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Jia-Jen Lin
Jia-Jen Lin

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Past Residents
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Ling-lin Ku
Ling-lin Ku
Taiwan, United States

Past Resident
2017: Ministry of Culture, Taiwan

Artist

Jia-Jen Lin

Jia-Jen Lin creates images of the human body and its surroundings as a reflection of our psyche. Drawing from personal experience and observations, Lin uses sculpture integrated with photography, video, and performance to portray the ongoing negotiation between our latent desires and the manipulated realities in which we find ourselves. Hybrid cultures, shifting identities, and the relationships between our physicality and psychology are subjects Lin has investigated since 2004. Her recent projects explore the processes of catastrophic losses and how moderations of memories allow us to adapt to change.

Jia-Jen Lin is a Taiwanese artist based in New York. Lin attended National Taiwan Normal University for a BFA in Western Painting and received her MFA in sculpture, installation, and multimedia from the School of the Museum of Fine Arts, Boston. Lin has participated in artist residencies at L’Estruch, Sabadell, Spain; Bemis Center for Contemporary Arts, Nebraska; and Perth Institute of Contemporary Arts. Exhibitions include Queens International 4, Queens Museum; Incheon Women Artists’ Biennale, South Korea; Young Artist Discovery, Art Taipei; and Manufractura, Hangar Art, Barcelona. She has received grants from several United States organizations including Sculpture Space, Franconia Sculpture Park, and Brooklyn Arts Council.

Events & Exhibitions

Salon: Jia-Jen Lin and Jonas Nobel
July 11, 2017, 6:30–8pm
Spring Open Studios 2017
April 21–April 22, 2017
Jia-Jen Lin, Bread, Steel, and Benjamin Moore-Personal Security Fence, 2016, C-Print, 30 × 20 in. (76.2 × 50.8 cm).
Jia-Jen Lin, Sewing 18 Sweaters, 2012, Archival digital prints, Dimensions variable.
Jia-Jen Lin, Sweeping the Earth with Wings Made of Rusty Knives, 2010, Live performance and sculpture, Dimensions variable.
Jia-Jen Lin, Manufracture Series: Steel and Benjamin Moore, 2016, Stainless steel fence, C-Print, paint, painting tools and accessories, wooden pedestal, frame, and live performance, Dimensions variable.
Jia-Jen Lin, The Archival Body, 2015, Sculpture, photography, video, Dimensions variable.

Residents from Taiwan

Szu-Ying Hsu (Ida)

Taiwan, Germany
Ministry of Culture, Taiwan
Studio #302

Pou-Ching Tsai

Taiwan
Ministry of Culture, Taiwan
Studio #210

Feng-Yi Chu

Taiwan
Ministry of Culture, Taiwan
2024
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Jia-Jen Lin
Jia-Jen Lin
Honey Biba Beckerlee
Honey Biba Beckerlee
Taiwan, United States

Past Resident
2017: Ministry of Culture, Taiwan

Artist

Ling-lin Ku

Ling-lin Ku hybridizes language and daydreaming in her sculptures and installations, weaving her sense of humor into the structure she makes. Using everyday objects as references, she digs deep inside them creating transformative relationships and new modes of interconnectivity. She always sees objects as being unfixed, plastic, liquid and slippery, and resists the habit of using a single static name to denominate things. Her plays between faux and “real” materials, and exaggerated scale shifts, give her work a feeling of deceptive mass, strange gravity and unknown physics.

Ling-lin Ku (born Taiwan) completed her undergraduate degree at the Virginia Commonwealth University School of the Arts. She was the recipient of travel grants for locations along what used to be referred to as the Silk Road in Asia and Europe. Ku also obtained a law degree law in Taiwan before relocating to the United States.

Events & Exhibitions

Salon: Ling-lin Ku and Maria Zervos
August 15, 2017, 6:30–8pm
Spring Open Studios 2017
April 21–April 22, 2017
Ling-lin Ku, In A Relationship, 2016, Mixed media installation, 86 × 60 × 10 in. (218.44 × 152.4 × 25.4 cm).
Ling-lin Ku, Daydreaming, 2015, Mixed media installation, Dimensions variable.
Ling-lin Ku, Bedroom Fantasy, 2016, Mixed media installation, Dimensions variable.
Ling-lin Ku, After Morning, 2017, Mixed media installation, 45 × 60 × 10 in. (114.3 × 152.4 × 25.4 cm). Photo by Terry Brown.

Residents from United States

Maya Jeffereis

United States
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Ground Floor

Aryel René Jackson

United States
Vision Fund
2025

Hanae Utamura

Japan, United States
Every Page Foundation
Studio #201
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Ling-lin Ku
Ling-lin Ku
Denmark

Past Resident
2017: Danish Arts Foundation

Artist

Honey Biba Beckerlee

Honey Biba Beckerlee’s practice revolves around the belief that images co-produce our view of the world and the way we relate to each other. Through installation art she aims to push the visual medium to the point where it challenges our perception of reality. Her work revolves around how images may challenge the idea of a coherent objective reality and other singular paradigms, such as the principle of originality, individualism and anthropocentrism.

Honey Biba Beckerlee (born 1978) obtained an MFA from The Royal Danish Academy of Fine Arts and an MA in Contemporary Art Theory from Goldsmiths, University of London. Her work is research-based and theoretically informed, with a keen interest in Quantum Theory, animism and materialism.

 

Events & Exhibitions

Spring Open Studios 2017
April 21–April 22, 2017
Honey Biba Beckerlee, Cat State, 2014, Installation.
Honey Biba Beckerlee, Chromatic Aberration, 2015, Installation.
Honey Biba Beckerlee, Atom Dukh, 2016, Aquatint prints and copper printing plates.
Honey Biba Beckerlee, Genesis of a Pixel - A Tragedy in Three Acts, 2015, Installation.

Residents from Denmark

Lina Hashim

Denmark, Iraq
Danish Arts Foundation
Studio #207

Tora Schultz

Denmark
Danish Arts Foundation
2024

Asta Lynge and Jakob Ohrt

Denmark
Danish Arts Foundation
2025
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