Past Residents
Past Resident2013: Canada Council for the Arts
Karen Elaine Spencer
Karen Elaine Spencer’s work questions use values and investigates how we, as transient beings, occupy the world in which we live. The notion of progress is challenged through the repetition of an action that leads nowhere. Metro-riding, rambling, dreaming, and loitering are among the activities Spencer folds into her practice. A project is sustained over time, often a year, and materials of our day-to-day existence are favored. Through a détournement of materials or intentions, Spencer intervenes into specific places, where she marks and is marked by spatial and social geographies. A current project, “hey! mike” the blog, is part of a multifaceted conversation with Mike Bloomberg, the 108th mayor of New York City. Here she questions a system whereby one person can be held up as a philanthropist without a basic acknowledgement of a deep lack of justice between all humans because “no one gets rich alone.”
Karen Elaine Spencer lives and works in Montreal, Québec, Canada. Since 2008, she has been active in a postcard and web-based project entitled Transient Traces, where she steals the words of others to then send these words to politicians and public figures. Her practice oscillates between work in the street, exhibitions in galleries, and disseminations via the web. In 2011, she curated the program Gosser le Furtif at Galerie Skol, Montreal. Her text for the performance group TRAFIC was published in the catalog “Lost and found/Les Bureau des Objets Trouvés,” and she was an artist in residence at The John Snow House in Calgary, Alberta. Her work has been exhibited across Canada and Europe. She is the recipient of the 2012 Powerhouse Prize.
Residents from Canada
Past Resident2012: Ministry of Culture of Luxembourg
Maria Loboda
With delicious anarchy, the work of Maria Loboda investigates the trafficking between the object and the spirit, rationality and magic. Her method is to trace knowledge through a study of the tension between res and deus, thing and God – with God understood here as the symbol of Order…Loboda’s works engage in an unhinged and discordant conversation with time and history. They do not seem to belong to the present, but are difficult to place in the past or the future. They generate a sense of movement between all three temporalities, but at the same time cannot be described simply as anachronistic. They elude the contemporary and are not made in response to any topical reality. Loboda’s works, neither exactly modern sculpture nor contemporary installation, embody an infinite connection to history, as clouds do to the sky. -Chus Martínez, ‘Maria Loboda,’ Creamier (Phaidon,2010)
Maria Loboda (born 1979 in Krakow) finished her studies at the Hochschule fur Bildende Künste, Städelschule, 2008 in the class of Mark Leckey. Her works were shown recently at Documenta(13), Kassel, 2012; Palais de Tokyo, Paris, 2012; ICA, London, 2012 and the Athens Biennale, 2009. Solo shows include Bielefelder Kunstverein, Bielefeld, 2010; Galerieschleicher/lange, Paris/Berlin, 2011; Maisterravalbuena, Madrid, 2011 and Mini/Goethe Curatoral Residencies, Ludlow 38, New York City, 2012. Her first monograph Oh, Wilderness was recently published by Sternberg Press with essays by Isobel Harbison, Lars Bang Larsen, and Caterina Riva.
Past Resident2012: Danish Arts Foundation
Nanna Debois Buhl
Nanna Debois Buhl works conceptually with film, photography, drawing, text and sound. Combining text and images in various ways, her work is a continuous investigation of the relationship between aesthetics and ideologies. In previous projects, this relationship has been examined through a particular site, from a 19th century Danish amusement park to an abandoned Caribbean sugar mill, in order to investigate how histories and ideologies are inscribed in architecture and urban space. In recent projects, Buhl examines how signs are created and how meaning can change over time and between contexts. In Street Haunting, found photographs are presented alongside diverse readings from five psychics, while Dearest. I Will Be There on Sunday features 63 vintage postcards all depicting the same motif.
Nanna Debois Buhl (born 1975, Denmark) received her MFA from The Royal Danish Academy of Fine Arts in 2006 and participated in The Whitney Independent Study Program, New York in 2008-09. She has exhibited internationally, with recent shows including: Art in General, NY; The Studio Museum in Harlem, NY; Bureau, NY; Lunds Konsthall, Lund, Sweden; Ar/Ge Kunst, Bolzano, Italy; Kunsthallen Brandts, Odense, Denmark; and Herning Museum of Contemporary Art, Herning, Denmark. Her work is in the collections of the Museum for Contemporary Art and The National Museum of Photography in Denmark. In 2010, Revolver Publishing published her artist’s book A Journey in Two Directions and the collaborative book City Grammar (with Liz Linden). Her work has recently been reviewed in Art in America, Art Forum, and The New York Times.
Events & Exhibitions
Nanna Debois Buhl: Street Haunting
September 19–October 26, 2012