Past Residents
Past Resident2019: Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, Jacques and Natasha Gelman Foundation, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature2017: Farnesina Ministero degli Affari Esteri e della Cooperazione Internazionale - Ministry of Foreign Affairs and International Cooperation
Danilo Correale
Danilo Correale’s work analyzes various aspects of human life such as labor, leisure and sleep through the lenses of time and the body. His recent works focus on speculation about post-labor society, nonaligned subjectivities, idleness and withdrawal.
Danilo Correale (born Naples, 1982) currently lives in New York City. He is the founder of the Decelerationist Reader and a regular contributor to publications in the field of critical theory. His most recent publications include The Game – A three sided football match, FeC, Fabriano, 2014 and No More Sleep No More, Archive Books, Berlin, 2015. Correale’s work has been presented in numerous group exhibitions including the 16th Art Quadriennal, Palazzo delle Esposizioni, Rome, 2016; Pigs, Artium Museum, Vitoria-Gasteiz, Spain, 2016; Ennesima, La Trienniale de Milano, 2016; Kiev Biennial, 2015; The Museum for Modern and Contemporary Art of Bolzano (Museion), 2015; Museum of contemporary Art Donna Regina, Naples, 2014; Steirischer Herbst Festival, Graz, 2013; Fondazione Sandretto Re Rebaudengo, Turin, 2012; Manifesta 8, Murcia, Spain, 2010; Moscow Biennial, 2010; and Istanbul Biennial, 2009. Recent solo shows include Tales of Exhaustion, La Loge, Brussels, 2016; The Missing Hour: Rhythms and Algorithms, Raucci/Santamaria, Naples, 2015; The Warp and the Weft, Peep-Hole, Milan, 2012; Pareto Optimality, Supportico Lopez, Berlin, 2011; and We Are Making History, Entrèe, Bergen, Norway, 2011.
Danilo Correale, Boosted, 2014-2015, Digital print on silk and aluminium frames, 100 × 100 × 250 in. (254 × 254 × 635 cm).
Danilo Correale, Tales OF Exhaustion, 2016, Mixed media. Image courtesy of La Loge and the artist.
Danilo Correale, The Future in Their Hands (the visible hand), 2011-2012, 50.5 x 40 in. each.
Danilo Correale, The 13th Step, 2012, Postcards display, iridescent paint and 150 publications, Dimensions variable.
Ground Floor Residents
Hong Seon Jang
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Sarah Zapata
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Department of Cultural Affairs, in partnership with the City Council, Brooklyn Borough President Antonio Reynoso, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation, Hartfield Foundation
Sasha Wortzel
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation, Brooklyn Borough President Antonio Reynoso
Nina Bovasso
Nina Bovasso works mainly with paper. She takes pattern and design as a point of departure and expands upon them, paying attention to notions of confinement and homogeneity, and privileging the abject and overlooked. Her pieces often result in a kind of anti-design or pattern gone amok.
Nina Bovasso was born and raised in New York City, where she currently lives and works. Bovasso has exhibited her work internationally in solo and group shows. In 2016 she presented a new body of work of painted cardboard collages in a solo project at Josée Bienvenu Gallery, New York City, and in 2009, she founded the project space 1k projectspace in Amsterdam to present the work of other artists.
Events & Exhibitions
Spring Open Studios 2017
April 21–April 22, 2017
Nina Bovasso, Construction (Kimono), 2012, Acrylic on rice paper, 55 × 50 in. (139.7 × 127 cm).
Nina Bovasso, White Weave, 2016, House paint on cardboard on canvas, 16 × 20 in. (40.64 × 50.8 cm).
Nina Bovasso, Lighting the Way Past a Dark Object, 2012, acrylic, w/c ink and gouache on paper, 84 × 90 in. (213.36 × 228.6 cm).
Nina Bovasso, Wheeles, 2014, Acrylic on canvas (transfer technique), 30 × 40 in. (76.2 × 101.6 cm).
Ground Floor Residents
Hong Seon Jang
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Sarah Zapata
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Department of Cultural Affairs, in partnership with the City Council, Brooklyn Borough President Antonio Reynoso, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation, Hartfield Foundation
Sasha Wortzel
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation, Brooklyn Borough President Antonio Reynoso
Past Resident2018: Yoko Ono, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, Jacques and Natasha Gelman Foundation, Danna and Ed Ruscha, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature
Alexis Dahan
Alexis Dahan’s work is an examination of the different forms taken by the city’s erosion. He creates public interventions directly on the street by disrupting existing relations we have with common urban elements such as payphones, fire hydrant, pot-holes, fire alarms, news racks or cobblestone roads. He also maintains a studio practice where he creates sculptures that use the manufactured urban object as raw material to give it a new form and a new purpose. Dahan uses charcoal drawing to document some urban phenomenon that he finds particularly engaging aesthetically.
Alexis Dahan is a French artist and writer who has been living in New York since 2005. He completed his master’s degree in Literature and Philosophy in Paris and studied Journalism at New York University in 2007. Dahan had his first solo exhibition at Half Gallery in 2012. In 2013, Dahan’s installation We serve selected texts was installed at the entrance of Dia Art Foundation’s headquarters in Chelsea. Since, Dahan has had several solo shows in the United States and Europe, including a commission by the Art Production Fund and an intervention with the Fire Department New York. He has conducted and published interviews with artists including Joseph Kosuth, Jeff Wall, Gabriel Orozco, Lawrence Weiner, Giuseppe Penone and Barbara Kruger.
Alexis Dahan, Blue Puddles, 2014, Ultramarine dry pigments and water, Dimensions variable.
Alexis Dahan, Off the Beaten Tracks, 2016, Plaster, Dimensions variable.
Alexis Dahan, Payphones (Symmetrical), 2015, Payphones, 29 × 9 × 3 in. (73.66 × 22.86 × 7.62 cm).
Alexis Dahan, We Serve Selected Texts, 2013, Hot dog cart, Dimensions variable.
Ground Floor Residents
Hong Seon Jang
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Sarah Zapata
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Department of Cultural Affairs, in partnership with the City Council, Brooklyn Borough President Antonio Reynoso, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation, Hartfield Foundation
Sasha Wortzel
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation, Brooklyn Borough President Antonio Reynoso