Past Residents
Past Resident2018: Federal Ministry for Arts, Culture, Civil Service and Sport of Austria
Andreas Duscha
Andreas Duscha creates work based on images that are often associated with specific places, historical events and political phenomena. He subjectively portrays events that are both banal and of importance to develop new narratives.
Andreas Duscha has exhibited work at 21er Haus, Vienna; Kunsthaus Zürich; and Manifesta 7, Rovereto, Italy, among others.
Events & Exhibitions
Spring Open Studios 2018
April 27–April 28, 2018
Andreas Duscha, Brutparasit, 2016, pigment on paper, 19 x 14 in. each.
Andreas Duscha, Telephone I+II, 2016, glass, silver nitrate, steel and paint, 40 × 79 in. (101.6 × 200.66 cm).
Andreas Duscha, ..wir lassen alle Uhren zerschlagen, 2015, photography, 24 x 14 in. each.
Andreas Duscha, Deadline, 2017, photography, 24 x 14 in. each.
Andreas Duscha, Cinder Match, 2017, glass, silver nitrate, and UV print.
Residents from Austria
Past Resident2018: Federal Ministry for Arts, Culture, Civil Service and Sport of Austria
Luisa Kasalicky
Luisa Kasalicky works with painting, textile, drawing and light installation. The forms and components of her pieces often relate to architecture and design. In her practice, Kasalicky makes use of metal furniture, gutters, tiles, and decorative house plants, that appear as fragments in enigmatic contexts.
Luisa Kasalicky has exhibited work at LENTOS Kunstmuseum, Linz; Bawag Contemporary, Vienna; and Kunsthalle Wien, Vienna.
Luisa Kasalicky, exlibris: yk, 2016, assemblage/relief, 7413/16 × 865/8 × 713/16 in. (189.99 × 219.96 × 19.81 cm).
Luisa Kasalicky, Herz, Pik, Karo - en bas relief, white, Nr. 6, 2017, tempera on canvas, 667/8 × 61 in. (169.93 × 154.94 cm).
Luisa Kasalicky, Synonym for Group Fife, 2017, mixed media installation.
Luisa Kasalicky, Hand, fliessendes Wasser, 2016, photography and pigment print on paper, 401/8 × 313/8 in. (101.85 × 79.76 cm).
Luisa Kasalicky, Intro:desiderio, 2013, light installation.
Residents from Austria
Taloi Havini
Taloi Havini utilizes a wide variety of media to explore issues about maintaining inherited knowledge systems across time and space, including ceramics, sculpture, installation, photography and film. Her practice centers on deconstructing the politics of location.
Taloi Havini was born in Bougainville, the Autonomous Region of Bougainville, Papua New Guinea. She currently lives and works between Sydney and Bougainville. Havini received a Bachelor of Arts from the Australian National University where she majored in ceramics, photomedia, and art and politics. She engages with collections and archives and often responds to these experiences with experimental installations and exhibitions at institutions including the Sharjah Biennial 13; Palais de Tokyo, Paris; and Queensland Art Gallery & Gallery of Modern Art, Brisbane.
Taloi Havini, Beroana (shell money), 2017, porcelain, earthenware, and steel, dimensions variable.
Taloi Havini, Blood Generation: Jedi and the Mona, 2009, C-print, 313/8 × 473/16 in. (79.76 × 119.89 cm).
Taloi Havini, Habitat, 2017, 3 channel HD 5.1 surround sound video installation , 1181/8 × 51113/16 in. (299.97 × 1299.97 cm).
Taloi Havini, Habitat, 2016, single channel HD sound video installation , 7811/16 × 1181/8 in. (199.9 × 299.97 cm).
Taloi Havini, KapKaps from the mysterious isles of Melanesia, 2015, stoneware, copper, and gold lustre, 395/16 × 271/2 in. (99.82 × 69.85 cm).
