Past Residents
Past Resident2021: Sobey Art Awards, National Gallery of Canada
Sara Cwynar
Sara Cwynar works with photography, video, and book-making. Her work involves a constant archiving and re-presentation of collected visual materials. She is interested in the way that images morph, accumulate, endure and change in meaning and value over time, and the effect this has on a collective worldview.
Sara Cwynar has exhibited work at The Approach, London; Milwaukee Art Museum; MoMA PS1, New York, among others.
Events & Exhibitions
2020 Fall Open Studios
November 17–November 18, 2020
Sara Cwynar, Red Film, 2018, video, 13:01 min
Sara Cwynar, Rose Gold, 2017, video, 8 min
Sara Cwynar, Sahara from SSENSE.com (as young as you feel), 2020, archival pigment print, 30 × 38 in. (76.2 × 96.52 cm)
Sara Cwynar, Louis Vuitton Jeff Koons Rubens Bag, 2020, archival pigment print, 30 × 38 in. (76.2 × 96.52 cm)
Sara Cwynar, Ali from SSENSE.com (How to Marry a Millionaire), 2020, archival pigment print, 24 × 30 in. (60.96 × 76.2 cm)
Past Resident2020: Vision Fund
Kameelah Janan Rasheed
Kameelah Janan Rasheed is a learner grappling with the poetics, politics, and pleasures of the unfinished: ecologies of Black living, Black textual production, Black utterances, and Black spiritualities. She creates ecosystems of iterative and provisional projects. These projects include sprawling, “architecturally-scaled” xerox-based collages; large-scale public installations; publications; prints; digital archives; lecture-performances; library interventions; poems/poetic gestures; and other forms yet to be determined.
Kameelah Janan Rasheed has exhibited work at Brooklyn Museum; New Museum of Art, New York; and Institute of Contemporary Art – University of Pennsylvania, among others.
Events & Exhibitions
2020 Fall Open Studios
November 17–November 18, 2020
Kameelah Janan Rasheed, A Casual Mathematics, 2019, archival inkjet prints, xeroxes, acetate, vinyl, paint, and drywall, dimensions variable
Kameelah Janan Rasheed, A Casual Mathematics, 2019, archival inkjet prints, xeroxes, acetate, vinyl, paint, and drywall, dimensions variable
Kameelah Janan Rasheed, No New Theories, 2019, artist book published by Printed Matter, 39/16 × 61/8 in. (9 × 15.5 cm)
Kameelah Janan Rasheed, Every Sentence is a Sponge, 2020, archival inkjet prints, xeroxes, acetate, paint, nail, and ink
Residents from United States
Caroline Garcia
Caroline Garcia is an interdisciplinary artist working across live performance and video through a hybridized aesthetic of cross-cultural dance, ritual practice, and new media. Her work performances and video installations traverse a highly personalized aggregation of distinct systems that encompass live-green screening, botany, robotics, poetry, and virtual reality. Her most recent body of work serves to function as a reparative measure to contend with personal loss and the diasporic and post-colonial grief that accompanies it.
Caroline Garcia has exhibited work at the Museum of Contemporary Art Australia, Sydney; Manila Bienniale; and Art Central Hong Kong, among others.
Caroline Garcia, Queen of the Carabao, 2018, 2-channel HD video, color, and sound, 30 min
Caroline Garcia, Imperial Reminiscence, 2018, HD video, color, and sound, 10:15 min
Caroline Garcia, Choose Your Fighter, 2020, VR video, color, and sound, 3:24 min
Caroline Garcia, Force of a .22 Calibre Bullet, 2019, performance
Caroline Garcia, Flygirl, 2017, dance installation and performance
