ISCP Talk
August 29, 2017, 6:30–8pm

Kiluanji Kia Henda and Dariel Cobb discuss A City Called Mirage

Kiluanji Kia Henda will be in conversation with Dariel Cobb on the occasion of the exhibition A City Called Mirage.

Kiluanji Kia Henda (born 1979, Luanda, Angola) is a Luanda-based artist, working with photography, video and performance. His work has been exhibited at institutions including Tate Liverpool, 2017; SCAD Museum, Savannah, 2016; Centre Georges Pompidou, Paris, 2016; National Museum of African Art – Smithsonian Institution, Washington, D.C., 2015; Tamayo Museum, Mexico, 2012; and Arnolfini, Bristol, 2012. He has participated in the 2015 Triennial: Surround Audience, New Museum, New York; Dakar Biennale, 2014; Bienal de São Paulo, 2007; Venice Biennale, 2007, and the Luanda Triennale, 2007. He is the winner of 2017 Frieze Artist Award and the 2012 National Prize of Art and Culture, awarded by the Ministry of Culture, Luanda.

Dariel Cobb is a PhD candidate in the History, Theory, and Criticism of Art and Architecture at MIT. Her work examines modern art and architecture across the Black Atlantic, with a particular focus on plastic synthesis between art and architecture, the influence of Négritude on expressions of nationalism, and the entanglement of modern architecture and “tropicality” in the postcolony. Her dissertation explores post-colonial expressions of national identity in Francophone West Africa, and the discursive milieu which influenced creative exploration at mid-century, including the work of ethnographers, writers, and artists alongside architects. Dariel has written about Afrofuturism and the technological body in Africa; the climate discourse in modern architecture; juridical definitions of space; the relationship of nomadic peoples to built space, and the various ways “built” is defined. Her recent publications range from the work of Angolan photographers and the design of urban Luanda, to the discipline of creative labor and the economics of architecture as work.

This program is supported, in part, by The Andy Warhol Foundation for the Visual Arts, Dennis Elliott Founder’s Fund, Greenwich Collection Ltd., New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature and Tauck Ritzau Innovative Philanthropy.

6:30–8pm

Participating Residents

ISCP Talk
August 15, 2017, 6:30–8pm

Salon: Ling-lin Ku and Maria Zervos

Ling-lin Ku’s recent sculptures call on commercial window displays and retail shelf architecture as spaces for self-projection, desire, collage and humor. Finding inspiration in food, language puns, free association, day dreaming, and material alchemy, Ku will discuss how these influences hybridize in her object making.

Maria Zervos will speak about her interests in peripatetics, home and exile, topos and utopia. She will present her recent project entitled Peripatetics (Athens) together with a book that includes poems and texts by the artist and others, which explore the current state of migration in relation to politics.

This program is supported, in part, by Ministry of Culture, Taiwan, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, and Wolf Inc.

6:30–8pm

Participating Residents

ISCP Talk
July 25, 2017, 6:30–8pm

Salon: Nicanor Araoz and Marius Ritiu

Nicanor Araoz will speak about his work through poetry and free association, a technique used in psychoanalysis. Araoz’s practice explores the body, disintegration and nature in relation to homicide, torture and pain. In his talk, he will also address how psychedelia influences his work, and his interest in the film Perdues dans New York (1989), the artist Leigh Bowery and the theorist Georges Bataille.

In his practice, Marius Ritiu explores ideas surrounding travel, motion, migration and cosmology, reflecting on the importance and/or triviality of heritage, borders, nationhood. Ritiu will speak about his ongoing series entitled The Global Citizen. For these sculptural works, he collects wood adorned with pre-Christian symbols from the ancient region Maramures in Romania. He cuts and reassembles the wood to form 12 pentagons, and uses a unique Roma processing method to then superimpose Belgian copper plates on top.

This program is supported, in part, by BARRO Arte Contemporáneo, Kunsten en Erfgoed, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council and New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.

6:30–8pm

Participating Residents