Current Residents

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Current Resident: Feb 1, 2024–Jan 31, 2025

Mondriaan Fund

Studio #219

Artist

Antonis Pittas

Antonis Pittas’ work revolves around current social and political issues, marked by a profound connection to history. He creates spatial installations that respond to specific contexts, drawing inspiration from architecture, design, art history, the performative aspects of installation art, and its social dynamics. At the core of Pittas’ practice is the question about the relationship between the past and present. His practice delves into significant historical moments of destruction, decay, and resistance, playing a pivotal role in shaping his artistic narrative.

Antonis Pittas has exhibited work at Museum for Contemporary Art – Eindhoven – Van Abbemuseum, The Netherlands; Centraal Museum, The Netherlands; and National Museum of Contemporary Art Αthens (ΕΜΣΤ), Greece, among others.

antonispittas.com

Current Resident: Sep 1, 2024–Aug 31, 2025

OCA - Office for Contemporary Art Norway

Studio #220

Artist

Apichaya Wanthiang

Apichaya Wanthiang creates environments that activate embodied knowledge and somatic memories, exploring how different spaces shape our perceptions, behaviors, and interactions. She primarily works with painting and installations that incorporate light, sound, and text. While each exhibition centers on a specific theme, these serve as a prelude to examining complex and often invisible structures, such as the cumulative effects of racism or the impact of memories on our present actions.

Apichaya Wanthiang has exhibited work at Munch Museum, Oslo; Storage Art Space, Bangkok; and UKS Young Artists’ Society, Oslo, among others.

apichayawanthiang.com

Current Resident: Oct 1, 2024–Dec 31, 2024

Conseil des arts et des lettres du Québec

Studio #222

Artist

Stanley Wany

Stanley Wany’s practice spans large-format works on paper, illustration, and installations, focusing on his multi-ethnic identity and the reappropriation of Black representation in the West. His work engages with the concept of “creolization,” a term popularized by Martinican author Édouard Glissant, through its materiality and form. Central to Wany’s practice is extensive research, encompassing African-Canadian, African-American, and Caribbean history and culture, as well as African myths and traditions.

Stanley Wany has exhibited work at Galerie de l’UQAM; Plug In Contemporary Art Institute; and Ottawa Art Gallery, all in Canada, among others.

stanleywany.com

Past Residents

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