Past Residents
Past Resident2023: Danish Arts Foundation2022: Danish Arts Foundation2021: Danish Arts Foundation2020: Danish Arts Foundation
Vibe Overgaard
Vibe Overgaard is a visual artist working broadly with installation, sculpture, performance, video, archive material and critical writing. Her practice is research-based and focused on a historical perspective on the economy. Often engaged in research on industry and production-relations of a specific location, her work links local circumstances to greater global-political questions and critique.
Vibe Overgaard has exhibited work at Hotel Maria Kapel, Hoorn, The Netherlands; Odenplan metro station, Stockholm; Floating Projects, Hong Kong, among others.
Vibe Overgaard, Circuit, 2022, installation and performance at Celsius Projects Malmö, ceramics, wood and thread, dimensions variable. Photo by Lena Bergendahl
Vibe Overgaard, Circuit, 2022, installation and performance at Celsius Projects Malmö, ceramics, wood and thread, dimensions variable
Vibe Overgaard, Autonomy in Constructed Space, 2021, single-channel video, 35 min
Vibe Overgaard, Manuscript on Accumulation, 2019, performance and ceramic sculpture
Vibe Overgaard, Untitled (Clay/wood), 2018, public work at Odenplan Metro Station in Stockholm, wood, ceramics and analogue photo-print
Past Resident2023: Artis, Office of Cultural Affairs, Consulate General of Israel in New York, ZAZ10TS, Tzili Charney
Noa Yekutieli
Noa Yekutieli’s work explores tensions between shared human experiences complicated by cross-cultural perspectives through a variety of craft mediums such as paper-cutting, handwoven textiles, and site-specific installation. Through images of landscapes and disasters, the artist examines universal patterns of destruction, loss, trauma, and memory, drawing on personal experiences as an Israeli-Japanese-American and considering conflicts related to assimilation and immigration. By incorporating patterns from various cultural contexts, Yekutieli attempts to investigate human systems in the emotional and political realms.
Noa Yekutieli has exhibited work at Contemporary Art Museum of Rosario, Argentina; Kunstmuseum Ahlen, Germany; and Nakanojo Biennale, Japan, among others.
Noa Yekutieli, The Chaos in Order, 2020, manual paper-cutting and xerox copies, 138 × 138 × 95 in. (350.52 × 350.52 × 241.3 cm)
Noa Yekutieli, Shoji Screen, 2021, manual paper-cutting, 597/8 × 971/4 in. (152.07 × 247.01 cm)
Noa Yekutieli, Not a place to rest, 2022, manual paper-cutting and hand woven textile, 471/4 × 371/8 in. (120.01 × 94.3 cm)
Noa Yekutieli, From Dichotomy to Color, 2022, manual paper-cutting and hand woven textile, 201/8 × 321/4 in. (51.12 × 81.91 cm)
Noa Yekutieli, Being There Absent, 2022, manual paper-cutting and hand woven textile, 825/8 × 551/8 in. (209.87 × 140.02 cm)
Residents from Israel
Past Resident2023: The New York Community Trust’s Edward and Sally Van Lier Fund
Clae Lu
Clae Lu is a queer, second generation Han Chinese American artist from Queens, NY. They identify as an artist, designer, cultural worker, and Chinese zither (古筝) musician. Lu believes in the power of the arts and grassroots activism to foster dialogue, reflection, and action.
Clae Lu has exhibited work at the Metropolitan Museum of Art; Elsewhere; and Wook + Lattuada Gallery, all in New York City, among others.
Clae Lu, MetFest Butterfly Lovers, 2021, performance
Clae Lu, Protect Asian Lives Rally, 2021, performance
Clae Lu, Rat_Royal_T at Bubble_T, 2020, performance
Clae Lu, Introspective Mother, 2013, charcoal on canvas
Clae Lu, Noodling Around, 2018, digital drawing
