Past Residents
Past Resident2022: Vision Fund
Zachary Fabri
Zachary Fabri is an interdisciplinary artist that complicates boundaries around studio research, performance, and socially engaged practice by immersing himself in environments such as Target stores, the Trump Hotel, and the streets of Brooklyn. Employing conceptual strategies and context specificity, he utilizes drawing, photography, video, performance, and sound to create discourse around issues of equality, representation, justice, and the dismantling of systemic oppression.
Zachary Fabri has exhibited work at Sharjah Biennial 2019, United Arab Emirates; Museum of Modern Art and The Studio Museum in Harlem, both New York City, among others.
Zachary Fabri, Slit-scan, Split-span, Time Displacement Movement Study, or Dodging Bullets from Police, 2020, single channel video, 8:23 min
Zachary Fabri, Black Tape Ebony Frame, 2021, 12 × 15 in. (30.48 × 38.1 cm)
Zachary Fabri, Mourning Stutter, 2021, video, 8:17 min
Zachary Fabri, S-OUR AIR, 2021, silk, 120 × 58 in. (304.8 × 147.32 cm)
Zachary Fabri, Visible spectrum of light through the room, 2021, 8-strand braided fishing line, 2640 in. (6705.6 cm)
Residents from United States
Past Resident2022: Danish Arts Foundation2020: Danish Arts Foundation2003: Danish Arts Foundation
Lisa Rosenmeier
Lisa Rosenmeier works with digital photo-based prints and installations to explore the basic conditions of being a living human being. In her photographs, reality is a process of constant change. The artist utilizes her camera to register both temporalities and movement patterns.
Lisa Rosenmeier has exhibited work at Kunsten Museum of Modern Art Aalborg, Denmark; CCA Andratx, Balearic Islands; and Ny Carlsberg Glyptotek, Copenhagen, among others.
Events & Exhibitions
Artists at Work: Lisa Rosenmeier on Instagram Live
February 8, 2022, 4–5pm
Lisa Rosenmeier, Transiency, 2021, TruLife DiBond photographs, exhibition view at CCA Andratx, Illes Balears, Spain
Lisa Rosenmeier, Transiency, 2021, video, print on glass, metal, paper, and photography, dimensions variable
Lisa Rosenmeier, A Tiurning Point for The Future, 2006, dimensions variable
Lisa Rosenmeier, The Extended Now, 2004, dimensions variable
Lisa Rosenmeier, Mirage sketz for Creative Time, 2003, video installation, interactive sailing robot, and telescopes, dimensions variable
Residents from Denmark
Past Resident2022: Johnson Picture Framing & Galleries2021: Johnson Picture Framing & Galleries2020: Tauck Ritzau Innovative Philanthropy
Adjani Okpu-Egbe
Adjani Okpu-Egbe is a multidisciplinary artist who uses mixed media, including found objects, to make works that shed light on socio-political and economic issues affecting Africa, its diaspora and reflecting on global social justice. The artist explores autobiographical content, various themes; including family, love, loss, humour, mythology, and day to day life experiences to create metaphors throughout his practice.
Adjani Okpu-Egbe has exhibited work at Kunstverein Braunschweig Museum, Braunschweig; SAVVY Contemporary, Berlin; Tel Aviv Museum of Art, Israel; and Kunstpalast Museum, Düsseldorf, among others. In 2019, Adjani was the recipient of the inaugural Ritzau Art Prize via ISCP, 1-54 Contemporary African Art Fair, and the Tauck Ritzau Innovative Philantropy.
Events & Exhibitions
‘Bursting Bubbles’ Film Premiere: Director Maliyamungu Gift Muhande Interviews Adjani Okpu-Egbe
February 25, 2022, 4–5pm
On Delegitimization and Solidarity: Sisiku AyukTabe, the Martin Luther King Jr. of Ambazonia, the Nera 10, and the Myth of Violent Africa
September 17, 2021–February 25, 2022
2021 Summer Open House
July 28, 2021, 3–9pm
2020 Fall Open Studios
November 17–November 18, 2020
Adjani Okpu-Egbe, Fabricated Anthropology, 2018, mixed media on four door panels (quadriptych)
Adjani Okpu-Egbe, Young Choreographers, 2019, mixed media on found wooden board
Adjani Okpu-Egbe, Bearing Witness to Dystopia: Multigenerational Genocide, Fascism and Rumours of Civil War, 2020, wooden door panels, bookshelves, books, and variable objects
Adjani Okpu-Egbe, The Foundation and Etymological Reinforcement of Erasure, 2020, variable
Adjani Okpu-Egbe, Takumbeng’s Creed, Ambazonian Fortress, 2018, mixed on door panels (diptych)