Past Residents
Thiago Honório
Thiago Honório’s research starts from a transdisciplinary matrix. It is fueled by a transit between the ordinary and the extraordinary, by an encounter of different temporalities from the experience between the private and the public spheres, from different kinds of knowledge and exchanges, based on procedures such as dislocations, collections, appropriations, cuts and assemblies.
Thiago Honório has exhibited work at Museu de Arte de São Paulo – MASP; Galeria Luisa Strina, São Paulo; and Museu de Arte da Pampulha, Belo Horizonte, among others.
Thiago Honório, Solo, 2017, roca head image from the 18th century, taipa and pau a pique, 1511/2 × 7013/16 in. (384.81 × 179.83 cm).
Thiago Honório, Trabalho [Work], 2016, tools used in the restoration of an electrical power substation, dimensions variable.
Thiago Honório, Boate azul, 2016, remaining material of Boate azul’s dance floor, designed by Brazilian artist Mary Vieira for Palace Cassino building, in Poços de Caldas, Minas Gerais, Brazil, cataloged and relocated to the previous Cassino da Pampulha building, actual Museu de Arte da Pampulha, in Belo Horizonte, Minas Gerais, Brazil, 5511/8 × 25913/16 in. (1399.79 × 659.89 cm).
Thiago Honório, Pau-Brasil, 2014, facsimile of Oswald de Andrade’s book “Pau Brasil” (1925) and pau-brasil wood, 63/16 × 51/8 × 103/16 in. (15.75 × 12.95 × 25.91 cm).
Thiago Honório, Pintura de parede [Wall Painting], 2013-14, worn out sandpaper on wallpainting.
Residents from Brazil
Past Resident2019: Yoko Ono, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, Jacques and Natasha Gelman Foundation, Danna and Ed Ruscha, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature
Martha Skou
Martha Skou is an interdisciplinary artist who moves freely between audible and visual worlds. Both analytical and experimental, her work toys with opposites in color, shape and/or sound. She has created personal universes surrounding her work both in her collaborations and solo projects. Her language is abstract and atmospheric, with compositions in spatial formats as well as two-dimensional media.
Martha Skou has exhibited her work at the Museum of Arts and Design, New York; Telfair Museums, Savannah; and Pioneer Works, New York, among others.
Martha Skou and Louise Foo, Earth, Water, Fire, 2017, wood, conductive ink, and electronics, 18 × 18 in. (45.72 × 45.72 cm).
Martha Skou, Aldante, 2017, textile installation, 55 × 200 in. (139.7 × 508 cm).
Martha Skou, Largo, 2017, textile installation, 60 × 60 in. (152.4 × 152.4 cm).
Martha Skou and Louise Foo, City Birds and Duet, 2017, wood, conductive ink, and electronics, 50 × 50 in. (127 × 127 cm).
Ground Floor Residents
Alison Nguyen
Yoko Ono, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, Jacques and Natasha Gelman Foundation, Danna and Ed Ruscha, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature
Mariajosé Fernández-Plenge
Yoko Ono, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, Jacques and Natasha Gelman Foundation, Danna and Ed Ruscha, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature
Joshua Liebowitz
Yoko Ono, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, Jacques and Natasha Gelman Foundation, Danna and Ed Ruscha, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature
Linda Reif
Linda Reif’s photographic image production tends toward sculpture and abstraction. Her work is strongly linked to an interest in lens-based media and methods reflect the unsentimental way she approaches photography. Her main focus lies in the distortion, the non-glossy impact of images, while investigating the vulnerability of photography and the poetic impact of sculptural display.
Linda Reif has exhibited work at New Jörg, Vienna; Treignac Projet, France; and periscope, Salzburg, among others.
Events & Exhibitions
Fall Open Studios 2018
November 9–November 10, 2018
Linda Reif, Nature Is a Mess and Someone Cleaned Up the Mess, 2017, photographic emulsion on cardboard, 11 x 11 in. and 10 x 7 in.
Linda Reif, Tu Felix Austria, 2016, photogram and Ytong, 13 × 11 × 15 in. (33.02 × 27.94 × 38.1 cm).
Linda Reif, Harvey, 2017, photogram, cardboard, and wood, 25 × 7 in. (63.5 × 17.78 cm).
Linda Reif, Nebulous, 2016, photographic emulsion on acrylic glass, brick, and spray paint on wood, 15 × 9 × 4 in. (38.1 × 22.86 × 10.16 cm).
Linda Reif, Pipe, 2018, photographic emulsion on cardboard and wire, 16 × 10 × 8 in. (40.64 × 25.4 × 20.32 cm).
