Past Residents

Country
Year
Residency Program
Resident Type
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Canada

Past Resident
2022: Alberta Foundation for the Arts, Canada Council for the Arts

Artist

Tyler Los-Jones

Tyler Los-Jones produces objects and images from his home in the Rocky Mountains of Alberta. Interested in the role photography plays in the production and the fulfillment of our expectations for environments, the work he had produced over the past decade aims to complicate inherited assumptions of environments by bringing the unnatural aspects of the western conception of nature to the forefront.

Tyler Los-Jones has exhibited work at Banff Centre for Arts and Creativity, Banff; Confederation Centre Art Gallery, Charlottetown; and Norberg Hall, Calgary, among others.

Events & Exhibitions

2022 Spring Open Studios
April 22–April 23, 2022
Folded Photographic net of alpine wildflower field featuring Arnica, Aster, and Castilleja flowers. The photograph has been printed, folded, and knit into the form of a net. The pattern of the net reflects the petal pattern of the flowers in the original image.
Tyler Los-Jones, The knots of the net; Arnica / Aster / Castilleja , 2021, folded archival inkjet print, adhesive, 311/2 × 801/4 in. (80.01 × 203.83 cm)
Detail of a folded Photographic net of alpine wildflower field featuring Arnica, Aster, and Castilleja flowers. The photograph has been printed, folded, and knit into the form of a net. The pattern of the net reflects the petal pattern of the flowers in the original image.
Tyler Los-Jones, The knots of the net; Arnica / Aster / Castilleja , 2021, folded archival inkjet print, adhesive, 311/2 × 801/4 in. (80.01 × 203.83 cm)
A folded Photographic net featuring bright pink Moss Campion flowers. The photograph has been printed, folded, and knit into the form of a net. The pattern of the net reflects the petal pattern of the flowers in the original image.
Tyler Los-Jones, The knots of the net; Moss Campion, 2021, folded archival inkjet print, adhesive, 173/4 × 173/4 in. (45.08 × 45.08 cm)
A folded Photographic net of wild Shooting Star flowers. The photograph has been printed, folded, and knit into the form of a net. The pattern of the net reflects the petal pattern of the flowers in the original image.
Tyler Los-Jones, The knots of the net; Shooting Star, 2021, folded archival inkjet print, adhesive, 251/4 × 241/2 in. (64.13 × 62.23 cm)
Detail of a folded Photographic net of alpine wildflower field featuring Glacier Lilly, Western Anemone, and White Geranium flowers. The photograph has been printed, folded, and knit into the form of a net. The pattern of the net reflects the petal pattern of the flowers in the original image.
Tyler Los-Jones, The knots of the net; Glacier Lilly / Western Anemone / White Geranium, 2021, folded archival inkjet print, adhesive, 371/4 × 361/4 in. (94.61 × 92.07 cm)

Residents from Canada

Alice Wang

United States, Canada
Canada Council for the Arts, Capsule Shanghai
Studio #213

Antonietta Grassi

Canada
Conseil des arts et des lettres du Québec
2024

Stanley Wany

Ase (pronounced “ah-sheh”; also spelled ashe) Yoruba words often have multiple meanings: Ase is generally defined as “the power to make things happen” and also refers to the spiritual life force that flows through things, much like the Chinese concept of chi. Deepening the exploration of my relationship with my ancestors, Ase, a drawing that measures almost two meters high by three meters long. For this piece, charcoal, a medium with archaic roots, is used to evoke powerful waves crowned by troubled sky. Towards the bottom of the drawings, the waves melt into abstraction, dripping onto the white surface of the paper. The title Ase, referring to Yoruba culture, embodies my ongoing relationship with my ancestors, those who perished in the sea as well as those with whom known ties have been cut by the transatlantic slavetrade. When creating this work, I also reflected on what it meant to be Black in the Americas and how my identity had been defined by the dominant society. I turned to the writings of Stuart Hall, Franz Fanon as well as of Edouard Glissant, whose concept of “creolisation” serves as a focal point in my practice going forward.
Canada
Conseil des arts et des lettres du Québec
Studio #222
Russia

Past Resident
2022: AES+F

Artist

Ilya Fedotov-Fedorov

Born in Moscow, Ilya Fedotov-Fedorov works with sculptures, installations, and videos to explore themes of the Other, self-identity, ecology, and foreignness . Through scientific and museological collection/classification strategies, the artist deconstructs human attitude in relationship to nature, gender, and the body.

Ilya Fedotov-Fedorov has exhibited at Kunsthaus Baselland, Muttenz; The 4th Ural Industrial Biennial of Contemporary Art, Ekaterinburg; and Moscow Museum of Modern Art, Moscow among others.

Events & Exhibitions

2022 Spring Open Studios
April 22–April 23, 2022
Artists at Work: Ilya Fedotov-Fedorov and Francesca “Frankie” Altamura
April 14, 2022, 6–7pm
Ilya Fedotov-Fedorov, The Moth and The Bat Flying to the Light, 2020-2021, single-channel video, 10 min.
Ilya Fedotov-Fedorov, Trans-Siberia, 2019, installation
Ilya Fedotov-Fedorov, Snake sell skin, 2022, single-channel video, 10 min.
«Other,» self-identity, ecology, and foreignness, reflecting on the processes of distance production in society as well as in nature, gender, and body.
Ilya Fedotov-Fedorov, worm, moth and cocoon, 2020, single-channel video, 3 min.
Ilya Fedotov-Fedorov, blue creature, 2021, dance performance, 120 min.

Residents from Russia

Mikhail Tolmachev

Germany, Russia
AES+F
2023

Aslan Goisum

Russia
AES+F
2021

Ustina Yakovleva

Russia
AES+F
2020
Italy

Past Resident
2022: Italian Cultural Institute of New York
2020: The Italian Academy for Advanced Studies, Columbia University

Artist

Agostino Iacurci

Agostino Iacurci works with a wide range of media, including painting, wall-painting, sculpture, drawing, and installation. He creates immersive spaces to transform the perception of given environments. Starting from specific topics like the use of colors in the ancient and classical world, he questions issues of traditions and identity, investigating the process of idealization underlying historical myths and their impact on the collective imagination.

Agostino Iacurci has exhibited work at Civic Museum of Palazzo Mosca, Pesaro; Macro, Rome; Celaya Brothers Gallery, Mexico City, among others.

Events & Exhibitions

2022 Spring Open Studios
April 22–April 23, 2022
Diary of the Ornament: A Conversation between Agostino Iacurci and Simone Ciglia on Instagram Live 
July 28, 2020, 4–5pm
photo: Ela Bialkowska OKNO studio
Agostino Iacurci, Hortus, 2022, glazed terracotta, water, hydraulic pump, iron, copper, steel, 137.8 x 67 x 67
Agostino Iacurci, Diary of Ornament, 2020, canvas, wood, PVC pipes, plants, wall painting
Photo: Carlo Romano
Agostino Iacurci, Landscape 2, 2021, Print on canvas
Agostino Iacurci, Trompe l'oeil, 2017, paint, canvas, wood, cement, and found objects
Agostino Iacurci, Gypsoteca, 2018, paint, plaster, gouaches, paper, and wood

Residents from Italy

Chiara Ianeselli

Quel jour sommes-nous, 15-30 June 2022, co-curated with Bakul Patki, at Tokonoma, Kassel. Credit: Rene Graf. quel jour sommes-nous? (what day is it?) is a research project in the form of an exhibition that questions what makes an artwork - investigating the performativity and process of an exhibit, the acts that brought it into existence, and the context of its presentation. Featuring seventeen established and emerging artists, quel jour sommes-nous? explores the differing forms, lifespans, and pathways of artworks – with historicised and timeless, appropriated and reapproriated, unauthored and unauthorised, dismantled and intangible works, all of which sit beside a graduate piece that will be graded in situ, just ahead of the exhibition’s opening. An “unfinished” work will also be included. The concept of a finished work of art – one that is deemed ready to be shared – has been debated throughout art history, particularly in relation to potential different readings once it has been pulled from a definite temporal context. Continuing the contentious conversation around when a piece of art is complete, one work in progress will be taken from an artist’s studio, at a time of the curators’ choosing, and inserted into the exhibition. quel jour sommes-nous? reflects upon the evolution of the creative process – the choices, challenges and breakthroughs that come with making art – asking when, within this process, does something become a work of art, and who gets to decide? On which day is something ready to be sold or exhibited? Is today the day the artist has to surrender a work they might never see again? Extending this reflection on when a work comes into existence, the exhibition also asks whether it is possible for artworks to exist without an audience. How much is the public required for the creative process to be complete, and how preeminent is the artist’s vision in influencing the viewer’s experience of the work? quel jour sommes-nous? does not profess to answer these questions, but hopes to encourage examination and inspire further exploration. It is at once exhibition as research and research as exhibition
Italy
Italian Council - Directorate-General for Contemporary Art and Architecture and Urban Peripheries (DGAAP) at the Italian Ministry for Cultural Heritage and Activities
2024

Valentina Furian

Ciacco, 2021, installation view at
Italy
The Italian Academy for Advanced Studies, Columbia University, Italian Cultural Institute of New York
2024

Raffaela Naldi Rossano

Raffaela Naldi Rossano, Warp, video installation, mixed media, variable duration, 2022. Co-commissioned and co-produced by LIAF and TBA21 Academy. Developed in the context of a residency on the research vessel Helmer Hanssen. View at Fantasmagoriana, LIAF 2022, curated by Francesco Urbano Ragazzi.
Photo Kjell-Ove Storvik. C.sy the Artist

Italy, Greece
The Italian Academy for Advanced Studies, Columbia University, Italian Cultural Institute of New York, Directorate-General for Public and Cultural Diplomacy of the Italian Ministry of Foreign Affairs and International Cooperation, Directorate-General for Contemporary Creativity of the Italian Ministry of Culture
2024