Past Residents
Past Resident2023: Danish Arts Foundation
Julian Juhlin
Julian Juhlin creates theatrical visual art using staging techniques he learned while working as a stage designer, establishing a distinct iconography in the artist’s practice. In his works, Juhlin stages figures and objects derived from his own experience, placing them in visual scenes frozen in time in an attempt to maintain and preserve specific stages of life.
Julian Juhlin has exhibited work at Copenhagen Contemporary, Denmark; Prague Quadrennial, Czech Republic; and Royal Danish Theatre, Denmark, among others.
Events & Exhibitions
2022 Fall Open Studios
November 18–November 19, 2022
Julian Juhlin, The Boy Who Will Never Leave Home, 2012-ongoing, installation, performance and video
Julian Juhlin, Halfdans Hokus Pokus, 2019, set design, 315 × 748 × 236 in. (800.1 × 1899.92 × 599.44 cm)
Julian Juhlin, Virgin Tour - Czech Republic, 2019, performance and installation, 196 × 196 × 149 in. (497.84 × 497.84 × 378.46 cm)
Julian Juhlin, Virgin Tour - Tokyo, 2022, performance and installation, 78 × 149 × 66 in. (198.12 × 378.46 × 167.64 cm)
Julian Juhlin, Virgin Tour - New York, 2022, film, 8 min.
Residents from Denmark
Past Resident2022: Edward Steichen Award Luxembourg
Claudine Arendt
Claudine Arendt draws inspiration from the interactions of the viewer and the technological, as well as the exploration of potential material expressions. In her production, Arendt has created a wide range of projects, from controlling oversized sneezing noses during the pandemic to making zooplankton tangible and accessible, inspired by its puzzling of underwater drifting organisms. The artist creates public exhibitions and performances, and has spoken at science and ceramics conferences.
Claudine Arendt has exhibited work at Art Rotterdam, Prospects and Concepts, The Netherlands; Oeuvre Nationale de Secours Grande-Duchesse Charlotte, Luxembourg; and Kukačka, This is not Art, Czech Republic, among others.
Claudine Arendt, Ahead of Time, The Times Ahead, 2021, polyester and computer-controlled water pump, 193 × 118 × 78 in. (490.22 × 299.72 × 198.12 cm)
Claudine Arendt, Sound & Shadows, 2021, porcelain, shaped after echo from zooplankton, 211/16 × 57/8 in. (6.86 × 14.99 cm)
Claudine Arendt, mine, 2021, rolling sculpture, papier mâché and epoxy, 67 × 24 in. (170.18 × 60.96 cm)
Claudine Arendt, Insectoid, 2021, performance in public space, 78.7
Claudine Arendt, ready when you are, 2019, performance and foam cocoon with performer inside, 983/8 × 13711/16 in. (249.94 × 349.76 cm)
Anaïs Horn
Anaïs Horn’s work intertwines literature, text, photography, video, drawing and painting to explore intimate moments. With a focus on liminality and coming-of-age, Horn observes people and their spaces. In her artistic process, she investigates time, memories, the body and its traces, the cautious intrusion of privacy, the aesthetics of reality, and fugacity. Her images take shape by exploring surfaces and objects, and they frequently unfold into spatial installations.
Anaïs Horn has exhibited work at Camera Austria, Graz; Paris Photo, Curiosa Section, Paris; and MAK-Museum of Applied Arts, Vienna, among others.
Anaïs Horn, Longing Ghosts in Deep Blue Paranoia, 2022, photography, drawing and installation, dimensions variable
Anaïs Horn, Les Fenêtres, 2022, photography and painting, dimensions variable
Anaïs Horn, Die Hand voller Stunden, so kamst du zu mir, 2021, photography and installation, dimensions variable
Anaïs Horn, You would wear it as pajamas and even to go out with it before breakfast, 2021, yukata object and several photo prints on crêpe de Chine, dimensions variable
Anaïs Horn, How do you feel about "Lou"?, 2020, photography and installation
