Past Residents
Past Resident2013: Canada Council for the Arts
Karen Elaine Spencer
Karen Elaine Spencer’s work questions use values and investigates how we, as transient beings, occupy the world in which we live. The notion of progress is challenged through the repetition of an action that leads nowhere. Metro-riding, rambling, dreaming, and loitering are among the activities Spencer folds into her practice. A project is sustained over time, often a year, and materials of our day-to-day existence are favored. Through a détournement of materials or intentions, Spencer intervenes into specific places, where she marks and is marked by spatial and social geographies. A current project, “hey! mike” the blog, is part of a multifaceted conversation with Mike Bloomberg, the 108th mayor of New York City. Here she questions a system whereby one person can be held up as a philanthropist without a basic acknowledgement of a deep lack of justice between all humans because “no one gets rich alone.”
Karen Elaine Spencer lives and works in Montreal, Québec, Canada. Since 2008, she has been active in a postcard and web-based project entitled Transient Traces, where she steals the words of others to then send these words to politicians and public figures. Her practice oscillates between work in the street, exhibitions in galleries, and disseminations via the web. In 2011, she curated the program Gosser le Furtif at Galerie Skol, Montreal. Her text for the performance group TRAFIC was published in the catalog “Lost and found/Les Bureau des Objets Trouvés,” and she was an artist in residence at The John Snow House in Calgary, Alberta. Her work has been exhibited across Canada and Europe. She is the recipient of the 2012 Powerhouse Prize.
Residents from Canada
Past Resident2012: Institut Français
Saâdane Afif
“Saâdane Afif ‘s work stands outside the usual networks of French contemporary art with a career and outlook that is increasingly international. Afif’s sculptures and installations exhibit a melancholic yet festive beauty. They delight in their own materiality and frequently incorporate light, sound, and movement, seducing the audience with a compact spectacle of son et lumière. His works demonstrate a whimsical poetry and robust sense of mortality; ghosts appear with regularity and there are repeated references to the passing of time and the inevitability of death, most clearly manifested in the recurrent motifs of the skull and the ticking clock. A fascination with music and music culture is also discernible in his works featuring microphones, amplifiers, and musical instruments. Many also include music as an active ingredient, particularly in the form of playlists or as outcome of an abstract translation of ideas. Since 2004, music has also influenced the creation and presentation of Afif’s work. At that time, he began inviting writers to create lyrics inspired by his works, a process of artistic delegation that he continues to expand today. Afif describes himself as a particle accelerator, provoking the imagination of others. […]” – Independent curator Zoë Gray
Saâdane Afif (born 1970, Vendôme, France) lives and works in Berlin. He has exhibited nationally and internationally, including Palais de Tokyo, Paris; Centre Pompidou, Paris; Witte de With, Rotterdam; MOT and Mori Museum, Tokyo; Wiels, Brussels; OPA, Guadalajara; Schinkel Pavillon, Berlin; Documenta 12, Kassel. He is represented by Gallery Mehdi Chouakri, Berlin; RaebervonStenglin, Zurich; Gallery Michel Rein, Paris and Xavier Hufkens, Brussels.
Past Resident2012: Danish Arts Foundation
Nanna Debois Buhl
Nanna Debois Buhl works conceptually with film, photography, drawing, text and sound. Combining text and images in various ways, her work is a continuous investigation of the relationship between aesthetics and ideologies. In previous projects, this relationship has been examined through a particular site, from a 19th century Danish amusement park to an abandoned Caribbean sugar mill, in order to investigate how histories and ideologies are inscribed in architecture and urban space. In recent projects, Buhl examines how signs are created and how meaning can change over time and between contexts. In Street Haunting, found photographs are presented alongside diverse readings from five psychics, while Dearest. I Will Be There on Sunday features 63 vintage postcards all depicting the same motif.
Nanna Debois Buhl (born 1975, Denmark) received her MFA from The Royal Danish Academy of Fine Arts in 2006 and participated in The Whitney Independent Study Program, New York in 2008-09. She has exhibited internationally, with recent shows including: Art in General, NY; The Studio Museum in Harlem, NY; Bureau, NY; Lunds Konsthall, Lund, Sweden; Ar/Ge Kunst, Bolzano, Italy; Kunsthallen Brandts, Odense, Denmark; and Herning Museum of Contemporary Art, Herning, Denmark. Her work is in the collections of the Museum for Contemporary Art and The National Museum of Photography in Denmark. In 2010, Revolver Publishing published her artist’s book A Journey in Two Directions and the collaborative book City Grammar (with Liz Linden). Her work has recently been reviewed in Art in America, Art Forum, and The New York Times.
Events & Exhibitions
Nanna Debois Buhl: Street Haunting
September 19–October 26, 2012