George Egerton-Warburton, Installation view, Chateau Shatto, 2017, motors, wood, cotton and foam
Residents from Australia
Current Resident: Jul 1, 2022–Aug 31, 2022
International Visegrad Fund
Studio #211
Artist
Kristian Nemeth
Kristian Nemeth’s work offers a reflection and critique of the Christian Church and how it operates in the context of twenty-first-century democracy. The artist focuses on its hidden mechanisms and contradictions, secrecy, the unconfessed sins of those who serve as its official representatives, and the injustice suffered by those affected by these actions.
Kristian Nemeth has exhibited work at Slovak National Gallery, Bratislava; Museum of Moscow; and Czech Center New York, among others.
Kristian Nemeth, Fragile, 2012, installation
Kristian Nemeth, The Bars, 2009, video art
Kristian Nemeth, In The Name, 2016, exhibition project
Kristian Nemeth, The Children of Jan Mokso, 2020, exhibition project
Kristian Nemeth, Monument of Possible Fall, 2019, exhibition project
