Raja’a Khalid’s practice is concerned with contemporary narratives of class, luxury, and consumer and material cultures, especially those that connect her native Arabian Gulf region with the world at large. She is interested in how current day capitalist economies articulate ‘culture’ and seek out motifs of soft power that reflect on the Gulf’s streaming constructions of heritage, authenticity, wealth, masculinity, sport, game, athleticism, adornment, wellness and wilderness. Outcomes are often sculptural abstractions based on these investigations and mediums employed include industrial processes, systems or rhetoric e.g. patents, wholesale supplies or B2B goods, etc.
Raja’a Khalid (born 1984, Saudi Arabia) is a Dubai-based artist and writer. She received her MFA in Fine Art from Cornell University, where she was also the recipient of the Cornell Council for the Arts Grant in 2013. Recent awards and residencies include the NYU Abu Dhabi FIND Research Fellowship, 2014; the Künstlerhaus Büchsenhausen International Fellowship for Art and Theory, 2015, and the Rijksakademie van Beeldende Kunsten Guest Residency, 2015. Her work has been shown in New York, Dubai and Vienna.
Events & Exhibitions
Residents from United Arab Emirates
Asked to pinpoint her artistic practice in language, Jytte Høy choses the words: structure, complexity and seduction. Jytte Høy’s interest in structure manifests itself in serendipitous coincidences between entirely different phenomena. Høy finds infinite beauty in the revelation of this form of strange and sudden connections. Furthermore, she takes it upon herself to insist on complexity, subscribing to the standpoint of German artist Anna Oppermann, “Complexity must still have value somewhere in this world.” As for seduction, Høy considers it a necessity: Viewers must be enticed to dwell on a work long enough to allow less conspicuous characteristics to unfold. Other artistic means include sensuality and humor vis-à-vis the human capacity for wonder.
Jytte Høy is a Danish artist living and work in Copenhagen, Denmark. She graduated from the Department of Sculpture at the Royal Danish Academy of Fine Arts in 1989 and has been awarded a lifetime grant from the Danish State as well as the Eckersberg Medal.
Residents from Denmark
Astrid Myntekær constantly tests, challenges and refines materials and technologies in new contexts and compositions. Light and sound merge and hit you in both body and head. Posh and high-tech materials establish sculptural and performative links to more low-key materials from the local DIY shop and low-key industrial producers. In a time when hackers are the new revolutionaries—and there are signs that we could perhaps move completely through the screen—Astrid Myntekær lets topics of biology, emotion and spirit resonate through her work.
Astrid Myntekær (1985, Denmark) graduated from the Royal Danish Academy of Fine Arts in 2012. Her recent solo shows include MANA, Black Sesame Space, Beijing and ORGONE at Overgaden – Institute of Contemporary Art, Copenhagen. Astrid Myntekær’s work has been exhibited at Museum of Contemporary Art, Roskilde; Kunsthal Charlottenborg; Kunstforeningen Gl Strand; and Gallery Jacob Bjørn. Astrid Myntekær is representing Denmark at the Jeune Creation Europeenne Biennale, 2015–17.